Specially put together for Jizzy’s current UK engagements,
the band although only two gigs in, sounded tight as ever. The set was jam packed
full of fan favourites with the band playing a combination of hits from ‘Wasted
in America’ including ‘Yucca Man’ ‘Happy Hour’ and ‘Evil Twin’ alongside
Blackout anthems such as ‘…Dope’ and a quick-fire rendition of ‘Blackout in the
red room’. Jizzy commanded the audience throughout and it was regarded by many
as one of the must-see sets of the weekend.
Next up, Bang Tango.
Although cancelling their other prior UK engagements outside of the festival,
they still graced the stage at HRH and thus made this appearance even more of a
rare treat. The instant the band hit the stage they were reminiscent of Faster
Pussycat in their earlier days with a gritty snot-punk attitude and sleaze
oozing from their every pore. Playing to a more passive audience than Jizzy
Pearl’s Love/Hate, their sleaze rock hooks and hedonistic agenda was sadly lost
on those beyond the first few rows.
Feel-good rockers Autograph
turned things up a notch, as they do best. (Although, no radios in sight this time!)
Whilst they are best known for this upbeat anthem, this seemed to be enough to
seduce the curiosity of the crowd and draw people in to get to know more.
Overall an entertaining and fun set from the band but unfortunately, we had to
dash off mid-set for a date with Miss Lita Ford. (That’s not something you get
to say often!)
Dashing back up to the arena post-Lita, we managed to catch
the remainder of FM’s set. A
masterclass in melodic rock and the true definition of AOR. Consummate
professionals throughout, FM provide a glossy, high-quality performance and hit
the audience with arena-sized anthems such as ‘Let Love Be The Leader’ and
‘That Girl’ – all of which wouldn’t be out of place in the best and cheesiest
of 80’s action movies, which is of course no bad thing.
The day finally closed with the lady in red that we’ve all
been waiting for, Lita Ford.
Although initial sound problems affected the beginning of the set, there was no
stopping her.
With an incredibly strong band backing her, Lita is a tour de force of a
headliner not to be messed with. She speaks honestly and openly to the audience throughout, just as she as she does in her
autobiography, and envelops us with her warm and welcoming aura.
Although an icon, Lita isn’t afraid to have fun on stage, notably demonstrated by her selection of Ozzy ‘Howie’ Osbourne from the audience to mime along with her on hit duet ‘Close My Eyes Forever’ – definitely an uplifting twist on the song! Throwing The Runaways ‘Cherry Bomb’ into the set as well as Sex Pistols cover ‘Black Leather’ kept it fresh and interesting throughout. Ending the night on 80’s classic ‘Kiss Me Deadly’ the crowd retired from day two of the festival with their thirst for rock and roll severely quenched.
Although an icon, Lita isn’t afraid to have fun on stage, notably demonstrated by her selection of Ozzy ‘Howie’ Osbourne from the audience to mime along with her on hit duet ‘Close My Eyes Forever’ – definitely an uplifting twist on the song! Throwing The Runaways ‘Cherry Bomb’ into the set as well as Sex Pistols cover ‘Black Leather’ kept it fresh and interesting throughout. Ending the night on 80’s classic ‘Kiss Me Deadly’ the crowd retired from day two of the festival with their thirst for rock and roll severely quenched.
Review by Lynn Carberry
Pictures by Darren McVeigh - to view all Darren's pics from HRH AOR 2017 click here.
Pictures by Darren McVeigh - to view all Darren's pics from HRH AOR 2017 click here.
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