Pick Your Rock and Metal

Wednesday, April 06, 2011

Lizzy part with Campbell

THIN Lizzy are to split from guitarist Vivian Campbell...and this time it's not because a guitarist is leaving as a result of musical differences.

Def Leppard Instead Campbell is returing to axe duties. Lizzy will replace Campbell with Richard Fortus, last seen wielding a six-string with Guns 'n' Roses.

Campbell's departure will be ahead of Lizzy's Slaine Castle appearance on the Kings of Leon undercard.

It also ends any speculation that Campbell would be double-jobbing for the Def Leppard, Alice Cooper, Thin Lizzy Odyssey Arena triple header in June.

Tickets are still available for the Odyssey gig for those of us who cannot afford to travel to Donington for Download!

Friday, April 01, 2011

Inflammable political material

STRANGE times are with us - heaviness abounds and doom-laden skies....ooops almost started writing a short story there. Just a quick note instead to mention a couple of things.

First - today I couldn't be arsed at all noting down all the upcoming gigs. Especially since Phil and the Rock Radio NI has already done it - comprehensive local listings check! Move on to next piece of waffle.

Elections are boring - right? Well at least there is now a wee music connection. Former Stiff Little Fingers sticksman Brian Faloon (he was the one who played on Inflammable Material) is standing in the Assembly elections in South Belfast for the People Before Profit Alliance. Good luck Brian!

Now this is enough for now as I'll need some beer before progressing further!

Monday, March 28, 2011

That would be an ‘eavy spring programme then...

THE daffodils are emerging tentatively through the drying soil, and lambs are bounding through fields, self-tenderising for the barbecue, and the Ormeau Road is being blitzed with some ‘eavy fuggin’ metal.

Yep, The Distortion Project’s spring programme has moved into high gear with April and May looking like a sonic wasteland of vibes to smash any sunny smiley thoughts that might have been pushing through your winter gummed eyes.

Last week alone we saw Darkest Era launch their début platter. Have to confess we (as in me and my son) were disappointed to miss this one, as Darkest Era performed way back at the first No Fake ID Required* gig. Krum electrified the crowd by plunging into the midst of a crowd of sweaty moshing teenagers.

Good luck to them, but as if that wasn’t enough to prepare you for the clocks going forward then hold on to your wee satanic cotton socks, because...well the line-up tells all.

In no particular order...Honey For Christ launch their new album ‘The Cruelty of Great Expectations’ on April 9th; “experimental-terror-metal noise heroes “ Today is the Day" play the Spring and Airbrake the night before; Hellbastard bring the ‘Bastards over Europe’ tour line-up to Auntie Annies on the 10th; and then we move into May…

Soilent Green land in the Limelight on 11th May, Welsh deathheads Desecration pop up in the same place the next day; and then we have the small matter of My Dying Bride on 22nd May at the Spring and Airbrake.

Look I could go on endlessly about support acts, ticket prices and availability, but as a former full-time journalist and current part-time chancer (well I work in PR, what do you expect!) save me the bother and head over to The Distortion Project and read, as they say, all about it!

Anyone else wanting gigs, events, metal weddings, black metal bar mitzvas, grindcore internments, or thrash metal formals mentioned email me. [PS – we also do album reviews!]


*No Fake ID Required was a name that a crowd of ne-er do wells used for two all-ages hard rock and metal gigs. I came up with the name when we were ensconced on sofas at Ossia Music School. As Paul, Stephen, Alli and Laura were all present there is collective ownership of the name. You may, of course, want to use it, but only with written permission from all of the above, your request being sent in your own blood Manowar style. Or send us a large amount of unmarked, non-sequential £50 notes in a brown envelope, which we will split and donate to the continuing profits of Jagermeister and Jack Daniels.
You may have noticed that included in this article are some links to the acts, which go to album links or MP3 download links in Amazon.com. Please do not feel obliged to buy from any of these links, but if you do Mr Arthur Guinness and Mr Jack Daniels will have your undying thanks. My liver on the other hand...

Saturday, March 26, 2011

Tasty trio of delight

CAUTIONARY NOTE: This isn't a review. When you pay in you shouldn't review stuff. This is an opinion, rather than a structured review. Also I suffered a severe allergic reaction...light headed and blurred vision on the night in question. Some have said it was the Guinness...mayhap they could be right!

Anyhoo - after that tortuous note on with the point of this wee blog post. Last Saturday night those kind and occassionally reliable people at Translink managed to deliver me safely to the comfortable confines of Ye Olde Limelight in that fashionably desolate Ormeau Road. Asides from saying hello to some old acquaintances (hi there Sid, Kyle, Martin, Mick etc) and finally f-2-f with Seatzie the purpose of the journey was to finally see Trucker Diablo live.

But first there were a couple of other musical appertiffs to be had.

A band I had not seen before are Third Harvest (I think that's what James at DP said!) and if it was something else I apologise as I was relatively sober at that point. They were very, very, very tight, prodicing an amalgam of styles ranging from progressive metal arrangements to straight forward heads down; all nailed down to within the finest breadth of the high 'e' string. Get in touch guys, would love to hear some more and get some background.

Next up were Soundstone.I confess that I have a soft spot for Soundstone. There is a rough and ready strut about them that always appealed, not to mention Adrain's tasty lead playing. Last week they were a bit looser than normal, owing to lack of gigging, but there was that nice wee look about them that speaks of a band than can sleaze about in any company.

Trucker Diablo enticed me when they forwarded an e-version of their album to assault my ears. There was that certain something about them that an old wrinkly rocker like me can't ignore. They're a party band, a band up there to lay down the riffs, tear up the night and leave you wondering why they're not on tour with an international package - hey there's an idea; The Answer, M$R, Trucker, S/Stone and LKA (plus any other NI bands you care to mention - ripping venues a new arsehole.



Okay - enough of wishful thinking and diversions - I'll not belabour the point but I was Drinking Beer, Trucker Destroyed, and later on that night and early the next day I felt as if the Big Truck ran me over. If you don't get those references, get the album 'The Devil Rhythm, get the beer in and enjoy yourself til your wee cotton rockin' socks are ripped off in sheer rockin' metal delight.

Friday, March 25, 2011

Get a reality check - please take a chill pill!

OKAY here's a wee step outside the norm for this blog - a serious rant. I have noticed of late a serious and committed attempt to big up the Northern Ireland rock and metal scene. And it is getting ever more healthy if you haven't noticed. With the Diamond Rock Club, the Distortion Project, Ma Nelson gigs and various other things going on, it's healthy.

But there are some people that slag off those trying to get the shit organised. The simple equation is that if you want in, fair enough, if not, also fair enough. The promoters, the bands, the venues are all pretty much in it together. But the point to make here is not that what they are all doing is not worthy - rather they are doing it out of love of the music.

While you are raging at some perceived injustice about people doing what they love please, please take a step back. They're not harming anyone, and through efforts such as charity fundraisers are doing a lot of good.

Local bands need outlets for everything from album launches through to just being seen; that they are prepared to do some good is even more laudable.

I want anyone who thinks about slagging off anyone else to take a look at the two photographs below. Just for a moment think about your priorities.


I've lifted them from the BBC website and apologies to the Beeb, but there is an important point I am making.

We all need a sense of perspective now and again. These images have haunted my dreams more than anything else in recent years.

Right now there are hundreds of ways that you can help: head to a charity gig, take part in some of the work Iron Maiden have done, or even just log on to the Red Cross appeal.

But most of all, next time you think about having a pop at somebody else, realise what you are doing, and have a pop at something in the real world. If we are here talking about heavy metal and hard rock, it's not going to change governments or spread democracy in oppressed lands. It's just a music form; a very important music form to all of us who listen, but not the most important thing.

As I look at the images above I sort of wonder about the heavy metal bands from Japan like Vow Wow, Loudness and Anthem. I haven't looked at their sites because of the enormity of the earthquake and tsunami because I feel like a moral coward, sneaking a voyeuristic peek at a tragedy.

Right - I've ranted, and mixed several non-coherent themes, but I've got it off my chest. Normal service will now return. Thank you for reading and tolerating this crap!  Now everybody chill the fuck out!

Wednesday, March 16, 2011

No escape from the the Dillinger Plan

THOSE complicated, resilient little old 'mathcore' scamps Dillinger Escape Plan will be returning to Belfast for an August 4th date at the Spring and Airbrake - 24 hours after Iron Maiden rock the Odyssey, it's a perfect way to chill out after the Maiden over-the-top (and worthy) theatrics.

Priced at £14 (+£2 booking fee) the gig will see the New Jersey crew lay down, once again, their complicated and heavy hitting tracks backing the 2010 Option Paralysis release

Full DEP profile and gig booking details here.

(Although worth noting that some of the info is out-of-date in terms of what is the latest release from DEP)

Monday, March 14, 2011

You can’t fake greatness

THE thriller writer Christopher Brookmyre* has the protagonist of one his fine novels utter the lines: “Irresistible allure of nostalgia for the aging male who’s pining for lost youth. How the hell else could SLF and The Buzzcocks sell out venues in the late 80s?”

Back then the jaded, backcombed fashionistas would never have forseen the enduring appeal of SLF. The Buzzcocks may still be knocking around, but I neither know nor care – Belfast’s finest seem to be enduring.

Equally Brookmyre’s lines tell the lie that there the audience for SLF will be eternally on the wane as audiences’ age and styles move on.

If you were among the fortunate to be in the sell-out crowd on Saturday night (12th March) you will know that the age of the fans means that Stiff Little Fingers can have no doubt that a new generation of fans is developing and maturing in its taste for Rigid Digit fury.

For them each old tune was greeted as much like a new track, with the same verve as if it had been a hotly tipped track of some young outfit caught on a sampler CD.

For those of us of – ahem – a certain age the old and not-so-old tracks are greeted like old friends, friends to share a drink, a laugh and gale of not so restrained chants.

Even more unexpected was the excellent set from The Defects.

For those who missed out on the late 70s and early 80s Belfast punk scene, The Defects were amongst the motley crew of oiks like Rufrex, Rudi and the Outcasts who were born amid conflict, from the wombs of the Harp Bar, The Pound, The Labour Club and other even less salubrious venues.

For them – like SLF – the authority of the police and the pseudo-authority of bastard paramilitaries was to snubbed, ignored and generally taken the piss out of.

For each three-minute blast of fury on Saturday it was like punk never left – and it never really did. Tunes like Dance (Til You Drop) and Brutality have an elegance that those who slagged off the surface idiocy never understood, nor took the time to see them in context. But by scabs of history were well and truly ripped off to see the bleeding, pulsing sore that created Belfast punk newly exposed to the slightly stale air of the Ulster Hall.

Even more heartwarming was to hear kids chanting along to the words of Brutality who were still in primary school when the RUC became the PSNI, and an abbreviation that produced a less musical chant than the time-honoured “SS RUC”. That did earn the frowns of at least one bouncer who would have been graduating into the big school at around the same time.

If The Defects produced a set to warm up the Ulster Hall Stiff Little Fingers set the temperature dial to inferno: the teasing strains of Go For It coaxed every single soul to readiness before a storming, frantic ‘Roots, Radicals, Rocker’ blistered into action.

It was apparent that the pace was being upped, as each and every song seemed to have a tempo designed to either sweat the crowd into submission, or pack as many tunes as possible into the time span.

‘Just Fade Away’, ‘Tin Soldiers,’, ‘Wasted Life’, ‘Fly the Flag’ were among the tracks given a heart-stopping treatment. But the sheer speed of delivery didn’t diminish the playing, or the crowd’s response.

As alluded to, it was a crowd that spanned generations – from kids barely into their teens (and at least one on the balcony not yet to reach that milestone) to those about to end their fraternising with the 40s as the 50s looms – and it is a testimony to SLF that they can engage such a wide age bracket.

And there was also a sense that the political agenda of Jake Burns lyrical stance has come full circle. A majority of tracks aired where written when Thatcher’s Tories were waging war on the working class. Now the ConDem Coalition Government’s mantra of cuts is slashing working men and women’s wages and prospects, SLF aired a new song about how the bankers are basking in bonuses while public services are slashed and burned out of existence.

SLF will never, by themselves, make a change in the political landscape, but part of the enduring power is that Jake reminds us that there can be a sense of fairness that we can aspire to, there can be an alternative view outside the mainstream zombie inducing media, and there can be independent thinking.

But, as yer man also pointed out, just because ther're "miserable gits", doesn’t mean they can’t have a laugh at themselves – hence a rousing Barbed Wire Love.

And in each track from ‘Suspect Device’ through to lesser known sings such as ‘Harp’ [and by my bleeding wee fingers I love that song!] the mikes on stage were picking up the crowd’s singing. At a vantage point close to the stage right PA system the crowd’s response was a counterpoint, an enhancement, to every chorus, and every chant – all produced without a prompt, or poser’s preening for crowd response. SLF had an audible backing group of 1,000+ and the onstage directional mikes weren't pointed at the audience...

Encores produced one surprise, one not-so-surprise and a lot of sweaty burling about and pogoing.

Jake has always spoken and sang about how Joe Strummer’s influence on him – I paraphrase here, but Rory Gallagher gave Mr Burns a reason to pick up a guitar, and Joe gave him the passion to keep on playing.

Thus, when ‘I Fought The Law’ burst out it was an almost state of ecstasy that swept the crowd. Welcoming Ricky Warwick on to stage we were invited to “Please be upstanding for the National Anthem” and ‘Alternative Ulster’ seemed for some to round off the evening.

But checking out your standard SLF resumé there was the small matter of ‘Johnny Was’ that was an inevitable second encore – and the Ulster Hall was working harmonies along to the pathos of the Bob Marley song.

SLF will never be great in terms of the shallow measures of Pop Idol or X-Factor (Take ‘Guitar and Drum’ and shove it up Cowell’s superannuated arse if you ever meet him!). Nor will mere accountants’ figures of sales or cashflow measure or account for the longevity of SLF; or why street kids, metalheads, hard rockers, ska types, old skinheads, thrashers, and, of course, aging punks turn out to see the ‘Fingers.  For all the banter, all the self-deprecation, SLF are a band that will never be accorded accolades, but will always, always have a measure of greatness that few can aspire to.

And that greatness was bursting through in the Ulster Hall in what in this humble reviewer’s gigs was one of the most electric gigs I have seen SLF play since the tension filled fury of the Go For It tour gig in the same venue. In fact it was much better.

Stiff Little Fingers – the punk band that could play; the rock band with punk sensibilities; the pop punk progenitors; but most of all, Belfast’s finest bar none.



ENDS

PS – I am fuckin’ biased but I don’t care, because there are a lot of us biased towards SLF too!
* - Country of the Blind: Christopher Brrokmyre P121 Abacus 2002 paperback

Friday, March 11, 2011

Holy Christ it's a new Honey for Christ album!

Making plans for April? Mark a date in your diary for Saturday April 9th before you do anything else!

Veteran metallers Honey for Christ unleash their début full-length platter of heaviness on that date in the ye olde Spring and Airbrake - courtesy of the Distortion Project.

With the tantalising title of  "The Cruelty of Great Expectations", those hungry to gather up the tunes can lay your grubby mits on it that night, for copies will be there for you to pass over the pounds to listen to the pounding tunes.

And if that wasn't enough to tempt you out (and if not you may need a metal transplant, or a good excuse from your doctor!) Honey for Christ will be joined by Condemned and Rebels by Nature (as well as another act to be confirmed!)

Doors are at 7pm and entry is a paltry £7.

http://www.honeyforchrist.com/

http://www.myspace.com/condemneduk

http://www.myspace.com/rebelsbynature

Sunday, March 06, 2011

At your own risk...or at mine if you comment... :)

If, at this point, you continue to read further you do so at your own risk...below is a short story; if you chose to progress you will discover that I may have won awards, been commended for my journalism, and even on occassion ghost-written heavy political stuff, but leave me alone with Uncle Jack and cousin Carly then the result is short stories...in this case a slightly daft one..let me know how daft you think it is!
1



Four years of fighting, and no sign of victory.



Another year and he could retire to teach at what was left of the Academy. Four years and only two days of respite per month. Just 96 days of relief. In his hands he played with the headset. Such a relic. They were his only real respite, a window to a past gone for more than 900 years. A relic that had been left from his long-dead relative, passed through generation after generation, with none knowing what the silver discs contained.

Each month he had sat, connected to the dumb terminal, researching, reading what ‘ware he would let into his mind, always careful that no neural bombs had been left by the ‘bots.

Finally, two months ago he had broken the code, assembled a converter and copied the files to his ‘ware. Almost 2,000 files lay within, each labelled with obscure titles, and even more obscure names and organisations. It was another month before he dared to open one, fearful that the ancient codes would have decayed and corrupt his neural interfaces. When he finally opened them he was shocked for the first time since joining up in the ‘ware marines. He expected codes, ‘ware, even text downloaded via the ancient headset. Instead, three brief lines from someone whose name had been lost in the centuries passing, explaining the concept of music.

Music, a small word. A word that he had to look up in the library ‘ware. It was a word and a definition that baffled him, until the first chords blasted through the headset. He had laughed in shock.


Now it was his only solace. He had to face up to probable defeat. Commander of the Software Division of the United Earth Space Marines, and commander of a division that was slowly, but surely being defeated by the ‘bots. There had been some glimmer of hope this past three weeks, but until he could marshal a counter-attack…

2.

“Sir, the divisional reports are ready to be uploaded,” said Samuels, his Exec Officer, who bustled into the room, still smelling of the stimulant he tolerated, but frowned upon; especially it’s use among his Official Cadre officers and ‘ware specialists. It might keep them awake and alert for a few extra minutes in death space, but it made them rash and, at times too impulsive against the ‘bots.

“Okay Samuels, thanks. You had any downtime?”


The man had been a competent marine when programming, but lacked the inherent strength of visualisation while in 'ware time. Where most marines visualised rich tapestries of sound, vision, smell and touch, Samuels preferred the quiet visualisations of boardrooms. It matched his straight bearing, impeccable uniform and angular face. Topped by the neatly trimmed grey hair he looked less like a marine and more like a member of the administrative cadre. He was in total contrast to the dishevelled demeanour of his commander.

“Yes, sir and I’m due relax trance tomorrow.”

“Okay, dismissed.”

Relax trance. What a stupid word combination. It was nothing to do with relaxing. The trance was designed to age his men and women. Their fights with the ‘bots were in a world where time was measured in a different framework compared to the rest of the human population. His four years in the wars had seen normal time fly by in a blur of more than 50 years, his body ageing slowed by the perverse nature of the quantum world the ‘bots occupied. The ageing was necessary, because without it the brain systems would overtake the neural wetware that bridged complex brain areas; a pathway of tiny interfaces measured in diameters of electrons and neutrons. The interfaces crossed posterior parietal cortex and anterior cingulate cortex, effectively linking the motion-processing areas of visual pathways and body-mapping areas.

The sense of space constructed by this cortex was linked to the cingulated cortex, using its focus and crossroads between planning and emotional impulses in the brain to translate higher functions and boost attention. The link enabled the visualisation of colours, environment and other interpreted senses from the battlefield, using the impression of senses to do battle in the quantum world where the bridges of intervention changed every aspect of the virtual battlefield.


Just another year. Even he, commander of the ‘ware marines, was limited to five years’ service – almost 70 years in real time. Any longer and the risk of akinetic mutism from damage to the anterior cingulate cortex increased exponentially. He’d seen too many friends, too many of his marines struck down with q-syndrome, as the soldiers had dubbed it. A weird zombie-like state first clearly understood and then diagnosed correctly almost 1,000 years ago. It had been known about for years before that, but the damage they incurred in the battle with the ‘bots was irreversible. Zombies with full consciousness, but no motivation, no urge to move, to do anything, not even speak. All who suffered were discarded from the service. The lucky few were given terminal neural interface connections by their relatives. It was a merciful death.


“Think too long on this shit and you’ll never hook up again Jonas,” he thought, suddenly deciding that it was time for work. The division was so depleted of resources even the commander was forced to enjoin the battles.


He donned the headset first, loading up another song, from what he presumed was a 20th Century religious movement, Blue Oyster Cult. Veteran of the Psychic Wars.


“How fucking appropriate!”


3.


Earth colonies had been gradually, slowly and cautiously exploring their distant corner of their galaxy for more than two centuries since they first mastered the art of sending drones to terraform uninhabited planets and then leapfrogging them with the sub-light driven ships, delivering colonists desperate to escape the dying throes of Earth.


Within 150 years more than 500 planets had been colonised, and then the first contact with the ‘bots came, bringing what seemed to be the beginning of the end. The ‘bots had appeared as physical ships to the first colony that they contacted. A ship set on course to colonise in their own unique way by a civilisation many millennia ago. There was no explanation offered by the ‘bots; no physical contact, simply the gradual neural dominance and extinction of the host via attacks based on a weird combination of imagined space and quantum physics. Their mission appeared to be simply to eradicate all biological codec that did not conform to their DNA and RNA sequencing programmes. At a rough estimate less than 20 per cent fitted their approved sequence.


Thankfully more than half of that fortunate few of the original colony decided that they owed it to the rest of humanity to warn them of the insidious invasion and slaughter that it precipitated.


Now there were less than 50 colonies, plus Earth system resisting, and more than 35 billion ‘defective’ DNA sequences eradicated. Samuels mused on the war. He’d been welcomed by the ‘Bots and carefully groomed in q-space to work on their behalf with the only force still resistingassimilation, the ‘ware marines. He thought sometimes of the people he’d helped kill through passing on ‘ware specs. He thought of their deaths. Sometimes he cried. Then, as he linked up with the willing survivors he felt the community of brain linkages that joined humanity with the long distant creators of the ‘bots – one huge galactic wide net of linked individuals and colony ‘bots. An efficient process, ordered and quiet.


To help him in his position as an infiltrator the ‘bots downloaded specialist ‘ware to his hippocampus. The convergence of neurons and their snapshot imagery of the rest of his brain activity was a perfect base for capturing and re-imaging neural activity to make Jonas and all his associated colleagues in the Human Defence Forces think of Samuels as nothing more than a dull but loyal EO.

Unfortunately the ‘ware managed to create chaos within a small section of the cerebellum that controlled sweat glands, leaving him with the whiff of coffee, long-outlawed in its concentrated form in the colonies.

4.


Whatever organisation had been called Black Sabbath soothed Jonas with their sweeping aggressive music as he coursed through the battlefield, fending off ‘bot attacks, launching counter-attacks through neural viruses. The q-fields were adapted according to each marines’ own personal visual interpretation. His choice was an ancient game, played by his ancestors through clumsy visual interfaces. They had been called role-playing games and first-person shooters. The names were appropriate to what was his job. Cutting through swathes of code, using every type of programming language ever invented by humanity to sabotage the ‘bots manipulation of quantum fields. The very processes humanity had used to speed its computing capabilities to colonise their corner of the galaxy had been turned against them. Only the speed, flexibility and adaptability of the human brain could now provide a counter.


Black Label Society switched to Kiss, before Metallica took over...

For the first time in months they were making real progress. He switched to the separate ‘ware controlling his divisional deployments, marshalling a counter-thrust in three separate sectors.

The Offspring played on, followed by Alice Cooper focussing his mind...


“Sector four, press forward, div. two, they’ll drive into that noose you’ve got forming. Lock those codes in there. When they try to break through in binary, lock ‘em down and release neural bombs.” he projected to his divisional commanders, before switching back to his own field of combat.


Led Zeppelin, System of a Down and then Nine Inch Nails...


5

“I don’t know why he won’t just die,” Samuels projected to the ‘Bots. His own visualisation was of a boardroom, appropriate for an Executive Officer.


“I’ve released every neural pathogen, every neural bomb and dozens of viruses. He seems to have a way of combating each and every one. And some of the Marines seem to have developed that same ability.”

The ‘Bots, shed of the crude machinery that most of humanity believed them to be, appeared as fields of shimmering material in q-space. Their every move and his every observation changing the matter and the visualisation.


“What is music?” one asked.


“I don’t know.”

It seems to be the virus they are using,” the ‘Bot replied. “It is like a wall, which we cannot penetrate, and we cannot sequence quick enough when they have it activated to fight them off. It is not appearing on any of the pathways we map of the Marines ‘ware, nor their physical neural activity.”



“What is an Ozzy?” another asked.

I don’t know.”

“What is a Motorhead?”


“I don’t know.”

“What is a Ramone?”

“I don’t know.”

“What is an AC/DC??


“I don’t know.”


The boardroom shuddered.

"The Marines have breeched all our secure neural sites.”


“What, you told me those were the hubs to…”

“There’s something coming along…”

“You told me you couldn’t lose…”

“Samuels, what is headbanging?”

His boardroom exploded, the visualisation cut apart by seeming arcs of fire and explosions. Walking through the debris was Jonas. The image was one of a man 20 years Jonas’ junior, carrying an ancient projectile weapon and laughing. As he fired the weapon the quantum fields slithered and rolled, the programming languages cutting the ‘Bots internal integrity down to nothingness. Samuels knew he was seeing Jonas’ visualisations. And if he could see them, quantum law dictated that both he and the visualisation could be altered by that observation. He had to think fast, alter the vision before Jonas…


“Hey Samuels!” Jonas called out at him. The tired Commander was laughing. His hair seemed longer and he was dressed in ancient combat fatigues.

“Hanging out with the our low-life robotic quantum motherfuckin’ friends. It’s fuckin’ crazy man, we’re getting them beat.” He seemed drunk or high to Samuels.


“It’s not how they think it goes any more. We’re winning and we won’t live as slaves to these small quantum fuckers. If only they’d learn how to love us, and forget to hate us. Maybe it’s not too late for them. Will your mental wounds heal before I kill you.


“No guess not, all aboard the Crazy Train - you’re gonna die traitor.”


After the loud blast of the projectile weapon cutting across quantum space, Samuels heard a maniacal laugh and someone screaming, “All Aboard’. Samuels’ treachery died along with him.


ENDS

Tuesday, March 01, 2011

Infectious grooves and raucous riffs

WHEN it comes to infectious grooves and raucous riffs are delivered hard and to the point in Last Known Addiction’s début release, One Left Standing; there, that’s the review over.

No seriously that would be enough to tell all that needs to be told about the band’s release to make you run along and part with the cash.

But there is a little more depth to this release than just another platter of tunes. There are a few niggles, but what band hasn’t experienced these trying to place hard crafted tracks down for the first time.

Above all, this release showcases a fine sense of song writing. Around The World, Always Coming Home and Preach stand out. These tracks take the tried and trusted hard rock formula and wring its neck with fingers clenched round guitars, pummel its melodies with fine tuned sensibilities and douse the whole lot with petrol-soaked Northern Ireland attitude.

The whole album sees the band as the bastard sons of an unholy union between Black Stone Cherry, The Answer, Lynyrd Skynyrd and Foreigner – with Lemmy present at the birth.

Yes there are a few wee problems – Bring It seems to be two different songs pushed into one, and the start of the excellent Always Coming Home seems a little muddy (but that could just be my copy). But these are tiny blips when seen in the context of a rather excellent CD!

But, this is not a one-dimensional band. On One Left Standing Last Known Addiction display a talent for honing their skills on more sensitive tracks– Simultaneously and Fight.

Album closer Fight is a particularly haunting acoustic track, delivered with rare passion and heartfelt singing.

It is not unfair to say that there are many so-called singer songwriters who would sacrifice a limb to be able to pen something this good.

Overall, One Left Standing should be regarded not as a good release from a local band; it should be considered as an album fit to adorn the shelves of any CD rack in any store across the western world.

Also this is a reflection as to just how good the hard rock talent is is pouring out of Northern Ireland. Never mind England; never mind Scotland; never mind Wales; and never mind the US of A. Last Known Addiction, Trucker Diablo, Million$Reload and a host of others are leaving the competition in their wake. With The Answer soon to release a new album A&R men take note – we’re coming and let no-one stand in our way. Kick The Tyres of the opposition, this Nation is one coming for you all.

Monday, February 28, 2011

Coming later

Coming later...Review of Last Known Addiction's début release 'One Last Standing'

And...why you should never let canines listen to Slayer...the doggie assisination attempts become less subtle..Episode One - Make your Master scald himself by walking behind him as he attempts to walk to sink to drain pasta...

Wednesday, February 09, 2011

Musing on tragedy

WE have an inclination to muse and dwell upon tragedy, even assocating ourselves with the Facebook pages and liking the campaigns they spawn: for there is nothing more poignant than not being able to express how a distant, remote figure has been able to touch us, lift us, or even just make us smile with what they did in the public eye.

Of course there is the faux fawning associated by Royal wrecks and celebrity no-marks when they shake off the mortal coil. But when a muscian - and I mean a true musician of any genre - passes it sparks off a reflection.

Too often this glosses over the idiosyncracies and flaws of that musician, not reflecting that it is those same idiosyncracies and flaws that were part of the genius.

That is partly why I have been a little reluctant to post about Gary Moore's recent tragic death.

I had the privilege to see Mr Moore play to a packed Ulster Hall in the 80s, at a gig during which he was joined for the encore by one Mr Phil Lynott.

It was during Mr Moore's metal phase. Whatever inspired Mr Moore to beef up his sound, gather journeymen hard rockers like Bob Daisley around him and go all metal, it was an electric evening, A sign that I am getting old is that I can remember most of the set, but not the surname of fellow Boy's Model pupil Jeff with whom we went into town to get autographs (whatever happened to my old biker jacket that had all the autographs on the lining...) from the band.

Asides from Moore's output in the 80s and his Lizzy contribution - Black Rose being a true highlight for both Lizzy and Moore - I will not profess to be one of his 'biggest fans'. If as many on various posts and tweets were his greatest fans then all his albums would have sold millions each and every year.

But that is a petty thought, and one that deserves noting but nothing else.

Mr Moore was a true guitarist guitarist. I never really 'got' the Colliseum II jazz-rock, and found the blues stuff had amazing playing but not totally to my tastes, but no-one could, or should ever deny that Mr Moore was a great among axe-slingers of any generation. This was a man, who as a 16-year-old was playing with the proto-Lizzzy Skid Row, and churned out an amazing variety of styles throughout his career with a deceptively easy virtuousity.

And he was 'ours'. It seems a little bit silly to 'claim' a man as a city's own, but as journalist Gary Grattan put it on Facebook, for Northern Ireland's guitarists "he was our George Best".

Yes, he was indeed. That may seem over-egging the pudding to those that cannot see past the latest Murdoch output of celebs and footie hype, but Gary Moore touched people through his talent. I may not have been a total devotee, but I know that the city should honour, revere and mark his contribution.

The campaign to have a statue erected in his honour in the city centre deserves to be successful.

Whether the good burghers of City Hall will see that is the case is dubious, but at least we should commend the fact that such staid men and women have at least opened a book of condolences in City Hall.

Mr Moore, thank you for your music, thank you for one electric, unforgettable night at the Ulster Hall, and thank you for sharing your Belfast born talent with the world. My sincerest condolences to your family and friends.

ENDS

PS - to the reporter who wrote that piece in The Sun about Mr Moore having died after a binge, only to be proved wrong within hours when the post-mortem showed Mr Moore died of natural causes: I suspect you won't have the guts to recant your vile article, nor will your employers print a detailed retraction or apologise to Mr Moore's family. Just like Hillsborough never let the truth interfere with lower than gutter reporting! It sullies the name of every proper, honest journalist that you and your colleagues breathe the same air.

Tuesday, February 08, 2011

Quick Distortion Project listing

HERE'S a quick list of the upcoming Distortion Project shows...if anyone else has shows they want on the blog email me.

Saturday 19th February. Dark Forest + Altus Astrum + Rabid Bitch of the North. The Limelight, Belfast. Doors 5pm, £7.00


Saturday 26th February. Interrogate + Rebels by Nature + Cursed Sun. The Limelight, Belfast. Doors 4pm, £3.50

Saturday 5th March. By Any Means + Fragments + Silence Convicts. The Limelight, Belfast. Doors 5pm, £3.50

Saturday 12th March. Portrait + Midnight Priest + Age of Taurus. The Limelight, Belfast. Doors 5pm, £10

Saturday 19th March. Trucker Diablo + Soundstone + Third Harvest. The Limelight, Belfast. Doors 5pm, £3.50

Sunday 20th March. Accept + Wolf. The Spring & Airbrake, Belfast. Doors 8pm, £22.50 adv/£24 on door.

Saturday 26th March. Darkest Era + Sirocco + Sorrowfall (original line-up!) + 1 TBC. £5 This will be the launch gig for Darkest Era’s debut album “The Last Caress of Light” The Limelight, Belfast. Doors 5pm, £5

Friday 8th April. Today is the Day + TBC. Spring & Airbrake, Belfast. Doors 9pm, £TBC

Sunday 10th April. Hellbastard + Panzerbastard + Suicide Watch + War Iron. Auntie Annies, Belfast. Doors 8pm, £10

Thursday 5th May. Putrid Pile + Cerebral Bore + Zombified + Fragments. Auntie Annies, Belfast. Doors 8pm, £5

Thursday 12th May. Desecration + Condemned + Voluytron + Zombified. The Limelight, Belfast. Doors 9pm, £6.

Monday, January 31, 2011

I am not the antichrist

I'D like to point out here and now that I am not the antichrist; well not that I know of...

Recently there have been several stupid comments on these posts from religious apologists. Thanks to all - makes my stats look better in case a sponsor should appear willing to cough up a few quid to have this properly designed etc (Jagermeister - are you paying attention?).

Thanks to the readers who have expressed sympathy, but I have also received a few emails that could be construed as worrying.

Basically - to cut a depressing story short I have a 'dead letter' email addy I use on this site for competition entries and the like. As I made it public knowledge I received the usual spam. But some weird people think that hard rock and heavy metal is some way going to destroy the christian world (we can but hope!).

As such I shall not be including Alabama - sweet home or not - in future travel plans lest I receive 'the bullet in the brain' that I so, apparently, richly deserve. The irony of that comment from one who professes to believe in a loving god was missed....

Still I shall continue to post about hard rock and heavy metal - and right now Sabbath, Priest and Devildriver are on the current playlist: I await more threats to see which other states I can cross of my travel itinerary :)

Sunday, January 30, 2011

The Boat that Rocked

IT was a pretty average movie, but local act Escape Fails seem to have taken the message from the title 'The Boat That Rocked' to heart.

The launch of their new video and EP will be taking place on a barge on the River Lagan. To find out more click here.

And BTW - not wishing to spoil it - the EP is pretty savage and tasty. What's more the launch event is BYOB!

Saturday, January 08, 2011

While I'm ranting...

WHILE I am ranting away (see previous posts...) would the various groups of Christian right wingers from all arts and parts please leave me alone. While there have been a few on the comments to posts (which I have not deleted because unlike them I believe in free speech), there have been more than a few nasty emails.

From what theology I know (which is more than the average redneck!) the New Testament preaches love hand in hand with the 'Sabbathy' book of Revelations! Yeah, the Old Testament is a vile, nasty piece of violent, xenophobic bile, but if Jesus really preached love the people who have threatened me seem to have missed the point.

I am a radical atheist, who loves hard rock and heavy metal, and what moral code I and my friends live by far exceeds your spit flecked madness.

Some people just don't get it - or I'm just weird

EITHER I am one seriously messed up, split personality - or some people just don't get the ethos of those who love hard rock and heavy metal.

[Cautionary note: a rant follows - those who want to enjoy easier reading step away now and read Kerrang! Cosmo or Women's Weekly.]

Earlier today I was talking to a colleague of sorts and happened to mention that I was going to see Deft Leppard at The Empire. Their comment in response was: "I thought you were a metalhead".

They were right (partly) in that I love me heavy fuggin' metal, but as I write this and I prepare for Leppard - I am listening to a selection of recent purchases that includes: Stone Sour, Neil Young, David Bowie, Cradle of Filth, Motorhead, Rob Zombie and a Saxon triple disc best of collection.

Put simply just because metal is my first musical love (bless Sabbath's little cotton satanic socks!) does not mean that I sit all night with a bottle of absinthe, cutting pentagrams into virgin's bodies - well not on weekdays anyway.

Metal for me has always been about those that step away from the 'scene', take what they like and discard what they don't like: as long as the musicians can play, there is a modicum of talent, and the guitars are at the right level in the mix!

Def Leppard were a band, that for me helped define the 80s (yep I am old!). And, looking back to that Pyromania gig in the Ulster Hall, and the Hysteria gigs at the same venue, I didn't see many scenesters there - just a lot of people in denim and leather (see how I slipped a Saxon NWOBHM quote in there!).

Just as AC/DC would never be considered metal, nor would Lemmy ever say Motorhead were metal, hard rockin' heavy music for me has never been about labels. I even like REO Speedwagon!

And - since I am in confession mode children - I also like Rush, My Chemical Romance, Pink Floyd, Leonard Cohen, Journey, Marilyn Manson, as well as bucket loads of Anthrax, shovel fulls of Slayer, acres of Iron Maiden and any given amount of Metallica you can suggest! I also like some of the weirder Faith No More and Mike Patton tracks.

But I will not, nor will I ever, betray the songs and acts that I grew up with - from the snarl of Stiff Little Fingers through to the vocal histrionics of Gillan, and...well in the early 80s Def Leppard, Marillion, WASP and a host of others.

Leppard's musical journey was one that defied definition to the music hacks. When they débuted they were lumped in with the NWOBHM crowd, and to some extent they had an early sound to match. With Pyromania the musical curve involved high end, shiny arena production that was to dominate their sound for years. But listen closely to each and every one of their tracks; you'll not find the guitars relegated to fatuous rhythm parts, or buried in the mix. Leppard are, and I hope, always will be a great band. Not metal, but damn fine hard rock.

That's why I'll be at The Empire on Saturday night, raising a glass, raising a cheer and raising my applause with Mark, Sylv, Phil and many, many others as Deft Leppard play their final ever gig in my hometown.

Why not come along, and actually listen. And given that Leppard are on some sort of extended holiday, Deft Leppard are your best chance of hearing the songs as they were meant to be played, to people who actually enjoy the music, who know the lyrics, and who know how to rock.

Which brings me back to those that question, those that doubt, those that have a half hidden sneer. Hard rock and heavy metal are - in my very humble and verbose opinion - about musical freedom layered around a six-string assault, whether it be Satyricon or UFO.

I have not yet persuaded my erstwhile colleague to come along and sample Deft's delights (I was going to add a clichéd line about he wouldn't be out of hospital in time, but those that know me know that even flies are safe in my presence!) but should you perchance happen to come along, say hello! I'll be down the front under the affluence of incohol!

Tuesday, January 04, 2011

Raise a glass for Phil

TONIGHT the annual Vibe for Philo takes place in Dublin to remember the life, works and talent of Phil Lynott. At the same time it has been confirmed that there will be an exhibition on Phil's work to be held in Dublin in March.

Looking through some old material and viewing Pat McManus's pix on Facebook (Mama's Boys supported Thin Lizzy on the Thunder and Lightning tour) was a bitter sweet reminder of how good Thin Lizzy were, and how much a true rock star was Phil.

In two days time the Ricky Warwick fronted 'Thin Lizzy' will begin their tour: there are many who resent this continual flogging of the the Lizzy standard. Darren Wharton offered his explanation in this BBC article, but whether or not you back the new incarnation, or prefer the memories, raise a glass tonight, toast Phil, the true Rocker from the Emerald Isle.

Wednesday, December 29, 2010

Nearly forgot to mention Warrior Soul, Rob Zombie and SLF gigs!

DAMN this sobriety! Now that I have been temporarily cured of it I remember that I should have mentioned the following:
Stiff Little Fingers - Ulster Hall March 12th
Warrior Soul - Diamond Rock Club March 29th
Rob Zombie - Ulster Hall June 29th.

2011 - the year when the debit and credit cards get burned badly; beer tokens get stacked way too low and merch costs rocket. Maiden, Rush, Journey etc all gonna be costly not to mention the above!

Not directly metal, but it is a rant

HAD a wee rant back in October about work related stuff on a blog I rarely use, but one or two people (who mustn't have much better to do!) said I should post it here as it mentions Maiden, Sweet Savage, and DC and 'Tallica.

Read it here - if you really have nothing better to do :)

Perception isn't everything - Blaze into 2011 for Blaze

WHEN it comes to what we see and what we take as read, then all too often we screw it up. Looking back on December 2010 all we'll remember is the week of snow and frosts. So much airtime was taken up talking about record low temperatures in Ballygobackward that we'll not remember that the last week of the year had temperatures well above the seasonal average.

Perception versus reality?

While there way too many afflicted with no water and no heating, the blame game goes on. No-one seems to notice that under-investment for years has meant that our water systems are not capable - nor where they designed to - of coping with excessive rain, nor massive drainage of meltwater. Still it is easier to play the blame game when it's not your house flooded.

Perception versus reality?

That loathsome, contrived, faked and fucked up show called the X-Factor - and the show that claims Britain has Talent, then decides not to seek out any genuine talent - had more people read about it in red-top tabloids and shouty girly mags than actually watched the waste of televisual space

Perception versus reality?

Another confusion comes when it comes to the perception of fans of hard rock and heavy metal. According to any wank stain sneary, shoe gazing waste of oxygen, NME reading, music fashionista it's all a cliché and the fans are 'just so not us' except when they fawn over a DC gig and get all retro with Ozzy. According to the popular press it's all self-obsessed preening and silly air guitaring. Guess what...no; and you all know this already, we're just like the rest of humanity. We're a fucked up, screwed up, messed up collection of contradictions - but we're also willing to step up to the mark when needed, when required and when we can.

Perception can go fuck itself.

Some years ago I played a small part in a couple of charity gigs (hello to Laura who did most of the work, and whose idea it really was!) which saw metal and rock bands turn up, play, get drunk and fans turn up, get drunk etc. But it raised money for good causes as well as being a damn fine way to spend a Sunday.

Come Friday, 7th January metal will once again step up to the mark with Blazefest.

Sinocence, Sweet Savage, Honey for Christ, Nine Lies, devilmakesthree, and others will play the Spring and Airbrake in aid of Blaze's Appeal. Just visit the site to see why this is not only a good cause, but a damn good reason to get involved. Even if you can't go you can make a donation.

You see, like the rest of humanity we who come in all shapes, sizes, temperaments, lengths of hair, backgrounds, classes and general strangeness can make an effort, no matter how small, to make a difference. In the war against, as Billy Connolly put it, the beige, we as a community of rock and metal fans know that while we are inclined to, as Trucker Diablo point out, Drink Beer, Destroy, we are also inclined to reach out a hand and help others.

Details of the gig can be found here

If you can't be there, make a donation, make a difference, and rock harder than ever!

Monday, December 27, 2010

Dear blog...

Dear blog, my apologies. I've been neglecting you. Distracted by the bright shiny instant world of Twitter and Bakebook I've stayed away from your considerable delights and my immeasurable ability to rant and rave at the slightest provocation.

But my pledge to you is this: whenever I am under the affluence of incohol or just plain bored I shall make 2011 a vintage year for posts, reviews and maddening waffle. After all, it is already shaping up to be a vintage year of hard rock and heavy metal gigs, albums and general waving your arms in the air...

Usually I would, dear blog, offer up to you and your readers a summary of the year just past, pointing out the highlights, and suggesting the albums of the year. Simply put...I couldn't be arsed. Sorry about that dear blog. Suffice to say that Metallica, well they kicked all sorts of ass...

But, dear blog, I confess that I have been exhibiting a form of schizophrena with my purchases in what is laughingly called 'The Sales'. It is the one time of the year when I step into an emporium of musical type sales with no plan as to what to buy.

Thus, dear blog I emerged with an eclectic collection of CDs:

Dear blog, you may be distressed at the condition that produced such a weird collection of music, but fear not I have resolved to return to my normal ways of (a) not music shopping when sober and (b) re-order my iPod settings once I copy these all on to ye olde PC.

So dear blog, thanks for listening, and I now have to copy these seven CDs on to the PC, spend an enjoyable time reading liner notes and lyrics as I listen along...oh and I might just check what's on Twitter and Facebook; sorry bout that!

Yours sincerely

Me

Tuesday, December 14, 2010

Big four Sonisphere confirmed

SO we now have it confirmed that the BIG FOUR are to play Sonisphere - and yes that capitalisation is well deserved. Metallica, Slayer, Anthrax and Megadeth changed the face of metal - and for younger readers who have a pop at the odd member of the BIG FOUR you really have no idea at the impact this group of musicians had on heavier music.

So July 8th - the BIG FOUR, July 9th to be headlined by Biffy Clyro (shut up! I quite like the Biffy!) and July 10th it will be Slipknot.

Metallica / Slayer / Megadeth / Anthrax - The Big 4: Live From Sofia Bulgaria (2DV)

Now before I get the complete and total head staggers two requests - if there is to be a Belfast date for any of the above-mentioned can some promoter please confirm as soon as possible. Second request - Dear Satan's Claws: it is close to Chrimbo so tickets for Sonisphere with flights and accommodation better be in my Christmas stocking or...we're setting Sid on ye!

Friday, December 10, 2010

Bah Humbug this Xm@$

By my twisted nature I like Christmas - all that paganism, importedGermanic traditions, and echoes of both Ancient Celtic and Roman traditions it is one long celebration of Bacchanalian practices.

But, there also comes along that annoying over-hyped "race for Christmas Number 1". Last year the corporate numpties got a good kick in the mince pies when Rage Against the Machine topped the pop-pickers chart.

This year the "Keep the X-Factor" off number one slot has grown to see numerous contenders (I did enjoy one suggestion of a campaign to get Cannibal Corpse to Number one, but that has falled by the wayside!) vie to keep Cowell and co off the top.

With so many contestants in the fray is there a chance to geta decent hard rock song to knock Cowell into a cocked hat? Not bloody likely is the correct answer. Still failing to get a hard rock mainstay get a carousing , rip roaring rock song in its place.

Corey Taylor is releasing Xm@$ on December 12th. He is, of course singer with Slipknot and Stone Sour for those of you who have missed the last decade. He is also a man who admits to like Christmas, but bemoans the curmudgeons and grumpy gits who pop up every Christmas, so penned this ditty for them.

Normally when we review stuff, mention songs etc we rarely commend you, humble reader to make a purchase, for as a free-thinking individual with varying tastes who are we to say where you should spend your hard earned/ill-begotten (delete as applicable) cash. In this case we are commending you to purchase in the digital store of your choice Xm@$ for a number of reasons:
  • It's a genuinely witty song
  • The proceeds go to a good cause (Teenage Cancer Charity)
  • As you attend your office party you can sing the chorus as if it really is a Christmas song
  • It might, just might, get to Number One, or at least high up in ye olde charts
  • The last words are: 'Hi Simon!'
and finally
  • The radio chiefs will be in despair with the number of 'bleeps' they'll need to edit out if it was ever to be broadcast!

Wednesday, November 24, 2010

Volbeat gig cancelled :(

Unfortunately this Friday's Volbeat show has been cancelled. Refunds are available from point of purchase.



Here's the official statement from the band:
"After a strenuous sold-out tour across main land Europe and Scandinavia, Volbeat are forced to cancel their first week of UK shows. The band did personally not want to cancel this tour but unfortunately Michael Poulsen was ordered by doctors not to fly or travel until his medical condition is stabilized to doctors’ satisfaction.

"At this moment Michael Poulsen is currently under doctor’s supervision and a full recovery is expected within time to be able to pursue engagements from mid next week.
Beyond Hell / Above Heaven

Saturday, November 20, 2010

True cause of recession revealed - hard rock and heavy metal

ECONOMISTS have been agonising over the slump in retail spending, despairing as to why shop receipts have been tumbling, and rending their hair working out where all the money in the economy has gone.

 
Traditional economic theories have been junked, the bank bail-out didn't really cost that much and we can't blame the Tories for everything (just almost everything).

 
Thankfully the ghosts or Thomas Malthus and Adam Smith have arisen from the crypts, rattling the abacus of doom and the spreadsheets of satan, with the answer.

 
It's all the fault of hard rock and heavy metal.

 
The micro-economy that constitutes rock and metal is sucking vast amounts of cash in, with then result that retail stores are no longer able to keep their doors open and distraught telesales have threatened to strangle themselves with their headsets.

 
Some examples of this economic malaise have surfaced this week. Tickets go on sale for Iron Maiden at the Odyssey in mere hours, then there's Journey, Foreigner (Odyssey, June 12th) and Rush (O2, Dublin May 12th) and the plethora of gigs from The Distortion Project, the Diamond Rock Club and too many others to mention.

 
Credit card transactions have ceased to be the preserve of panicky parents of toddlers and pre-teens; now the credit and debit cards sit poised by the keyboard or the phone awaiting the next gig announcement.

 
Of course, if it were just the tickets the effect on the economy would be vast, but not crippling. But, then there is the monetary substitute sometimes referred to as beer tokens that is sucking cold hard cash out of the system. And this is not to mention the curreconfused merchandise exchange rate causing havoc on the bond and future markets!

To ease fears of meltdown for the global economy there is only on solution: a delegation led by Lemmy, Helfield, Harris and Iommi should be received by the International Monetary Fund, and the European Bank.

Their proposal will be simple: 10% of ticket sales in Ireland (north and south) for the next two years will be used to bail out the global economy. That will have the effect of wiping out the UK, Irish, Spanish and Greek debts. The delegation will have only two pre-conditions. These are: disembowel "that c**t Cowell" (Copyright Jake Burns, SLF) and shoot on sight all Strictly C**ts Dancing.

There - with the global economic crisis solved I can now move into complete panic mode: how in the name of all that is diabolically satanically majestic is an hard working fan of Lucifer's own soundtrack going to afford all these glorious concerts both in terms of money and time?

One could sell a (moderately abused) kidney, but eBay have cracked down on that sort of thing...
Or
Sell sperm to needy women wanting children (should have thought of that before the vasectomy!)
Or
Sell my body (would have to be for medical science as no self-respecting homo sapiens would want it for anything else)
Or
...ahh feck it, there's no hope! Will just have to hope that Lord Hetfield and Lemmy have remembered to rig the Lotto for me tomorrow night!

So: even though I've not been keeping up here's as many upcoming gigs that my beer saddled brain cares to recall at this time of the night:
  • Diamond Head
  • Exodus
  • Decapitated
  • Toby Jepson
  • WASP
  • Airbourne
  • Entombed
  • Nile
  • Dan Reed
  • Gun
  • Accept
  • Rush
  • Journey/Foreigner
  • Iron Maiden

Ahh feck it - there's no way to keep up! Will have to sober up and sit down and list all the forthcoming gigs from national and international acts, not to mention the hundreds of fantastic local gigging and recording bands!

Friday, November 19, 2010

this one's for Baal

 Have to mention this gig announcement for Mark - Rush playing O2 in Dublin on May 12th next year: tickets on sale 26th November
Rush - Beyond the Lighted Stage [2 DVD]

Accept the past

TEUTONIC metal stars of the eighties, Accept, are preparing  for a Belfast date at the Spring and Airbrake on the 20th March hosted by the Distortion Project. Balls the Wall people!
Blood of the Nations
And a reminder that Diamond Head are on tomorrow night and Exodus on Sunday.

Heavy or what!

More soon!

Tuesday, November 09, 2010

XL vibes? That’ll be Double-Wide

SOME of you who read this column on a regular basis may (or may not!) know that for six years I was a full-time journalist. Even when I sold out to the PR and Communications profession I still penned articles for many a publication.

In penning such articles, drafting text and submitting clean copy one always has to retain a certain professional detachment. One has to take a slightly jaundiced, cynical eye on what you are doing, what you are told, and exercise restraint before raising expectant fingers above the keyboard.

But this is my blog, this is about hard rock and heavy metal. And if I like something, I’m gonna damn well say so, with a hell yeah and horns thrust aloft in between keystrokes.

Thus when Double-Wide’s CD 18 Wheels of Misery landed on the doormat, it was slammed into an unsuspecting car CD player and later copied on to ye olde iTunes for future listening while walking the dog...

There are those that say it takes little to impress me, but they do not know the discarded CDs sent to me for review now decaying in a bottom drawer, the hyperlinks to hopeful contenders that have accorded nary an aural glance and been subjected to that button marked delete on the keyboard.

And, truth be told I do have varied tastes, from the nastiest thrash through to the groove of classic rock.

Double-Wide have established themselves as an act deserving of a place on my iTunes rotations; having already accorded themselves mucho plays on Rock Radio NI.

Not that Double-Wide are easy to classify... They proudly declare their influences: a heady mix of Southern rock with Pantera, Down and even Black Stone Cherry all balled up to create a unique sound.

Check out Dead River and the Devil’s Ride to hear what rock from our wee island can do to the Black Stone Cherry dry county stylings.

And listen to Hell’s Redemption...it emerges from the speakers like the sludge from a Louisiana swamp, slow swagger that snarls dreadfully like Phil Anselmo in a bad mood.

Double-Wide are not just another derivative wannabe acts. Yes the production and mix on this does not always convey the power of the tunes, and the vocal lines are sometimes overtaken by the geetar, but such a slickly dirty geetar tone reeks of commitment to bourbon, beer and bar-wrecking good times.

The subject matter lyrically has that balance between darkness and that nod to the listener that while all is not well we’re gonna have a swell time riding a big truck all the way down to hell.

Title track 18 Wheels of Misery rides that dark highway where blues legends draw their scales from Satan’s fingers at deserted crossroads.

That they have named themselves after a Corrosion of Conformity track tells you a lot about the band.

There is a mysterious area of music where the blues, rock and metal somewhere melded to form a genre that isn’t that easy to define, but is always pleasurable to play and listen to.

A little work on arrangements and slight improvement on production and mixing and Double-Wide could stand shoulder to shoulder with many of the best recent contenders from Norn Iron.

In the meantime I’m thumbing a lift on the Devil’s Ride of 18 Wheels of Misery, hooked up to a Twin Demon powering 18 Wheels of Misery...hell that’s a torturous way to say that I pretty well like the XL sounds of Double-Wide!

Saturday, October 23, 2010

Goodbye to Deft....be there!

REGULAR readers will know that I have a cerain disdain for those with narrow definitions of hard rock and metal. Regular readers will know that I have a soft spot for Def Leppard.

It is because they were among the bands that defined what Ulster Hall gig shold be about.

In recent years I have become alienated from recent Lepps product.  But the glory years have been rekindled by what in humble opinion is the best Def Leppard tribute act in Europe, if not the world.

Ash, Mike et al make up Deft Leppard.

For many a drunken night they have rocked venues across the land - and as far as I know I am to date their only stage-diver (yes, I have no shame!).

But now Deft Leppard have decided to call it a day.

This bunch of slightly reprobate and wonderful guys are stepping back. And where will be the last ever Deft gig? Well in Belfast, of course!

January 8th, at The Empire.

I'll be there, and if you too can make it, say hello to me Baal and Sylvia...we'll be down the front!

A muse not a rant for a change

THERE are times when one stops and contemplates one's own mortality. For many of us (Hello Sid and Paddy!) it is in the darkened hour of bright sunlight when the libations of the previous evening(s) cast a vicious potency of hangover revenge upon fragile metabolisms.

But of recent weeks the thought of mortality has been nagging at me: the loss of people that I either knew, knew "off and on" or knew by reputation.

Too often this celebrity obsessed world with its potions, lotions and fake - sorry alternative - medicince and ambition to reach the Andy Warhol defintion of fame there is narry a care for consequence or dignity.

Too often we see the platitudes proferred by a media that has more people reading about X-Factor or some other reality shit that actually watches the crap.

Too often we see news dominated by what passes for entertainment.

That is why when one experiences loss - either of those close at hand or of those who you admired at a distance - it is sometimes difficult to quantify that loss on your own personal emotional radar.

Today I learned that someone who I both admired as a professional and a person had passed away. This came too hot on the heels of the loss of Sweet Savage's Trev and that came a few weeks after the mighty Dio left us.

Thus, I ponder my own mortality. And that is just a shit way of thinking. And drinking cheap lager and Jager ain't in psychology 101 classes as fit and proper ways to handle this type of stuff.

But a moment's contemplation is fit and proper.

For me that is looking to where one seeks solace.

Solace can be found in the music we all love; the sheer unadulterated pleasure of hard rock, no matter how dumbass it can be. Or in the complex world of heavy metal that now has almost as many genres as it has bands.

For when one stops picking fluff off one's belly button (navel gazing that is!) it is through friends and music that most readers of this blog can truly rely on.

Whether it is raising a glass to one who has died, with BLS melancholy to the max in the background, or having the amps cranked to 11 with pure furious metal, it is the right and proper way to say goodbye.

Viking funerals are now generally frowned upon, and you can't get hold of a longboat for love, money or mead once you admit it is to be either burned or buried (think Sutton Hoo).

Persian Pillars of Death are a wee bit awkward as the average rambler around the Mournes tend to call the police when they discover a body, even if it is placed there ceremoniously.

But, amidst all this there is the reality. What those have passed away leave us is a legacy . That legacy may be of friendship; that legacy may be he music; that legacy may be just a Tweet or status update; and that legacy may be that sheer undefinable presence some people have.

Such contemplation is morose - but as fans of some of the darker expressions of musical and lyrical emotion this type of contemplation always lurks close to the surface.

Somehow hard rock and metal performs a cathartic role for us fans. Sometimes the sheer fact that that there are bands (local, national and international) who capture the mood that we know was never for us, means we find succour from them.

Writing this has been my own personal catharsis, aided and abetted by cheap beer and the rapidly dwindling bottle of Jager.

I understood the concept of death at a realitively young age through the reality of the Troubles and several family deaths; but the night that it hit home really hard empathatically was when driving down Dunbar Link, with the then girlfriend. The news came on Radio One that Phil Lynott has passed away. They played Phil's tribute to Elvis, that he penned when Presley died (and if you are a Lizzy fan you shouldn't need me to ID that one!).

The then girl was annoyed, to say the least, when a planned drive was abandoned.

But it highlighted to me that there are some people who 'get it' and some people who 'get shit' instead.

So tonight I say raise a glass to absent friends, those we knew closely, those who passed away years ago but live on in  memories, those that we wish we had had the time to say a wee word to....

And, remember before it all gets a wee bit heavy: you've got the music, and in the words of the mighty Zakk, "No-one gets out alive". We just need to rock out in the meantime.


If any of the issues I have written about here has affected you or you suspect a friend is 'down' then just ask for help, or just talk. A single word to a friend can be enough to make them think again.

Live, long, prosper and rock on!

Sunday, October 10, 2010

Sad, sad examples of what passes for entertainment

OKAY - I've just about had enough I can take. I don't watch X-Factor, or any of the other so-called reality shows masquerading as entertainment. But on Facebook and Twitter tonight I have seen normally sane and sensible people getting their lattes all frothed up about manufactured rubbish. Even broadacasters I respect like the BBC's William Crawley have been getting involved in posts about spurious, talentless, so-called 'acts'.

Can they just step back for a minute and look at the things they are getting all so engrossed in?

No, I doubt it: such is the allure of the filthy luchre that Cowell and co peddle with a slick production and a stylist there are few of the hypnotised massed ranks of deluded who will lift their eyes beyond the over-produced set [as I mentioned I haven't watched the rubbish, but I've seen the so-called 'news' reports on it and the tabloid hype].

Which, of course, led me to a moment of reflection - or beer fuelled ranting!

"Back when I were a lad" the promotion of popular music lay within the gift of Top Of The Pops, and latterly the likes of The Tube.

You could expect pop songs sitting next to Motorohead and Marillion, Judas Priest juxtaposed with jumping dance troops; or even Iron Maiden matched on TV next to New Romantic frilly shirts.

I mention Judas Priest deliberately. This blog kicked off in 2006 when I met, after way too long, my friend Mark and his wife Sylvia when Judas Priest played at the Odyssey with Scorpions. I was, at the time, busy trying to explain by way of gigs and playing rock and metal CDs endlessly in the car to both my children that they could think independently about music (as long as it had guitars and drums!). Meeting Mark and Sylvia re-kindled days arguing over whether Ozzy or Ronnie was the best Sabbath singer, necking beers against a backdrop of Lizzy and Slyvia's devotion to John Sykes.

The relevance to today is that then there was a reasonably fair spread of musical genres across mainstream media. We could devote our time to rock and metal with TV playing metal acts as equals to the likes of Duran Duran.

The mainstream media has now become a cold house to hard rock and metal. Bands now rely on merch sales and touring to recoup the costs of albums; even the mighty Iron Maiden admitted in an interview with Classic Rock that they would need 1,000,000 sales of Final Frontier to break even (and thankfully Bruce and Harry Harris accountants can rest easy as it looks that total will easily be reached!)

But, here is what the mainstream media misses: there is much more longevity and sheer songwriting talent in hard rock and metal than will evet be noticed by the likes of X-Factor wannabes. Northern Ireland has a small population, yet has had a disproportionate amount of horns worthy acts and individuals happily corrupting the young and old.

The Answer have played to more people than watch X-Factor - several times over. Therapy? have sold more albums than any of the Cowell creations. SLF have retained integrity when they could have easily become a tribute act to past glories. Acts such as Million$Reload are scoring record deals, and that is not to even mention the likes of Trucker Diablo, A Little Bitter, Escape Fails, Last Known Addiction, Black Freeway, Interrogate and the many, many more that lay down the licks night after night.

But what of the future. Will we ever see The Answer on an X-Factor like show? Can you imagine a stylist trying to get to grips with Cormac's flowing locks? They'd need a team to hold him down and another team to see where the hell to start. The future, I fear, is to see more and more of the TV for the gullible and the gormless.

Will, we ever see proper live acts - you know with an actual drum kit, guitar and bass amps and people who know how to play them on the main TV stations again? [I am reliably informed by someone close to the production crew on X-Factor et al that they don't have bands as it takes too long to set up their 'shit' and they refuse to have their music altered/dubbed/mimed.]

So where is all this waffle going?

Apart from being a rant (it's my fecking blog I can rant about what I want!) it is also a call to the acts in Northern Ireland to keep on doing what you do, keep on playing and keep on just being some of the best artists this forsaken planet has ever seen. Keep on being musicians not numpties. Keep on recording music that is exciting and engaging. Keep on playing the Limelight, the Pavillion, the Diamon Rock Club, and anywhere where you can get three or more together to rock their tiny socks off!.

 Keep on playing gigs, and cranking it up to 11 and raising a glass to rock and feckin' roll.

To quote Trucker Diablo...DRINK BEER, DESTROY!

This rant is now officially over :)

Wizzard tribute to Ronnie

White Wizzard, who are playing in Auntie Annies on November 6th,  are currently streaming new single 'Shooting Star' here.
A tribute to the late and great, Ronnie James Dio, it's the first song to feature the Los Angeles band's new line-up. This comes out as a single through iTunes on October 18, together with a cover of Dio's 'We Rock'. All proceeds form this will go the Children Of The Night charity, founded by Ronnie Dio. Limited edition vinyl version will be available on the night.

Gotthard vocalist motorcycle accident

Seems too much news is bad news of late. Gotthard vocalist Steve Lee has been killed in a motorcycle accident in California. (Source http://www.totalrock.com/)

Sunday, October 03, 2010

Glyder split

TALENTED Irish band Glyder have split up. Bat Kinane has posted an explanation here.