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Showing posts with label Saxon. Show all posts
Showing posts with label Saxon. Show all posts

Wednesday, March 07, 2018

NEWS: Saxon to re-issue Princess of the Night 7"

SAXON are set to release a limited edition, clear vinyl replica of their iconic 1981 7” single ‘Princess Of The Night’ on 21st April, as part of Record Store Day 2018.

Taken from their seminal album ‘Denim And Leather’, Princess Of The Night is a firm fan favourite and their most played song on Spotify.

Currently enjoying chart success with their new album ‘Thunderbolt’

Saxon – Princess Of The Night 7” - available at your local record store on 21st April!”

BMG Records are also reissuing Saxon’s first 3 albums, Saxon, Wheels of Steel and Strong Arm of the Law on 30th March.

Both the CD & LP editions contain original lyrics, rare photos & memorabilia. The vinyl versions are coloured splatter/swirl vinyl.

The CD versions are in a 24-page media book

Wednesday, November 15, 2017

NEWS: HRH XII announce Saxon, Dead Daisies and more

HARD Rock Hell has just closed its 'Eleventh Coming', but Jonni Davis and his team are already putting together their Glorious Twelfth for 2018.

HRH are thus proud to announce a first salvo of storming acts, chosen by the fans, who’ll be performing amidst the beautiful backdrop of North Wales, at Camp HRH in Pwllheli from 8th -11th November 2018.

The ever-mighty Saxon will be headlining HRH XII. Saxon need no introduction to fans of the genre, who’ll see their iconic logo in their mind’s eye the moment the band gets mentioned. Formed back in ’77, Saxon were at the forefront of the scene, much beloved by fans of Hard Rock Hell. What’s more,

Saxon played the very first Hard Rock Hell (the Winter Ball, back in 2007). Having sold more than 15 million albums worldwide, the band also continues to influence later giants of the genre, like Metallica, Metallica, Mötley Crüe, and Pantera, and will be raising the rafters at HRH XII.

Co-headliners  The Dead Daisies are a formidable Australian-American outfit that brings together amazing talent for this collective project. The band has toured worldwide and was the first the first Western rock band to play Cuba after President Obama reopened trade ties with the country. An amazing achievement. Have a cigar, as the saying goes! The Dead Daisies will be bringing their world-famous Live and Loud sound to Hard Rock Hell next year.

Like Saxon, Girlschool played the very first Hard Rock Hell, way back when the world was young. Firm favourites of the HRH crowd, Girlschool have just won the HRH “Angels of Rock” award at the brand-new HRH AWARDS. They’re the longest running all-female rock band IN THE WORLD, and still strong and active after more than 35 years in the business.

Femme Fatale were due to play HRH XI, but weren’t able to do so because some of their guitarists were playing on another project. HRH are delighted to welcome the band to HRH XII. Listing “Loud Guitars, Vodka, Black Boots, Black Eyeliner, & Beer!” as the band’s interests, Femme Fatale will bring all this and more to Camp HRH next year!

Also announced in the very tasty first wave of bands playing the festival are Phil Campbell and the Bastard Sons, Tygers of Pantang, Thunderstick, Ryders Creed, The Rising Souls, The Dukes of Bordello, and (appropriately for HRH XII) Renegade Twelve.

N.B. HRH has been busier and more popular than ever, particularly after the triumphant Eleventh Coming (which sold out LAST November). Tickets for HRX XII will sell out FAST, so book early! Ring Fleur on 0203 287 6684


Tuesday, August 01, 2017

Ramblin Man 2017 Day One: Rocking through the wind and the rain

CLASS music by class bands was enough to fortify the Friday audience at Ramblin Man Fair 2017 against the vagaries of wind and rain at Mote Park, Maidstone.

With the expansion of the festival opening day to the main arena the organisers made sure the line-up was a rabble-rousing bands that all could be defined under the banner of classic rock. However, that does the four bands no justice.

The acts' music was the soundtrack of the youth for many of the thousands gathered, and for others it was a look back to the history of hard rock and metal - songs that defined the musical landscape of today.

And none better to showcase the historical context than Graham Bonnet - a man who was the vocalist on many definitive albums. 'All Night Long', 'Night Games' and 'God Blessed Video' were among the many songs that had voices raised to the heavens.

His stamina on stage and the tight arrangements of Bonnet's band set the tone for the evening - music that no matter the subject makes the heart beat a little bit faster.

Last in Line also had the songs that have enough passion to power through any vagaries of the weather. Make no mistake, this band isn't some re-tread of Dio. They have their own identity.

Sure 'Stand Up And Shout', 'Holy Diver' 'Rainbow in the Dark', and 'We Rock' drew most response, but there is so much more to the set.

Andy Freeman does not slavishly ape Ronnie James' vocals, rather interprets them for his own style and the band dynamic. Vivian Campbell's solos have not only the distinctive stamp of the albums but are given a live flourish.

The fact that the band are now a recording entity in their own right will ensure their longevity - and at Ramblin Man 'Devil in Me' received an airing - and the dedication of 'Starmaker' to the late Jimmy Bain was an appropriate marking of the great man's passing.

For Y&T their recent travails was added to with the absence of Jonny Nymann due to a serious illness. However, the band's determination to play the date was clear and while at times it wasn't as tight this was not something that affected the mood and atmosphere.

With more than 40 years of experience and a catalogue of songs to chose from they served up a balanced set filled with songs that were instantly recognisable from the first couple of notes.

'Hurricane' as the opener perhaps suited the prevailing weather conditions but the wind and rain was ignored by an audience that revelled in ''Winds of Change'.

And, as many were making a return to Ramblin Man 'I'm Coming Home' was an appropriate choice. 'Mean Streak' and 'Rescue Me' were some of the more outstanding songs delivered.

With the strains of DC's 'It's a Long Way To The Top' reverberating across the arena the stage was quite literally set for Saxon, who arrived with a 'Battering Ram'.

Their blue collar metal, born before NWOBHM was defined, has a pure honesty running through it. Each track has a sentiment that has, in 2017, still remains fresh.

'Motorcycle Man', to coin a phrase, revved up proceedings and the audience sang along, buzzed with an electric feeling as each successive track saw the roars raised into the Kent night.

Biff is a consummate frontman, congenial, humorous and self-deprecating as he egged on the crowd and conducted the crowd like a metal ringmaster.

There may have been a sense of nostalgia, but that didn't mean there was any less enthusiasm. '20,000 Feet', 'Princess of the Night' and 'Wheels of Steel' turned the night bright with their familiarity.

Saxon power on and like the crowd they will 'Never Surrender'.

Review by Jonathan Traynor
Pictures by Darren McVeigh








 

Monday, October 31, 2016

LIVE REVIEW: Rewinding back the years to bring NWOBHM bang up to date as Saxon, Fastway and Girlschoo rock Belfast

SUNDAY night, Belfast, the night before Halloween - yet it felt like a night in the 1980s had been moved by a strange time vortex to a city transformed, a city where the Troubles have faded; and the metal that inspired a generation and provided escapism in the past was once again vibrant and vital.

Girlschool, Fastway and Saxon all played Belfast in the 80s, when the 'mainstream' was avoiding the city. Like punk in the late 70s, metal stuck a middle finger up to the sectarian divide, raised a can and rocked out.


That spirit of defiance and a determination to deliver accolades to bands who crossed the North Channel to play in Northern Ireland swept throughout the Limelight on Sunday (October 30th) as a cross-generational crowd gathered - in denim and leather of course - to salute the trio of NWOBHM stalwarts.

Sure, they are a bit longer in the tooth in 2016 compared to the heady days of their births, but they shame newer acts who can only but aspire to touch the hems of their jeans in terms of the energy, composure and craft.

Girlschool may have had many travails from the time the played with Motorhead in the long gone Maysfield Leisure Centre, beside Belfast Central Train Station, but they have lost none of the verve.

They mixed up tracks new and old, with as always the three ladies coming to the mics to give real oomph to each chorus. Kim's tease that many weren't born when 'Hit And Run' was released didn't stop the audience singing along in a track all too familiar.

Of the new songs from 'Guilty as Sin' the pair of 'Come The Revolution' and 'Take It Like A Band' (the latter dedicated to their late friend Lemmy) caught the spark of the past and once more turned it into live fire.

Closing with 'Race With The Devil' and a storming version of 'Emergency' the band and the Limelight were grinning with pleasure.

Fastway once played to an almost empty venue in the mid-80s in Belfast, but the Sunday night crowd were not indifferent to the band this October.

The focus may have been on 'Fast' Eddie Clarke for many years, but this is not a one-man act, with Toby Jepson leading from the front, cajoling the audience to reach deep in support. His experience as a singer and rock 'n' roll jester keeps the energy high in a set that tipped more than a nod to hard rockin' blues.

'All Fired Up' had a swing and purpose that drew the back stragglers away from the bar and into a maelstrom, while 'Feel Me, Touch Me (Do Anything You Want)' featured a bluesy lead from Clarke, as John McManus rolled the bass lines smoother than a muscle car eating up the miles on Route 66.

Closing with 'Easy Living' the pace and energy of the early part of the set had waned slightly, but did not diminish the appreciation of the audience at Clarke's return to what Jepson said was one of Eddie's spiritual homes.

Saxon are faithful to Belfast. From their first appearance in 1983 this was just over a year from their show in 2015 as part of the Warriors of the Road show.

Biff is a consummate performer, engaging and still energetic as they opened with title track from 'Battering Ram'.

When many acts urge the audience to chant, clap or sing a long it can seem like a cliché, but Biff is one of the metal originals and it comes across not as a stereotype but as a gentle tease and doff of the cap to the heady days when he was one of the metal standard bearers.

In an age when all the derivatives of metal have vied to be faster, heavier and more controversial Saxon's anthemic sound could be regarded as dated...except the band take such notions, tell them to feck off and play heavier and harder than some of their younger counterparts.

With such a well-regarded collection of songs reaching back across the years they were able to play some old, some not so old and some new - all received with an almost sense that the Rapture had descended on earth and was focussed on the Limelight.

Paul Quinn and Doug Scarratt are more than just wingmen to Biff as they pull out masterful riffing and tasty licks.

'Never Surrender' has a message that sums up the attitude of a band and an audience that knows the glory days of metal are compromised by a media environment in which auto-tuned dance troops, reality TV stars and an obsession with fame without talent has become the norm. But, Saxon are not just about rewinding back the years: no, they are about putting metal in its proper context, for the fans by the fans, young or old.

When you see 50 year plus fans, standing next to a 20-year-old belting out 'Dallas 1pm' and 'Wheels of Steel' you know the band has hit the right note, at the right time.

Of course the likes of those tracks and '747 (Strangers in the Night)' and 'Princess Of The Night' drew the largest cheers, but make no mistake, this was not a nostalgia trip. This was heavy metal at its purest, tempered by the years, honed by the ups and downs, but most of all delivered and received with majesty with might.

Review by Jonathan Traynor
Pictures by Darren McVeigh
Reproduction by written consent only

Wednesday, August 31, 2016

NEWS: Saxon to release live album Let Me Feel Your Power double live albun


NWOBHM legends Saxon will unleash Let Me Feel Your Power, their 10th live album, on October 7

The 16 track album was recorded in Munich during November 2015 and Brighton in January 2016, with bonus materials from Chicago in September 2015, Let Me Feel Your Power will be available in several formats, including DVD/2CDs, Blu-Ray/2CDs, digital download and a deluxe vinyl version which will also include the Blu-Ray and 2CDs (limited to 1500 copies).

The track-listing is as follows:
BATTERING RAM (LIVE IN MUNICH)
MOTORCYCLE MAN (LIVE IN MUNICH)
SACRIFICE (LIVE IN MUNICH)
DESTROYER (LIVE IN MUNICH)
POWER AND THE GLORY (LIVE IN MUNICH)20000FT (LIVE IN MUNICH)
DEVILS FOOTPRINT (LIVE IN MUNICH)HEAVY METAL THUNDER (LIVE IN MUNICH)
QUEEN OF HEARTS (LIVE IN MUNICH)
PRINCESS OF THE NIGHT (LIVE IN MUNICH)WHEELS OF STEEL (LIVE IN MUNICH)
DENIM AND LEATHER (LIVE IN MUNICH)
CRUSADER (LIVE IN MUNICH)
EYE OF THE STORM (LIVE IN BRIGHTON)BATTALIONS OF STEEL (LIVE IN BRIGHTON)REQUIEM (LIVE IN BRIGHTON)

The bonus material track listing is as follows:
MOTORCYCLE MAN (LIVE IN CHICAGO)
BATTERING RAM (LIVE IN CHICAGO) *
THIS TOWN ROCKS (LIVE IN CHICAGO)
SACRIFICE (LIVE IN CHICAGO)
POWER AND THE GLORY (LIVE IN CHICAGO)SOLID BALL OF ROCK (LIVE IN CHICAGO)
DALLAS 1 PM (LIVE IN CHICAGO)
HEAVY METAL THUNDER (LIVE IN CHICAGO)ROCK THE NATIONS (LIVE IN CHICAGO)
THE EAGLE HAS LANDED (LIVE IN CHICAGO)WHEELS OF STEEL (LIVE IN CHICAGO)
BACKS TO THE WALL (LIVE IN CHICAGO)
JUST LET ME ROCK (LIVE IN CHICAGO)
STRONG ARM OF THE LAW (LIVE IN CHICAGO) 
747 (STRANGERS IN THE NIGHT) (LIVE IN CHICAGO)
PRINCESS OF THE NIGHT (LIVE IN CHICAGO)CRUSADER (LIVE IN CHICAGO) *
DENIM AND LEATHER (LIVE IN CHICAGO)
[*only available as video content; not available on CD or digital]

The format breakdown is as follows:
DVD+2CDs (digipack format)BluRay+2CDs (digipack format)Deluxe Vinyl Version, (Double vinyl plus BluRay+2CDs) limited to 1.500 unitsDigital
th via UDR Music.

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Tuesday, July 28, 2015

LIVE REVIEW: Ramblin' Man Fair - a feast of Rock on Day One

THERE’S something about a damn good rock festival; when the sun is shining, the beer is flowing, the bands are smoking and the crowd has melded itself in that bounteous zone between relaxed, drunk and ready to rock.

 
No Hot Ashes say
hello to Kent
And then the stars align and something magical happens. And, thus, Maidstone in Kent hosted a special event that encapsulated the totality of the atmosphere that makes rock music special.

 
Kicking off Ramblin’ Man Fair Northern Ireland’s No Hot Ashes delivered something of a blast from the past - but they could be forgiven for that as the band only recently reformed after almost a three decade hiatus.

 
A smile to open the day
With material from their early days still sounding fresh songs like ‘Diane’ and ‘Summer Rain’ had a crowd unfamiliar with the band nodding their heads.

 
Singer Eamonn Nancarrrow was as engaging as always, but as he related the story of his family’s struggle with his mother’s stroke as the introduction to new release ‘Boulders’ the crowd warmed to not just the emotional tale, but the passion with which the band delivered.

 
In contrast Toseland took three songs before the band had the crowd slightly

Eye candy for ladies
and a singer too...
 warmed up. For a band with such a pedigree, and such a reach amidst the audience they were flat – not in musical terms – but in terms of how they were received. Billed as a renaissance of classic rock amid commentators the main man has assembled a crowd of musos who can deliver his vision of hard rock.

 
Unfortunately for him and his band that vision too often either fell flat or didn’t engaged with the variety of stage acts and the usual festival attraction distractions.

 
It took until the last two songs before the biker got the crowd going, with several dozen ladies registering their delight at his looks as well as his singing.

 
FM - all smiles
When it comes to timing FM managed to peak when the surge of 80s rock had faded, not that this ever stopped them. Energetic from the off they played with a clear sense of pleasure.

True, many in the audience harkened for the earlier hits but the material from 'Heroes and Villains' was received well by the burgeoning crowd streaming through the gates at Mote Park. And, most important for those stage front the band were clearly enjoying their slot in the summer sun/

 
Eric  - BOC - 'Nuff said!
That Blue Oyster Cult were once regarded as dangerous by mainstream America seems remarkable against today’s backdrop of black metal et al but when Eric Bloom and his accomplices took to the stage it was the moment that Ramblin’ Man Fair went from being a good festival to a great festival.

 
Hits be damned, this was a free flowing expression of hard rock. Sure they played ‘Don’t Fear The Reaper’ and ‘Burnin’ For You’ to keep those who are not complete BOC aficionados happy, but on the rest of the set they playfully gave songs the breath and space to ’Cities on Flame’ with extended solo and guitar trade-offs, and, of course the delightfully playful introduction to ‘Godzilla’.
Guitar attack BOC style

 
Ramblin’ Man kicked into high gear with Blue Oyster Cult, and the levels of adulation were set to rise yet further on the Classic Rock Stage…  

 
British to the core Saxon play what is dismissed by the ignorant as classic metal, when Saxon are a metal band that do what they do damn well.


Road Warrior
 
From the moment ‘Motorcycle Man’ revved like the sound of full bore bike exhausts Biff held the crowd in his hands and they roared into his willing grip.

 
Sure there is never going to be too many surprises with Saxon, but then again that’s not what the faithful want. Newer songs take time to bed in, and the road warriors know how to work a festival crowd.

 
My Name is Biff.
And I rock
‘Wheels of Steel’, ‘Sacrifice’, ‘Denim and Leather’ were all sang with gusto by the packed rows at the front as a grinning Byford revelled in the adulation yet still remained suitably humble.

 
Perhaps the recent health problems suffered by Nigel has kept the band even more grounded, and all welcomed his return behind the kit; and as the set ended all the other band members turned and bowed to him…a welcome touch as British metal handed over to American Prog Metal. 

 
Pensive Petrucci
The masters of musical dexterity, Dream Theatre, took to the stage to give a master class set. Petrucci’s precision playing had guitarists reaching for their tab books.

 
The likes of ‘Panic Attack’, ‘As I Am, and an outstanding rendition of ‘Behind The Veil’ had fans roaring in ecstatic praise, bordering on worship.

 
Happy Pereucci
But, it has to be said that Dream Theatre don’t play short, snappy songs. Their intricate arrangements, time changes and lengthy segments of sophisticated song writing may have been greeted with adulation by the faithful but it was noticeable that dozens drifted off from the main stage in search of beer, food and the tunes on the Prog and Outlaw Country Stages.

 
For those that remained Dream Theatre delivered a set of almost impeccable standards.

 
Some might take the Scorpions as a bit of cheesy act – but that is too ignore a pedigree that spans several decades, has adopted with changing rock trends, and most of all still seem to be enjoying themselves in union with the crowd.

RUDI!

 Klaus Meine is as engaging as ever,  but the man with the biggest smile was Rudi Schencker as the band tore through a set that ranged back to the epic days of ‘Tokyo Tapes’ days to relatively new material.

 
For the dedicated ‘Speedy’s Coming’ and ‘Steam Rock Fever’ were rolled out as old standards; for those just here for that song everyone whistled to ‘Winds of Change’; and, for those who (vaguely) remember the ‘80s it was a storming rendition of ‘Rock You Like a Hurricane’ that brought day one of Ramblin’ Man Fair to a close.


Brothers in rock
 
Sunshine had baked the field on Day One, and as weary, bleary festival goers joined the many queues to find their way back to accommodation few realised what Day Two had in store, but for now they were more than content.




Review by Jonny
Main pictures by Darren McVeigh - MetalplanetBelfast
 

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