CLASS music by class bands was enough to fortify the Friday audience at Ramblin Man Fair 2017 against the vagaries of wind and rain at Mote Park, Maidstone.
With the expansion of the festival opening day to the main arena the organisers made sure the line-up was a rabble-rousing bands that all could be defined under the banner of classic rock. However, that does the four bands no justice.
The acts' music was the soundtrack of the youth for many of the thousands gathered, and for others it was a look back to the history of hard rock and metal - songs that defined the musical landscape of today.
And none better to showcase the historical context than Graham Bonnet - a man who was the vocalist on many definitive albums. 'All Night Long', 'Night Games' and 'God Blessed Video' were among the many songs that had voices raised to the heavens.
His stamina on stage and the tight arrangements of Bonnet's band set the tone for the evening - music that no matter the subject makes the heart beat a little bit faster.
Last in Line also had the songs that have enough passion to power through any vagaries of the weather. Make no mistake, this band isn't some re-tread of Dio. They have their own identity.
Sure 'Stand Up And Shout', 'Holy Diver' 'Rainbow in the Dark', and 'We Rock' drew most response, but there is so much more to the set.
Andy Freeman does not slavishly ape Ronnie James' vocals, rather interprets them for his own style and the band dynamic. Vivian Campbell's solos have not only the distinctive stamp of the albums but are given a live flourish.
The fact that the band are now a recording entity in their own right will ensure their longevity - and at Ramblin Man 'Devil in Me' received an airing - and the dedication of 'Starmaker' to the late Jimmy Bain was an appropriate marking of the great man's passing.
For Y&T their recent travails was added to with the absence of Jonny Nymann due to a serious illness. However, the band's determination to play the date was clear and while at times it wasn't as tight this was not something that affected the mood and atmosphere.
With more than 40 years of experience and a catalogue of songs to chose from they served up a balanced set filled with songs that were instantly recognisable from the first couple of notes.
'Hurricane' as the opener perhaps suited the prevailing weather conditions but the wind and rain was ignored by an audience that revelled in ''Winds of Change'.
And, as many were making a return to Ramblin Man 'I'm Coming Home' was an appropriate choice. 'Mean Streak' and 'Rescue Me' were some of the more outstanding songs delivered.
With the strains of DC's 'It's a Long Way To The Top' reverberating across the arena the stage was quite literally set for Saxon, who arrived with a 'Battering Ram'.
Their blue collar metal, born before NWOBHM was defined, has a pure honesty running through it. Each track has a sentiment that has, in 2017, still remains fresh.
'Motorcycle Man', to coin a phrase, revved up proceedings and the audience sang along, buzzed with an electric feeling as each successive track saw the roars raised into the Kent night.
Biff is a consummate frontman, congenial, humorous and self-deprecating as he egged on the crowd and conducted the crowd like a metal ringmaster.
There may have been a sense of nostalgia, but that didn't mean there was any less enthusiasm. '20,000 Feet', 'Princess of the Night' and 'Wheels of Steel' turned the night bright with their familiarity.
Saxon power on and like the crowd they will 'Never Surrender'.
Review by Jonathan Traynor
Pictures by Darren McVeigh
Showing posts with label Biff Byford. Show all posts
Showing posts with label Biff Byford. Show all posts
Tuesday, August 01, 2017
Monday, October 31, 2016
LIVE REVIEW: Rewinding back the years to bring NWOBHM bang up to date as Saxon, Fastway and Girlschoo rock Belfast
SUNDAY night, Belfast, the night before Halloween - yet it felt like a night in the 1980s had been moved by a strange time vortex to a city transformed, a city where the Troubles have faded; and the metal that inspired a generation and provided escapism in the past was once again vibrant and vital.
Girlschool, Fastway and Saxon all played Belfast in the 80s, when the 'mainstream' was avoiding the city. Like punk in the late 70s, metal stuck a middle finger up to the sectarian divide, raised a can and rocked out.

That spirit of defiance and a determination to deliver accolades to bands who crossed the North Channel to play in Northern Ireland swept throughout the Limelight on Sunday (October 30th) as a cross-generational crowd gathered - in denim and leather of course - to salute the trio of NWOBHM stalwarts.
Sure, they are a bit longer in the tooth in 2016 compared to the heady days of their births, but they shame newer acts who can only but aspire to touch the hems of their jeans in terms of the energy, composure and craft.
Girlschool may have had many travails from the time the played with Motorhead in the long gone Maysfield Leisure Centre, beside Belfast Central Train Station, but they have lost none of the verve.

They mixed up tracks new and old, with as always the three ladies coming to the mics to give real oomph to each chorus. Kim's tease that many weren't born when 'Hit And Run' was released didn't stop the audience singing along in a track all too familiar.
Of the new songs from 'Guilty as Sin' the pair of 'Come The Revolution' and 'Take It Like A Band' (the latter dedicated to their late friend Lemmy) caught the spark of the past and once more turned it into live fire.
Closing with 'Race With The Devil' and a storming version of 'Emergency' the band and the Limelight were grinning with pleasure.
Fastway once played to an almost empty venue in the mid-80s in Belfast, but the Sunday night crowd were not indifferent to the band this October.
The focus may have been on 'Fast' Eddie Clarke for many years, but this is not a one-man act, with Toby Jepson leading from the front, cajoling the audience to reach deep in support. His experience as a singer and rock 'n' roll jester keeps the energy high in a set that tipped more than a nod to hard rockin' blues.
'All Fired Up' had a swing and purpose that drew the back stragglers away from the bar and into a maelstrom, while 'Feel Me, Touch Me (Do Anything You Want)' featured a bluesy lead from Clarke, as John McManus rolled the bass lines smoother than a muscle car eating up the miles on Route 66.
Closing with 'Easy Living' the pace and energy of the early part of the set had waned slightly, but did not diminish the appreciation of the audience at Clarke's return to what Jepson said was one of Eddie's spiritual homes.

Saxon are faithful to Belfast. From their first appearance in 1983 this was just over a year from their show in 2015 as part of the Warriors of the Road show.
Biff is a consummate performer, engaging and still energetic as they opened with title track from 'Battering Ram'.
When many acts urge the audience to chant, clap or sing a long it can seem like a cliché, but Biff is one of the metal originals and it comes across not as a stereotype but as a gentle tease and doff of the cap to the heady days when he was one of the metal standard bearers.
In an age when all the derivatives of metal have vied to be faster, heavier and more controversial Saxon's anthemic sound could be regarded as dated...except the band take such notions, tell them to feck off and play heavier and harder than some of their younger counterparts.
With such a well-regarded collection of songs reaching back across the years they were able to play some old, some not so old and some new - all received with an almost sense that the Rapture had descended on earth and was focussed on the Limelight.
Paul Quinn and Doug Scarratt are more than just wingmen to Biff as they pull out masterful riffing and tasty licks.
'Never Surrender' has a message that sums up the attitude of a band and an audience that knows the glory days of metal are compromised by a media environment in which auto-tuned dance troops, reality TV stars and an obsession with fame without talent has become the norm. But, Saxon are not just about rewinding back the years: no, they are about putting metal in its proper context, for the fans by the fans, young or old.
When you see 50 year plus fans, standing next to a 20-year-old belting out 'Dallas 1pm' and 'Wheels of Steel' you know the band has hit the right note, at the right time.
Of course the likes of those tracks and '747 (Strangers in the Night)' and 'Princess Of The Night' drew the largest cheers, but make no mistake, this was not a nostalgia trip. This was heavy metal at its purest, tempered by the years, honed by the ups and downs, but most of all delivered and received with majesty with might.
Review by Jonathan Traynor
Pictures by Darren McVeigh
Reproduction by written consent only
















Girlschool, Fastway and Saxon all played Belfast in the 80s, when the 'mainstream' was avoiding the city. Like punk in the late 70s, metal stuck a middle finger up to the sectarian divide, raised a can and rocked out.

That spirit of defiance and a determination to deliver accolades to bands who crossed the North Channel to play in Northern Ireland swept throughout the Limelight on Sunday (October 30th) as a cross-generational crowd gathered - in denim and leather of course - to salute the trio of NWOBHM stalwarts.
Sure, they are a bit longer in the tooth in 2016 compared to the heady days of their births, but they shame newer acts who can only but aspire to touch the hems of their jeans in terms of the energy, composure and craft.
Girlschool may have had many travails from the time the played with Motorhead in the long gone Maysfield Leisure Centre, beside Belfast Central Train Station, but they have lost none of the verve.

They mixed up tracks new and old, with as always the three ladies coming to the mics to give real oomph to each chorus. Kim's tease that many weren't born when 'Hit And Run' was released didn't stop the audience singing along in a track all too familiar.
Of the new songs from 'Guilty as Sin' the pair of 'Come The Revolution' and 'Take It Like A Band' (the latter dedicated to their late friend Lemmy) caught the spark of the past and once more turned it into live fire.
Closing with 'Race With The Devil' and a storming version of 'Emergency' the band and the Limelight were grinning with pleasure.
Fastway once played to an almost empty venue in the mid-80s in Belfast, but the Sunday night crowd were not indifferent to the band this October.
The focus may have been on 'Fast' Eddie Clarke for many years, but this is not a one-man act, with Toby Jepson leading from the front, cajoling the audience to reach deep in support. His experience as a singer and rock 'n' roll jester keeps the energy high in a set that tipped more than a nod to hard rockin' blues.
'All Fired Up' had a swing and purpose that drew the back stragglers away from the bar and into a maelstrom, while 'Feel Me, Touch Me (Do Anything You Want)' featured a bluesy lead from Clarke, as John McManus rolled the bass lines smoother than a muscle car eating up the miles on Route 66.
Closing with 'Easy Living' the pace and energy of the early part of the set had waned slightly, but did not diminish the appreciation of the audience at Clarke's return to what Jepson said was one of Eddie's spiritual homes.

Saxon are faithful to Belfast. From their first appearance in 1983 this was just over a year from their show in 2015 as part of the Warriors of the Road show.
Biff is a consummate performer, engaging and still energetic as they opened with title track from 'Battering Ram'.
When many acts urge the audience to chant, clap or sing a long it can seem like a cliché, but Biff is one of the metal originals and it comes across not as a stereotype but as a gentle tease and doff of the cap to the heady days when he was one of the metal standard bearers.
In an age when all the derivatives of metal have vied to be faster, heavier and more controversial Saxon's anthemic sound could be regarded as dated...except the band take such notions, tell them to feck off and play heavier and harder than some of their younger counterparts.
With such a well-regarded collection of songs reaching back across the years they were able to play some old, some not so old and some new - all received with an almost sense that the Rapture had descended on earth and was focussed on the Limelight.
Paul Quinn and Doug Scarratt are more than just wingmen to Biff as they pull out masterful riffing and tasty licks.
'Never Surrender' has a message that sums up the attitude of a band and an audience that knows the glory days of metal are compromised by a media environment in which auto-tuned dance troops, reality TV stars and an obsession with fame without talent has become the norm. But, Saxon are not just about rewinding back the years: no, they are about putting metal in its proper context, for the fans by the fans, young or old.
When you see 50 year plus fans, standing next to a 20-year-old belting out 'Dallas 1pm' and 'Wheels of Steel' you know the band has hit the right note, at the right time.
Of course the likes of those tracks and '747 (Strangers in the Night)' and 'Princess Of The Night' drew the largest cheers, but make no mistake, this was not a nostalgia trip. This was heavy metal at its purest, tempered by the years, honed by the ups and downs, but most of all delivered and received with majesty with might.
Review by Jonathan Traynor
Pictures by Darren McVeigh
Reproduction by written consent only
















Wednesday, August 31, 2016
NEWS: Saxon to release live album Let Me Feel Your Power double live albun
NWOBHM legends Saxon will unleash Let Me Feel
Your Power, their 10th live album, on October 7
The 16 track album was recorded in Munich during November 2015 and Brighton in January 2016, with bonus materials from Chicago in September 2015, Let Me Feel Your Power will be available in several formats, including DVD/2CDs, Blu-Ray/2CDs, digital download and a deluxe vinyl version which will also include the Blu-Ray and 2CDs (limited to 1500 copies).
The track-listing is as follows:
BATTERING RAM (LIVE IN MUNICH)
MOTORCYCLE MAN (LIVE IN MUNICH)
SACRIFICE (LIVE IN MUNICH)
DESTROYER (LIVE IN MUNICH)
POWER AND THE GLORY (LIVE IN MUNICH) 20000FT (LIVE IN MUNICH)
DEVILS FOOTPRINT (LIVE IN MUNICH) HEAVY METAL THUNDER (LIVE IN MUNICH)
QUEEN OF HEARTS (LIVE IN MUNICH)
PRINCESS OF THE NIGHT (LIVE IN MUNICH) WHEELS OF STEEL (LIVE IN MUNICH)
DENIM AND LEATHER (LIVE IN MUNICH)
CRUSADER (LIVE IN MUNICH)
EYE OF THE STORM (LIVE IN BRIGHTON) BATTALIONS OF STEEL (LIVE IN BRIGHTON) REQUIEM (LIVE IN BRIGHTON)
The bonus material track listing is as follows:
MOTORCYCLE MAN (LIVE IN CHICAGO)
BATTERING RAM (LIVE IN CHICAGO) *
THIS TOWN ROCKS (LIVE IN CHICAGO)
SACRIFICE (LIVE IN CHICAGO)
POWER AND THE GLORY (LIVE IN CHICAGO) SOLID BALL OF ROCK (LIVE IN CHICAGO)
DALLAS 1 PM (LIVE IN CHICAGO)
HEAVY METAL THUNDER (LIVE IN CHICAGO) ROCK THE NATIONS (LIVE IN CHICAGO)
THE EAGLE HAS LANDED (LIVE IN CHICAGO) WHEELS OF STEEL (LIVE IN CHICAGO)
BACKS TO THE WALL (LIVE IN CHICAGO)
JUST LET ME ROCK (LIVE IN CHICAGO)
STRONG ARM OF THE LAW (LIVE IN CHICAGO)
747 (STRANGERS IN THE NIGHT) (LIVE IN CHICAGO)
PRINCESS OF THE NIGHT (LIVE IN CHICAGO) CRUSADER (LIVE IN CHICAGO) *
DENIM AND LEATHER (LIVE IN CHICAGO)
[*only available as video content; not available on CD or digital]
The format breakdown is as follows:
DVD+2CDs (digipack format) BluRay+2CDs (digipack format) Deluxe Vinyl Version, (Double vinyl plus BluRay+2CDs) limited to 1.500 units Digital
th via UDR Music.The 16 track album was recorded in Munich during November 2015 and Brighton in January 2016, with bonus materials from Chicago in September 2015, Let Me Feel Your Power will be available in several formats, including DVD/2CDs, Blu-Ray/2CDs, digital download and a deluxe vinyl version which will also include the Blu-Ray and 2CDs (limited to 1500 copies).
The track-listing is as follows:
BATTERING RAM (LIVE IN MUNICH)
MOTORCYCLE MAN (LIVE IN MUNICH)
SACRIFICE (LIVE IN MUNICH)
DESTROYER (LIVE IN MUNICH)
POWER AND THE GLORY (LIVE IN MUNICH) 20000FT (LIVE IN MUNICH)
DEVILS FOOTPRINT (LIVE IN MUNICH) HEAVY METAL THUNDER (LIVE IN MUNICH)
QUEEN OF HEARTS (LIVE IN MUNICH)
PRINCESS OF THE NIGHT (LIVE IN MUNICH) WHEELS OF STEEL (LIVE IN MUNICH)
DENIM AND LEATHER (LIVE IN MUNICH)
CRUSADER (LIVE IN MUNICH)
EYE OF THE STORM (LIVE IN BRIGHTON) BATTALIONS OF STEEL (LIVE IN BRIGHTON) REQUIEM (LIVE IN BRIGHTON)
The bonus material track listing is as follows:
MOTORCYCLE MAN (LIVE IN CHICAGO)
BATTERING RAM (LIVE IN CHICAGO) *
THIS TOWN ROCKS (LIVE IN CHICAGO)
SACRIFICE (LIVE IN CHICAGO)
POWER AND THE GLORY (LIVE IN CHICAGO) SOLID BALL OF ROCK (LIVE IN CHICAGO)
DALLAS 1 PM (LIVE IN CHICAGO)
HEAVY METAL THUNDER (LIVE IN CHICAGO) ROCK THE NATIONS (LIVE IN CHICAGO)
THE EAGLE HAS LANDED (LIVE IN CHICAGO) WHEELS OF STEEL (LIVE IN CHICAGO)
BACKS TO THE WALL (LIVE IN CHICAGO)
JUST LET ME ROCK (LIVE IN CHICAGO)
STRONG ARM OF THE LAW (LIVE IN CHICAGO)
747 (STRANGERS IN THE NIGHT) (LIVE IN CHICAGO)
PRINCESS OF THE NIGHT (LIVE IN CHICAGO) CRUSADER (LIVE IN CHICAGO) *
DENIM AND LEATHER (LIVE IN CHICAGO)
[*only available as video content; not available on CD or digital]
The format breakdown is as follows:
DVD+2CDs (digipack format) BluRay+2CDs (digipack format) Deluxe Vinyl Version, (Double vinyl plus BluRay+2CDs) limited to 1.500 units Digital
h
Tuesday, March 11, 2014
Saxon unleash St. George's Day live blast that will have fists pumping
Review by Baal
Coming hot on the heels of the excellent "Unplugged & Strung Up" release is this new live offering from the mighty Saxon, "St George's Day, Live In Manchester", recorded, on last years very successful Sacrifice tour. It would be fair to say the band have gone through something of a resurgence with a run of increasingly impressive albums.
It's a sign of the quality of the new material and the bands confidence in those songs, that the set featured on this album sees six tracks from the "Sacrifice" album included.
In times when many of the "elder statesmen" of rock & metal are content to tread the "greatest hits" route, it's both refreshing and commendable to see a band with a back catalogue as rich as Saxon, recording new and more importantly quality albums.
Make no mistake, Saxon haven't reinvented the wheel, but there's a vitality and vibrancy in these new songs, especially in the live format on this album, that shines through and gives the listener that warm 80's glow, that this is Saxon and all is well.
Of the new tracks featured, a blistering opener of "Sacrifice" sets the tone, with Biff leading the charge, from the front, as it should be. Arguably the pick of the new tracks featured is "Guardians Of The Tomb", reminiscent of "Powerslave" era Maiden.
"Made In Belfast" is a storming track in the studio and really comes into it's own in the live environment.
It is a pleasant surprise to see the inclusion of a number of tracks which, whilst not being what most Saxon fans would describe as classics, are, none the less a welcome addition on this album, namely "Rock & Roll Gypsy", "Conquistador" and "Ride Like The Wind"; the latter really benefiting from a live outing as opposed to the perhaps "over produced" studio version from the "Destiny" album some years ago.
A special mention must also be made of "Broken Heroes", performed here on St George's Day and dedicated by Biff to "the fallen".....just a great version of a truly great track.
Song after song, this is the sound of a band on top of their game with the tunes to keep them there for the foreseeable future (we hope).
The album closes with six 100% metal classics, we all know & love them, including fan favourites "747 (Strangers In The Night)" and "Denim & Leather".
How many bands would kill to have just one of these songs in their arsenal? Saxon have them in abundance.
By the time we get to a show stopping version of "Princess Of The Night" you'll find yourself in the front row, fists in the air......just the reaction a live metal album should illicit.
We here have been fortunate enough to have caught the band on recent tours - and with excellent backing from hometown heroes Stormzone.
If you didn't catch Saxon last time out, you could do the next best thing and get a hold of this live album. Saxon live are as good a metal band as you'll find and this album serves as a worthy testament to that fact.
As the man himself says....."Play It Loud"....you won't be disappointed
Thursday, November 07, 2013
Not another compilation album as Saxon unplug and get strung up....
SOMETIMES compilation albums are a nightmare for fans and bands alike - the constant arguing about what merits inclusion, and there's generally two 'newly' released songs that means you end up buying the bloody thing!
Classic metallers, heavy metal legends and NWOBHM legends Saxon could have trodden that route (again!) when they gathered round a studio console with producer Andy Sneap.
But then again Saxon are one of those awkward bands - in a good sense! Where in the past they could have reprised the glory of the early and mid-80s (when the played at the now derelict Maysfield Leisure Centre in Belfast).
Forced to re-evaluate things as grunge and laughingly 'reality' shows began to dominate charts, and with line-up shuffles Saxon shrugged off the strains and pains, knuckled down and got on with things: touring, recording, touring, recording - because that's what traditional 'eavy fuckin' metal bands do!
But as they looked back over their extensive back catalogue, what appeared to be dark thoughts of orchestras, acoustic guitars, new arrangements came into their minds...
It is usually at this point that a sensible metal fan wrestles the band to the ground and beats them with a Flying V until they see sense. Yhis is an action we would usually do not condone, but would applaud the intent.
However, what Saxon have done on this new release 'Unplugged and Strung Up' is to re-imagine a set of tracks that spans from the 1979 début right up to more recent releases. When Holywood re-imagines old movies they ruin; when Saxon re-imagine their songs they produce new, and intriguing versions.
To be honest we are so beloved of the classic Saxon sound that we initially approached Unplugged ad Strung Up, gently prodding it lest it let us down with an inane smile and limpid 'new versions'.
We need not have feared. Our death meal correspondent -Z - sighed with contentment after listening to Militia Guard's new mix, our more laid back correspondents and our ancient owner and editor had lighters in the air at the acoustic version of Frozen Rainbow.
It's worth focusing on that track for a moment. Back in 1979 it was a largely derivative track on what was otherwise excellent début. With Biff and his co-conspirators working with Sneap they have turned into something where, despite the slightly daft lyrics really, really works. The acoustic solos delicate enough to balance it all out; making it in all but name a 'new' track.
Overall this release is a mish-mash of acoustic tracks, orchestral additions and re-recordings. As a unit of songs they work. From the "Orchestrated" - no we're not sure what that means either - arrangement of Crusader through to the real delicacy of the acoustic version of Requiem it holds together.
Even the acoustic slide guitar opening of Coming Home doesn't sound weird for a Sheffield rocker to be singing along to!
Stand-out tracks are the Orchestrated versions Call To Arms and Red Star Falling; tracks that have been given real gravitas in their new clothes.
Overall while we normally wouldn't recommend buying any compilation album what Saxon and Sneap have done with these 14 tracks is effectively a new album. Unplugged and Strung Up is something that may be a placeholder in the band's career for a few months, especially given the cancelled dates with Motorhead, but it is one helluva placeholder.
It is a set of tracks that any classic metal band would be proud of.
Released on November 18th in the UK, the digipack comes with a bonus disc of the 2002 re-recordings from the Heavy Metal Thunder release including all the fan favourites such as Motorcycle Man and Dallas 1PM.
The album is available in a variety of formats including on vinyl gatefold 180gm double album and digital releases.
Classic metallers, heavy metal legends and NWOBHM legends Saxon could have trodden that route (again!) when they gathered round a studio console with producer Andy Sneap.
But then again Saxon are one of those awkward bands - in a good sense! Where in the past they could have reprised the glory of the early and mid-80s (when the played at the now derelict Maysfield Leisure Centre in Belfast).
Forced to re-evaluate things as grunge and laughingly 'reality' shows began to dominate charts, and with line-up shuffles Saxon shrugged off the strains and pains, knuckled down and got on with things: touring, recording, touring, recording - because that's what traditional 'eavy fuckin' metal bands do!
But as they looked back over their extensive back catalogue, what appeared to be dark thoughts of orchestras, acoustic guitars, new arrangements came into their minds...
It is usually at this point that a sensible metal fan wrestles the band to the ground and beats them with a Flying V until they see sense. Yhis is an action we would usually do not condone, but would applaud the intent.
However, what Saxon have done on this new release 'Unplugged and Strung Up' is to re-imagine a set of tracks that spans from the 1979 début right up to more recent releases. When Holywood re-imagines old movies they ruin; when Saxon re-imagine their songs they produce new, and intriguing versions.
To be honest we are so beloved of the classic Saxon sound that we initially approached Unplugged ad Strung Up, gently prodding it lest it let us down with an inane smile and limpid 'new versions'.
We need not have feared. Our death meal correspondent -Z - sighed with contentment after listening to Militia Guard's new mix, our more laid back correspondents and our ancient owner and editor had lighters in the air at the acoustic version of Frozen Rainbow.
It's worth focusing on that track for a moment. Back in 1979 it was a largely derivative track on what was otherwise excellent début. With Biff and his co-conspirators working with Sneap they have turned into something where, despite the slightly daft lyrics really, really works. The acoustic solos delicate enough to balance it all out; making it in all but name a 'new' track.
Overall this release is a mish-mash of acoustic tracks, orchestral additions and re-recordings. As a unit of songs they work. From the "Orchestrated" - no we're not sure what that means either - arrangement of Crusader through to the real delicacy of the acoustic version of Requiem it holds together.
Even the acoustic slide guitar opening of Coming Home doesn't sound weird for a Sheffield rocker to be singing along to!
Stand-out tracks are the Orchestrated versions Call To Arms and Red Star Falling; tracks that have been given real gravitas in their new clothes.
Overall while we normally wouldn't recommend buying any compilation album what Saxon and Sneap have done with these 14 tracks is effectively a new album. Unplugged and Strung Up is something that may be a placeholder in the band's career for a few months, especially given the cancelled dates with Motorhead, but it is one helluva placeholder.
It is a set of tracks that any classic metal band would be proud of.
Released on November 18th in the UK, the digipack comes with a bonus disc of the 2002 re-recordings from the Heavy Metal Thunder release including all the fan favourites such as Motorcycle Man and Dallas 1PM.
The album is available in a variety of formats including on vinyl gatefold 180gm double album and digital releases.
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