Pick Your Rock and Metal

Showing posts with label Newport Helicopter. Show all posts
Showing posts with label Newport Helicopter. Show all posts

Tuesday, August 22, 2017

BLOODSTOCK: The madness, the mayhem and the glorious music

WHEN it comes to festivals Bloodstock towers head and shoulders above most - and not just because they had the man mountain Johann from Amon Amarth present...

Genuinely friendly, a selection of bands to warm the cockles of every metalheads' hearts and a carnival atmosphere across the site.

Deep in South Derbyshire the very earth trembles every year and Bloodstock 2017 was no different...

With all weekend tickets sold out and day tickets at a premium it was perhaps one of the biggest adventures for BOA, but the scale was not too big to intimidate - apart from the enormous waits for entry. People who arrived clean shaven had a beard by the time they got in.

The queues were phenomenal on that first day, due to additional security steps, but that just meant some delay in erecting tents and heading back for beer stocks...well it is Bloodstock and you wouldn't expect anything else but ample beers.
By Mark Lloyd

The opening night always has a party atmosphere on the Sophie Lancaster Stage and rounding things off BattleBeast hit the right note of fun and heaviness. However, come Friday the heft of metal was to the fore.

A wealth of brutality bore down on the crowd as the usual races between stages to catch acts began in earnest. Decapitated drew heavily from their recent 'Anticult' release, and surprisingly for some many of those down the front knew each word and inflection.

When it comes to thrash Testament are among the godfathers. Chuck Billy was his usual larger than life self and the might of the tracks were evident - Bloodstock gathered as the 'Brotherhood of the Snake', headbanging happily.

With Blind Guardian delivering their symphonic majesty as the skies began to darken there was a real sense of anticipation. As many hurried from catching the excellent Lionize on the Sophie Stage Amon Amarth came on as if primed for a raid, ready to pillage.

Flames, massive Viking helmet, dragons, hammers - a proper stage show. All would be for nowt without the immensity of the songs. 'Runes to my Memory', 'Guardians of Asgard', and of course 'Twilight of the Thunder God' had the site bathed in glory.

They have appeared before at Bloodstock, but now are worthy headliners.

Saturday - more sunshine and the dash between stages in earnest as bleary eyed campers stumble forth to the familial camaraderie.

One of the more controversial choices was Flint, Michigan crew King 810, missing an axeman due to alleged firearms offence. Their abrasive off-stage attitude translated into one of the most challenging sets. Rather than have the big screens showing the band a series of disturbing images that forced those paying attention to consider their own attitudes. And as the crowd sang 'Fat Around The Heart' they may have redeemed themselves.

After another exemplary set from Annihilator - including some inter-song Canuck humour from Jeff Waters preceded mayhem.
By Darren McVeigh

No not the band Mayhem, but the mayhem that was Municipal Waste. Never in the field of human surfing has so many crowd surfed. As the punk thrash lasted a mere 45 minutes of intensity a total of 711 mad metallers crowd surfed - smashing any previous records by almost 300...Oh the music was good too.

Hatebreed teeter continually on the border between hardcore and metal, a dangerous place for some bands, but the fact that the Bloodstock community is more open-minded than most they were among the hits of the day.

Having consulted widely around Camp Midgard (well six people) we could not find anyone who has seen a bad Kreator set. The Teutonic thrashers are always good. They weren't at BOA 2017. No, they were fucking great. On another level that left many open-mouthed, agog at the tight, precise battering they were producing.

There was no way Ghost could top that. Sure their dark pantomime works for many, but the rotating membership, the choir et al sometimes grates as contrived. Macabre closing the Sophie stage are more intimidating - and better.

As if the preceding three days weren't enough Sunday was an absolute barnstormer.

But before that a word about the New Blood Stage. After months and months of battling bands won the right to perform at Bloodstock. It is a tribute to the quality of the acts that fought through dozens of heats on Metal2TheMasses that they attracted so many away from the main stages to see the emerging talent.

And, while we were impressed by many we saw, we are biased and thus a special mention for Shrouded. The Northern Ireland melodic death metal foursome could have easily been over-awed by the occasion, given their tender years, but stayed focussed, no faffing about - they came on stage and nailed it.

Over on the Ronnie James Dio stage masked Mexican metal banditos Brujeria tempered their assault with a cover of 'Oh Macharina' - yep it was that sort of day.
By Katja Ogrin

Segue from that into Possessed's power, Obituary's threat and Hell's theatricality it could be excused if the Bloodstock audience was feeling shell-shocked. But from somewhere they summoned up the energy for Skindred.

Exuding positivity in every word and every lick large proportions of the Catton Park site couldn't stop moving; dancing and grinning. Their reggae metal may not suit everyone's tastes, but it enlivened the day, and when 'Warning' played as a closer there was no doubt that the Newport Helicopter of thousands of t-shirts swirling made for an epic spectacle. Even the security staff lifted their hi-viz's aloft.

Arch Enemy offered a break from that communal silliness, but Skindred had given everyone a second wind and the 'Enemy seeped into everyone's bones.

Closing the main stage was Big Four members Megadeth. Well safe to say Dave did what Dave does, nothing more and nothing less.

As the dying strains of yet more widdly widdly guitar solos from Megadeth faded the job of closing the Sophie stage fell to Wintersun. Sure, it may have all the hallmarks of a vanity project, but somehow there is more of a life to the intricate self-absorbed tracks that works better on stage.

And, thus another Bloodstock drew to a close.

Another celebration of the outer reaches of metal that earns devotion; another celebration of a metal community that walks together, drinks together and yells each word with fervour and passion.

As the camp sites slowly emptied on a dank Monday there was the usual "see you next year" - and that's what makes Bloodstock special. For those with hearts steeled for metal it is one festival not to miss.

Review by Jonathan Traynor
(And...all that and we didn't get to even mention the Jägermeister Stage...)


Friday, October 30, 2015

ALBUM REVIEW: Turn it up with Skindred on Volume

WALES - land of leeks, rugby, dragons and... Skindred.

Yeah, they Welsh may still be licking their wounds after nearly beating Australia in the Rugby World Cup quarter finals, but at least the nation can raise a glass and get down to the new Skindred album release 'Volume'.

And, what a release it is. Sure 'Babylon' and 'Union Black' wre great albums, but this time aroudn Benji and the boys have reached a higher ground. The PR blurb says that we should "turn it up to 12" (as if 11 wasn't enough...) and in this case there is some justification.

Opener 'Under Attack' has the trademark Skindred light and shade, but the title track has a rollicking, rolling monstrous riff and a chorus embedded so deep as to have you humming along on your first listen.

The band have never been as prolific as could have been hoped - formed in 1998 Volume is the Skindred's sixth studio album - but this has been worth the wait.

While the US wannabes all claim to be crossover they trail way behind in how many genres Skindred draw together in a melting pot to produce a molten morass of metal. 'Hit the Ground' for example opens with a ska/reggae feel, which Benji keeps throughout as the music mashes up off-beat rhythms and muted guitar melding into riiffage of the most pleasant type.

Why does this melange of music culture work? Obviously the band are drawing on what they listen to when not invoking the 'Newport Helicopter'; but equally there is enough metal muscle to make sure that fans of dance and electronica aren't going to touch them with the proverbial bargepole when Benji gets the pit into full flow.

Thus, apart from a few non-metal fans drawn by curiosity to see how dub step and metal mix the core Skindred audience are of the denim and leather brigade, or at least that's what we used to wear.

And, that is a shame, because on tracks such as 'The Healing' there are dance and dub-step elements sitting comfortably with the guitar, melody aplenty and again that wonderful sense of rhythm that Skindred deploy.

Equally lyrically Skindred are in touch with a vibe that resonates across all those who sit on the edge of societal norms, with 'No Justice' a prime example on this release.

And, it is on this relesase that Skindred have stretched their roots, added meat and veg to the sound, deployed the variety of influences that make up their DNA. 'Stand Up' perhaps sums this up best as it takes a mid-tempo twist to the sound with a contemporary metallic feel that simmers behind Benji's invective.

Newport stand up and be proud of Skindred!


Review by Jonny