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Showing posts with label Kreator. Show all posts
Showing posts with label Kreator. Show all posts

Tuesday, August 22, 2017

BLOODSTOCK: The madness, the mayhem and the glorious music

WHEN it comes to festivals Bloodstock towers head and shoulders above most - and not just because they had the man mountain Johann from Amon Amarth present...

Genuinely friendly, a selection of bands to warm the cockles of every metalheads' hearts and a carnival atmosphere across the site.

Deep in South Derbyshire the very earth trembles every year and Bloodstock 2017 was no different...

With all weekend tickets sold out and day tickets at a premium it was perhaps one of the biggest adventures for BOA, but the scale was not too big to intimidate - apart from the enormous waits for entry. People who arrived clean shaven had a beard by the time they got in.

The queues were phenomenal on that first day, due to additional security steps, but that just meant some delay in erecting tents and heading back for beer stocks...well it is Bloodstock and you wouldn't expect anything else but ample beers.
By Mark Lloyd

The opening night always has a party atmosphere on the Sophie Lancaster Stage and rounding things off BattleBeast hit the right note of fun and heaviness. However, come Friday the heft of metal was to the fore.

A wealth of brutality bore down on the crowd as the usual races between stages to catch acts began in earnest. Decapitated drew heavily from their recent 'Anticult' release, and surprisingly for some many of those down the front knew each word and inflection.

When it comes to thrash Testament are among the godfathers. Chuck Billy was his usual larger than life self and the might of the tracks were evident - Bloodstock gathered as the 'Brotherhood of the Snake', headbanging happily.

With Blind Guardian delivering their symphonic majesty as the skies began to darken there was a real sense of anticipation. As many hurried from catching the excellent Lionize on the Sophie Stage Amon Amarth came on as if primed for a raid, ready to pillage.

Flames, massive Viking helmet, dragons, hammers - a proper stage show. All would be for nowt without the immensity of the songs. 'Runes to my Memory', 'Guardians of Asgard', and of course 'Twilight of the Thunder God' had the site bathed in glory.

They have appeared before at Bloodstock, but now are worthy headliners.

Saturday - more sunshine and the dash between stages in earnest as bleary eyed campers stumble forth to the familial camaraderie.

One of the more controversial choices was Flint, Michigan crew King 810, missing an axeman due to alleged firearms offence. Their abrasive off-stage attitude translated into one of the most challenging sets. Rather than have the big screens showing the band a series of disturbing images that forced those paying attention to consider their own attitudes. And as the crowd sang 'Fat Around The Heart' they may have redeemed themselves.

After another exemplary set from Annihilator - including some inter-song Canuck humour from Jeff Waters preceded mayhem.
By Darren McVeigh

No not the band Mayhem, but the mayhem that was Municipal Waste. Never in the field of human surfing has so many crowd surfed. As the punk thrash lasted a mere 45 minutes of intensity a total of 711 mad metallers crowd surfed - smashing any previous records by almost 300...Oh the music was good too.

Hatebreed teeter continually on the border between hardcore and metal, a dangerous place for some bands, but the fact that the Bloodstock community is more open-minded than most they were among the hits of the day.

Having consulted widely around Camp Midgard (well six people) we could not find anyone who has seen a bad Kreator set. The Teutonic thrashers are always good. They weren't at BOA 2017. No, they were fucking great. On another level that left many open-mouthed, agog at the tight, precise battering they were producing.

There was no way Ghost could top that. Sure their dark pantomime works for many, but the rotating membership, the choir et al sometimes grates as contrived. Macabre closing the Sophie stage are more intimidating - and better.

As if the preceding three days weren't enough Sunday was an absolute barnstormer.

But before that a word about the New Blood Stage. After months and months of battling bands won the right to perform at Bloodstock. It is a tribute to the quality of the acts that fought through dozens of heats on Metal2TheMasses that they attracted so many away from the main stages to see the emerging talent.

And, while we were impressed by many we saw, we are biased and thus a special mention for Shrouded. The Northern Ireland melodic death metal foursome could have easily been over-awed by the occasion, given their tender years, but stayed focussed, no faffing about - they came on stage and nailed it.

Over on the Ronnie James Dio stage masked Mexican metal banditos Brujeria tempered their assault with a cover of 'Oh Macharina' - yep it was that sort of day.
By Katja Ogrin

Segue from that into Possessed's power, Obituary's threat and Hell's theatricality it could be excused if the Bloodstock audience was feeling shell-shocked. But from somewhere they summoned up the energy for Skindred.

Exuding positivity in every word and every lick large proportions of the Catton Park site couldn't stop moving; dancing and grinning. Their reggae metal may not suit everyone's tastes, but it enlivened the day, and when 'Warning' played as a closer there was no doubt that the Newport Helicopter of thousands of t-shirts swirling made for an epic spectacle. Even the security staff lifted their hi-viz's aloft.

Arch Enemy offered a break from that communal silliness, but Skindred had given everyone a second wind and the 'Enemy seeped into everyone's bones.

Closing the main stage was Big Four members Megadeth. Well safe to say Dave did what Dave does, nothing more and nothing less.

As the dying strains of yet more widdly widdly guitar solos from Megadeth faded the job of closing the Sophie stage fell to Wintersun. Sure, it may have all the hallmarks of a vanity project, but somehow there is more of a life to the intricate self-absorbed tracks that works better on stage.

And, thus another Bloodstock drew to a close.

Another celebration of the outer reaches of metal that earns devotion; another celebration of a metal community that walks together, drinks together and yells each word with fervour and passion.

As the camp sites slowly emptied on a dank Monday there was the usual "see you next year" - and that's what makes Bloodstock special. For those with hearts steeled for metal it is one festival not to miss.

Review by Jonathan Traynor
(And...all that and we didn't get to even mention the Jägermeister Stage...)


Thursday, June 15, 2017

NEWS: Kreator release video for classic Pleasure to Kill

KREATOR are set to re-release a series of their Noise era records - and as part of that they have released a video of their 1986 'Pleasure to Kill'. Watch it below.

“This video is a tribute to eighties slasher movie culture. We have kept this very simple and the idea is, to take you back on a trip to the eighties to celebrate the re-release of our first four albums. Enjoy!”  - Mille Petrozza

Kreator’s second album ‘Pleasure To Kill’ is still revered as a benchmark album in thrash metal circles. Often uttered in the same breath as such masterpieces as ‘Master Of Puppets’ and ‘Reign In Blood’, it firmly put German thrash on the map and has rippled out its influence over the past four decades to many thrash and death metal contemporaries.

Released on November 1st 1986 on the, then fledgling Noise records it never had a promo video made for it so the band would have to wait a couple of years before their debut video was shot in form of the track ‘Betrayer’.

Now, some 31 years later Kreator are proud to premiere this video for the title track of this seminal album. Working with classic 80’s era footage of the band in both the studio and live environment, with an added narrative full of sadistic intent - think ‘Stranger Things’ meets Wes Craven in a machete fight with Jason Vorhees! This video goes for the throat and leaves you in a pool of blood. Pleasure to kill!

Friday, March 03, 2017

NEWS: Bloodstock add four more - Kreator and King 810 among the additions


BLOODSTOCK is powering ahead with even more bookings for 2017 with four more bands added to the already burgeoning line-up! 

Remember how impressed we were with German thrash legends KREATOR when they played Dublin (review is here). They are now set to shred their way on to BLOODSTOCK’s main stage this Summer in Saturday’s special guest spot! 

Vocalist/guitarist Mille Petrozza declares, “We are happy to finally return to BLOODSTOCK!  KREATOR will give you the full treatment this time.  WE SHALL KILL.”

The band released their fourteenth studio album, ‘Gods of Violence’ in January via Nuclear Blast.  Check out the video for the title track at:
https://youtu.be/xeUBJ2Ha-FM and get up to speed on all things KREATOR over at: https://www.facebook.com/ KreatorOfficial/.

Flint firebrands KING 810 land a Ronnie James Dio main stage slot on Saturday in a UK festival exclusive, so will be your only chance to catch the band on these shores this summer!  Their genre-busting album, ‘La Petite Mort (Or A Conversation With God)’ was hugely lauded upon release last year, with leading US outlet, Metal Injection pronouncing it “2016’s best example of what an album should be”.  Check out their visceral video for ‘Alpha & Omega’ at https://www.youtube.com/watch? v=gcLmQDr7GGw. This happened in Flint this week... https://youtu.be/QsmoWV_HQII.

Black metal marauders INQUISITION will headline the Sophie Lancaster stage on Friday.  The duo of Dagon and Incubus released their seventh album, ‘Bloodshed Across The Empyrean Altar Beyond The Celestial Zenith’ via Season Of Mist last August.  Listen to ‘Wings Of Anu’ from that disc at https://youtu.be/UGdbsGFrvbY and prepare for a ferocious finish to Friday night.

Lastly, KING PARROT fly in from their Aussie homeland for a Sophie stage slot. The self-dubbed “grindin’, thrashin’, punk wrecking machine” are on the road in support of their Phil Anselmo-produced disc, ‘Dead Set’.  Lend your ears at https://agoniarecords. bandcamp.com/album/dead-set, or watch their 2012 video for ‘Shit On The Liver’ at https://youtu.be/cinvIr-O1k8 - it was a finalist in the Australian Music Video Awards and has racked up nearly half a million YouTube views!  Learn more Parrot at www.facebook.com/ kingparrotband/.

Check out BLOODSTOCK’s latest video trailer here and get excited for August! 

Meanwhile, back at BOA HQ, we received some awesome news about ‘The Beast of Bloodstock’, our very own ale brewed by The Boot Beer microbrewery in Repton, Derbyshire.  It scooped the Gold Award in the CAMRA East Midlands Champion Beer of Britain ‘Strong Ale’ category!  ‘The Beast…’ at 6.66% alcohol is a hefty beast but has a luscious, dark chocolate and caramel character.  Now you want one, huh?!  If you like a strong ale, check it out and follow The Boot Beer’s Facebook page at www.facebook.com/TheBootBeer.

Already announced for 2017 are Friday’s headliners AMON AMARTH, Sunday’s headliners MEGADETH, plus ARCH ENEMY, BLIND GUARDIAN, HATEBREED, TESTAMENT, OBITUARY, BRUJERIA, WHITECHAPEL, SKINDRED, POSSESSED, ANNIHILATOR, MUNICIPAL WASTE, HELL, DECAPITATED, SOILWORK, CHELSEA GRIN, MACABRE, SCARAB, WINTERSUN and ONI.  Many more, including our Saturday headliner are still be announced!  Stay tuned to BLOODSTOCK’s social media at https://www.facebook.com/ bloodstock and https://twitter.com/ bloodstockfest for the latest!


BLOODSTOCK takes place at Catton Park, Derbyshire on 10th-13th August 2017.  Standard weekend camping tix are on sale at £139 (+ booking fee), plus increasingly limited VIP packages/upgrades and car parking tickets (at a cheaper price than ‘on the day’ purchase) from http://bloodstock.seetickets. com.  Children’s weekend tickets are also available, priced £35 (+ booking fee) and under 4’s go free!


Thursday, March 02, 2017

LIVE REVIEW: Vicar Street treated to four-band mayhem with Kreator earning adoration and plaudits

A CRUSHING combination of metal styles came knocking the door of Dublin's Vicar Street on the first day of March, 2017 in a procession of precision and glorious petulance towards the ingrates who never appreciate the sheer visceral vivaciousness and vitality metal can provide.

Kreator were the band most were there to offer their sweat-drenched, beer-fuelled adoration towards, but this handsomely filled tour package offered diverse styles and an unrelenting assault upon the unwary.

For example, openers Aborted, are do not deal in subtlety. Their slot was packed tight with their gore-death metal intensity. From Sven's vocal gymnastics through to the full-on Mendel and Ian guitar lines many unfamiliar with the band could have missed the melody flying in occasionally as the attack levelled on Vicar Street never let up.

It can be difficult to pick an Aborted song as a favourite on a particular night but on their return to Dublin in just over a year and a couple of days it was 'Termination Redux' and 'Cadaverous Banquet' that sounded fresh and feral.

Sticking Soilwork on this bill could have been as awkward as having the gore of Aborted on a line-up with Journey, as the Swedes have a definite propensity towards the melodic side of metal. But that misses the point. They are a 'metal' act, and that's all that needs to be said.

True, Speed is the only original member since the band first emerged from Helsingbord in the 1990s, but they are still a formidable tight unit as apart from Marcus and Bastian (a mere pup in the band with a year in SW under his touring belt) the rest have been recording and touring with the band for years, and keyboardist Sven being ever-present for the past 16 years.

"What!" you may exclain, "keyboards!" - yes keyboards. For the uninitiated keyboards do exist in metal, and do work when Soilwork execute some thrilling moments of molten song craft.

'Rise Above The Sentiment', 'Bastard Chain' were both well delivered and well received, but 'Late For The Kill, Early For The Slaughter' was the clear favourite on this Dublin evening.

Kicking off with two tracks from a release barely six weeks old was a bold move for Sepultura (two more were aired from 'Machine Messiah on the night) but 'I Am The Enemy' and 'Phantom Self' sounded bombastic live and the devotion to the world/groove metal outfit was rapturous - a Brazilian flag held aloft just yards away from the swirling mosh pit.

Paulo and Andreas anchor everything in this set - working the rhythm tightly with Eloy on drums and Andreas taking the time to weave intricate lead work.

Derrick is his usual commanding self as a stage presence. At times some of the vocals were a little strained, but that is but a minor quibble given the rigours of this tour. Compared to some of the reent times we have seen the Seps this appeared a more confident performance - perhaps 'Machine Messiah' has given them the impetus to be their very best again.

Certainly 'Resistant Parasites' was one of the best tracks on the night. However, the crowd wanted and got 'Inner Self', 'Refuse/Resist' and 'Roots' with the attendant singalongs, pits and crowd surfing.

For a wet Wednesday the 'Gods of Violence' that are Kreator were in remarkable good humour and good form. Let's make no mistake about it - they were about to mount a challenge to any pre-conception that metal is formulaic in its higher echelons.

And, while the music had more muscle than Arnie in his heyday, it was a visually lush lighting and stage set: six screens with projected - almost cinematic - imagery at appropriate times, strobes, sweeps smoke plumes, Mille's own smoke gun and ticker tape thrown high towards the audience.

But all the visual effects in the world count to naught if there is any paucity in the music, and by the good Lord Beelzebub Kreator are a wrecking ball of thrash excellence. Tighter than a constipated shark in hot water, smoother than an M1A1 US tank rolling over a Mini, and heavier than anti-matter in a Black Hole.

Mille and Sami played with fluidity, whilst Christian and Jurgen nailed every beat. 'Gods of Violence' title track and songs from that release ('Satan Is Real' and a jaw-dropping 'Fallen Brother') felt as if they had been forever in the Kreator live oeuvre.

'Fallen Brother' was a passionate tribute to the pantheon of Gods who have slipped away from our sight and reside in memories and as inspirations. Many noticed that Dublin's rock son, Phil Lynott was among those projected onto the screens with Lemmy, Bowie, Leonard Cohen et al.

The stagecraft of the band was a lesson many could take on board and whilst some the in-between chat was well rehearsed the tribute to Irish audiences seemed genuine.

For Kreator, with tracks like 'People Of The Lie', 'Total Death' and 'Enemy of God' it could be that they could rack up, play and everyone would be satisfied. No. They are an outfit that does not accept the average, rejects any thoughts of phoning it in, and instead lay on a Teutonic musical terror attack that is an entirely tactile - as tactile as the massive pit Mille instigated.

Sated and exhausted the crowd slipped into the night. While all the bands thanked 'Dublin' the cars, mini-buses, coaches were taking fans back to Belfast, Dundalk, Sligo, Donegal and many other towns, cities and villages, because Kreator can draw a crowd from all parts of the island.

Review by Jonathan Traynor
Photographs by Darren McVeigh  

















Saturday, January 07, 2017

ALBUM REVIEW: Kreator stretch the thrash boundaries on the dark Gods of Violence

WHEN it comes to Germanic thrash three names always pop up, Sodom, Destruction and Kreator. And, now in 2017, it could be arguably put that Kreator have stepped up into a dominant position with the release of 'Gods of Violence'.

A dark album, with multiple lyrical tonalities and stretching the thrash template further than many of their contemporaries. Forget the clichés, this is a band that takes the 'open E', tosses it aside and moves it through many gear changes.

Mille Petrozza and his cohorts have pulled together a selection of 11 tracks of sufficient variety and depth that this should propel the Teurtonic four-piece further on the ladder.

Not that they need much of a boost given their reputation, but on this, their 14th album the boundaries have been pushed. While on the likes of 'Totalitarian Terror' the musical thrash template remains firmly in place as it romps along, full-speed ahead - albeit with an insanely likeable chorus.

This is an album rooted in the present, not only with the added musical dimensions, but in current world events. Petrozza's lyrics reflect the turmoil many feel and some of his word play began after the terror attacks in Paris in November 2015, including the murders at the Bataclan.
Kreator album cover for Gods of Violence

“Currently, religion has regained a level of importance that I would have never considered possible 20 years ago,” Mille said. “An extremely dangerous polarization is taking place, giving rise to growing hate among us all. That‘s what I wanted to write about.

 “These days, our weapons of mass destruction are called hatred and religious delusion. It‘s a vertical war, being fought by the media as well as by fanatics of all shades."

'World War Now' deals with it in a well balanced series of observations, while 'Gods of Violence' deals with Mille's propensity to war against each other throughout the ages. The latter track also features a 12-year-old harpist Tekla-Li Wadensten...

While it is fair enough to look upon the lyrical maturity, this is an album that features musical excellence. The inter-play between Petrozza and Sami Yli-Sirniö is impressive and Yli-Sirniö pulls out some stunning solos that are not mere fretboard frenzy, but match the tunes.

Even on the straightforward battering on the likes of 'Totalitarian Terror' and 'Army of Storms' the thrash is played with, counterpoints and melodies woven subtly into the mix.

Producer Jens Bogren has managed to pull out of Kreator a stunning selection of tracks and the band's willingness to draw other influences in pays off. As well as the aforementioned pre-teen harpist, indie popster Dagobert has a guest slot and Fleshgod Apocalypse helped in the orchestration of four songs.

While Petrozza and Jürgen “Ventor” Reil (drums) may be the only 'original' members there, as some backward looking fans might see it, but this has been a stable line-up from 2001 and Reil's work with Christian Giesler (bass) knits the musical concept together in impressive style, such as on 'Lion With Eagle Wimngs', which together with 'Satan Is Real' are stand-outs.

However, it is unfair to pick two tracks in this plethora of enjoyable thrash. This is as complete an album as Kreator have released. While it is always hard to try and rationalise how bands manage to stay fresh the fact that they are still rooted in Essen, west Germany may help. When anyone strays from home they can lose their identity. Petrozza certainly hasn't lost that identity.

What will surprise many is the closing track 'Death Becomes My Light' - a seven and a half minute track dealing with near death experiences and with an epic feel. Even when it has manic riffing there is space and breath - this isn't another 'thrash' track with a subtle intro.

And, this isn't another thrash album. Yes, the speed and frenetic riffing is ever-present, but there is more depth and thoughtfulness than many can exact in the genre.

Review by Jonathan Traynor

Gods of Violence is out on Nuclear Blast on 27th January

Friday, October 28, 2016

NEWS: Kreator set release date for new album on Nuclear Blast in January; tracks listing and artwork unveiled

GERMAN thrash titans Kreator have revealed the cover artwork and release details for their upcoming album, ‘Gods Of Violence’.

The 14th Kreator album is set to be released on January 27th, 2017 worldwide via Nuclear Blast Records.

The cover artwork was created by renowned artist Jan Meininghaus, who also made the limited edition artwork for KREATOR's last album, ‘Phantom Antichrist’ (2012) and has lent his talents to bands like Bolt Thrower, Accept and Overkill in the past. View the intimidating artwork above.
 Band mastermind Mille Petrozza said:

"'Gods Of Violence' was the very first song that I wrote for this album, and it stuck to me as the title track. It contains everything that Kreator is known for and it will blow your minds. I promise!"

Regarding the artwork Petrozza added:

"The cover of is a perfect reflection of my lyrical vision. I think this is Jan Meininghaus' best work so far."

The album will contain 11 tracks with a total running time of approx. 52 minutes. The tracklisting reads as follows:
01.Apocalypticon
02. World War Now
03. Satan Is Real
04. Totalitarian Terror
05. Gods Of Violence
06. Army Of Storms
07. Hail To The Hordes
08. Lion With Eagle Wings
09. Fallen Brother
10. Side By Side
11. Death Becomes My Light

‘Gods Of Violence’ was recorded under the watchful eyes of producer Jens Bogren (Opeth, Amon Amarth, Katatonia) who also mixed the record at renowned Fascination Street Studios. Mastering was done by Tony Lindgren, also at Fascination Street Studios.