ALBUM REVIEW: Power metal par excellence from Rage on The Devil Strikes Again

MUCH maligned by metal 'purists' power metal roots are firmly based in the 1980s when a host of European bands hooked on to the sound of the New Wave of British Heavy Metal, and Maiden in particular to produce what some saw as a watered down version of what the 'Brits' were producing.

However, as the 80s progressed bands such as Helloween, Running Wild, and Rage developed their sound that by the late 1990s it could be justifiably said that their power metal approach had taken them away from their influences and had a genre all to themselves.

Evidence that these acts don't give a flying shit about what the UK press or online commentators think is now in abundance. Helloween released a stormer of an album in the shape of 'My God Given Right' and now Rage have upped the power metal stakes on their new LP.

'The Devil Strikes Again' is unadulterated metal fun. Don't even try to think about it being a power metal album, just harken back to the days when you played air guitar in your bedroom and listening to metal for the sheer hell of it, no pretences, no over developed sensibilities...

Listening to tracks such as 'Back on Track' from this album just makes you grin.

Peavy Wagner has always been the man with the vision behind Rage, from writing, to his bass playing to vocals to production. All of which are easily identifiable on 'The Devil Strikes Again'

Guitarist Marcos Rodriguez plays with energy and some deft touches (check out War'), while Vassilios 'Lucky' Maniatopoulos has a variety of drum techniques to add to the sound rather than just try to keep pace.

As with all Rage releases the riffs roll out, pacey and precise, the melodies are infectious and the choruses yearn to have a crowd sing-a-long with each and every one.

But the real stand-outs on the album are the duo of 'Ocean Full of Tears' and 'Deaf, Dumb and Blind' with their dynamic use of tone and pace and one scorcher of almost Blackmore-ish solo on the latter.

Yes, at times there are some off-beat homages to their influences (Rainbow, Judas Priest, early Accept) but they are more a tip of the hat rather than anything else.

It's hard to think that this is Rage's 22nd album but Peavy is clear that they tapped into their illustrious past.

“With our new album we wanted to deliberately build on the energy and the spirit of our classic albums from the '90s," he said. "We focussed again absolutely to the songs, hard and straight, with awesome melodies."

The collaboration with Marcos and Lucky works extremely well, it had been a long time since I was so inspired and felt so liberated during songwriting, and so some of the best tracks that I could ever record with RAGE came about. We are more than proud of this album and we can’t wait to bring 'The Devil Strikes Again' to the stage.“
Have to say that we're pretty much of the same opinion.

Review by Jonny

The Devil Strikes Again is out now on Nuclear Blast

EP REVIEW: My Way roar from power metal verterans Rage

WHEN you have been part of the power metal hierarchy for almost 32 years there's very little to prove, but as Helloween have shown in recent months there is still scope to churn out valid and varied output, something which Rage prove on their ep 'My Way'.

With a new line-up assembled by founder Peavy Wagner ahead of album releases and touring this ep is a literal taster: two new tracks and two re-recorded releases.

The titular track 'My Way' features all the Rage staples; power riffs, rolling verses and a big chorus. Sure, there's nothing particularly new about it, but it does extremely well. It is one of those tracks that stick in the back of your brain and refuses to go away.

The other new track is the splendidly titled 'Apuesto A Ganar', which is basically the same as 'My Way' in a different language. Value for money? Are you bi-lingual?

The two re-recorded tracks 'Back in Mind' and 'Sent by the Devil' are just tweaks to the original versions, but are a clear hint that both will feature in their tour and festival slots.

The point of this release remains moot. The new track is great, and hearing Rage are back on the roster of Nuclear Blast for an album in four or five months time is good news, but we could have all enjoyed the anticipation until May time.

Or is it just a means to make sure fans can singalong with the new song ahead of the new platter of Rage power metal?

Review by Jonny