Winterfylleth release new single from forthcoming album, announce Belfast date

New label, new song, new album, Belfast date on April 12 as part of a UK and Ireland tour - Winterfylleth are busy little black metal bunnies om 2026.

Here’s the press release, with the video for ‘Heroes of a Hundred Fields’ at the end.

Napalm Records is proud to announce the signing of the UK’s black metal legends, Winterfylleth. To celebrate this new partnership, the band unveils a new album, The Unyielding Season, set for release on 27th March. Making a stand, Winterfylleth's ninth album is a social commentary wrapped in meticulously crafted poetry and prose. 

Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality. The raging wildfire to its predecessor’s calculating, icy cold threat, Winterfylleth’s first offering for their new record label is a reflection and a rebellion against the  tearing individuals apart. It is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of an unresting, and unyielding force for evil.

The first glimpse into the infernal release is 'Heroes of a Hundred Fields'. Winterfylleth weave an epic story into a raging battle hymn, describing brave minds joining forces against a common oppressor to fight for their freedom 

Pre-order The Unyielding Season here.

Winterfylleth about 'Heroes of a Hundred Fields': "'Heroes of a Hundred Fields’ is framed in a wartime, battlefield setting and uses the premise of soldiers coming together, united as brothers, to fight against a foe who are powerful, oppressive, and domineering. It talks about how people should come together and fight for the freedoms they have and not succumb to those who would attack them and try to weaken them (or take them away entirely). There have been so many ideas and schemes pushed into the world over the last few years that only serve to erode people’s personal freedoms, slowly, little-by-little, until they are gone. This song talks about ‘lighting the beacons of rebellion’ against those who would seek to undermine the way of life and freedom that we all – hopefully – hold dear.”

Where our surroundings grow more challenging every day, Winterfylleth offers a pause for respite and resistance. The world is on fire, and The Unyielding Season is a warning.

Winterfylleth about The Unyielding Season:

“2026 marks a year of big changes for Winterfylleth! A new label, a new member, a new album, and the landmark of 20 years making music together. We are enthused by what this new chapter will bring, and as a result, we are now able to share our ninth album, The Unyielding Season, with the world. It is also a powerful and virulent first output, through which we seal our new collaboration with Napalm Records.    

"In many ways, the new album is a reflection on – and a rebellion against – the turmoil’s and fears that are tearing the lives of many individuals apart. It is a cry against the unsustainable & constant weight of malevolence and pressure being pushed into the world by agents of an un-resting and unyielding force for evil. We hope the album resonates with you, stirs your soul, and gives you a source for hope. But, we also hope it makes you ask questions of your own circumstances and gives you pause to consider the unnerving state of the world we all share."

Winterfylleth - Heroes of a Hundred Fields

'Heroes of a Hundred Fields' is the first revolt on their ten-song manifesto, describing brave minds joining forces against a common oppressor to fight for their freedom. The song unfolds in marvellous grandeur as chants of “Rebellions beacons now alight”, ring out against a tide of evil.

With 'Echoes In The After', Winterfylleth deliver a striking epic: adapted from a poem by Sir Philip Sidney’s late 16th-century romance “The Countess Of Pembroke’s Arcadia”, the track was written as a reaction to the felling of the famous 'Robin Hood' tree at Sycamore Gap on Hadrian’s Wall, in the North East of the UK. The following track, 'A Hollow Existence', opens up with galloping drums and explodes into equally aggressive and atmospheric black metal fireworks.

The band’s trademark sound continues throughout 'Perdition’s Flame' into the album’s title track, a powerful observation of our world’s current situation and a voice for those silenced by its hostility. Atmospheric masters Winterfylleth then pause their rage, making room for 'Unspoken Elegy', an acoustic guitar-driven instrumental enriched by equally hopeful and menacing cello melodies, a hauntingly beautiful illustration of the dichotomy within The Unyielding Season. 'In Ashen Wake' takes up the perilous undertone, taking its time before unveiling itself as another highly melodic black metal saga. 'Toward Elysium' expands on that with a strong, old-school-inspired guitar riff, thrilling and catchy. Following another instrumental, the beautifully structured 'Where Dreams Once Grew', Winterfylleth end the album running order with a bonus track, a cover of fellow Brits Paradise Lost’s 'Enchantment', originally released as the opening track on their 1995 classic Draconian Times.

Winterfylleth will bring The Unyielding Season to the stage this April, touring the UK and Ireland alongside Blackbraid and Noctem.

9.04.26 The Fleece - Bristol/UK

10.04.26 Rebellion - Manchester/UK

11.04.26 Whelan's - Dublin/IE

12.04.26 Limelight 2 - Belfast/NI

13.04.26 Slay - Glasgow/UK

14.04.26 Asylum - Birmingham/UK

15.04.26 The Garage - London/UK

Halestorm duo Lzzy and Joe bring unplugged set on the road – Belfast date included

 Halestorm’s unplugged pairing of Lzzy and Joe will be on the road after their Download set, concluding with a Belfast date on  June  20 at Limelight 1. Full details in the official press release below.

Hot off the back of their biggest headline UK arena dates yet plus historic performances opening for Iron Maiden and capturing hearts at Black Sabbath's "Back To The Beginning" in 2025, GRAMMY Award winning band Halestorm are pleased to share a string of intimate unplugged shows for June 2026.

The dates arrive immediately after the band are slated to headline the Opus stage at the UK's premier rock festival, Download 2026.

Front-woman Lzzy Hale and guitar-slinger Joe Hottinger will be bringing their much-loved Unplugged Sessions to just a handful of select venues, starting off in Glasgow and rolling through Southampton, London, and Dublin, before finishing up in Belfast.

"We are so pleased to announce that we are bringing the magic of our Unplugged experience to the UK! We are stripping back our rock show to the raw power of a voice, acoustic guitar and piano. Come join us for an intimate night of songs, stories, laughter and good times! See you there!" - Lzzy Hale, Halestorm

Tickets will be on-sale from the dates and times below:

Live Nation presale - Wednesday 28th January @ 10am (UK)

Local pre-sales - Thursday 29th January @ 10am (UK)

General on-sale - Friday 30th January @ 10am (UK)

"Lzzy + Joe: Unplugged" Tour Dates

Sun 14th Jun - GLASGOW Garage

Tue 16th Jun - SOUTHAMPTON Engine Rooms

Wed 17th Jun - LONDON Islington Assembly Hall

Fri 19th Jun - DUBLIN Academy

Sat 20th Jun - BELFAST Limelight 1

Tickets are expected to go quickly! Get them here: https://www.halestormrocks.com/.

Rob Zombie releases third single from The Great Satan

Words from the press release (edited by deleting the phrase highly anticipated in case you are not highly anticipating it). Video for the track is at the end.

Rock/metal legend Rob Zombie has released the third single, ‘(I’m a) Rock ‘N’ Roller’, from his upcoming album, The Great Satan, due out February 27th on Nuclear Blast Records.

The hell-raising new single, ‘(I’m a) Rock ‘N’ Roller’, is classic Rob Zombie with his signature brand of thick, boot-stomping grooves and fist-pumping choruses. It’s a clear declaration from the iconic and otherworldly frontman that “rock & roll is here to stay.”

 Following the success of his Top 10 charting record The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie is back with his 8th album, The Great Satan, revisiting his early Hellbilly roots for a slaughterhouse of anthemic punk infused heavy rock/metal.

The Great Satan is available now for pre-order in a variety of formats including a limited box set and accompanying apparel at https://robzombie.bfan.link/the-great-satan.

 Stream ‘(I’m a) Rock ‘N’ Roller’: https://robzombie.bfan.link/i-m-a-rock-n-roller

Cattle Hammer prepare to bring a not-so-cheerful Dark Thoughts with Lights Out

 February 6. That week after January's pay day. The first hints of longer days, when even black metallers manage the hint of a smile.

Well Cattle Hammer are preparing to smash any hint of positivity as they bring misery and gloom with the release of Fark Thoughts With Lights Out on the Road To Masochist label.

The press release is below. And to be fair it is one of best examples of finding every word for misery and gloom in the thesaurus. 

Press Release text:

With foundations of loss and desperation, bricks of countless small rejections and a mortar of indifference…adorned in carefully sculpted cruelties, with a watchfire of self hatred blazing out into the night; so is my tower of pain and isolation built, my black edifice, my fortress and my prison. And even in the utter solitude behind these cold stone walls I am not master of myself. Even here I am a slave to the voices, speaking from the past, making their whispered incisions in my tattered, wastrel soul.

“…that’s what you’re entitled to…pain, suffering, misery…”

- Cattle Hammer, ‘Rotting’

Formed in the spring of 2023 by Duncan Wilkins (Fukpig/Mistress/ex-Anaal Nathrakh), Cattle Hammer is a caustic, unforgiving blend of sludge, drone, impenetrable blackness and deep rooted negative emotion.

Their first outpourings of choking, bleak despair included the 71 minute, uninterrupted track ‘Methlehem’ – a declaration of just how far into the darkness they were prepared to venture. Now Cattle Hammer are primed to unleash their formidable debut full length album, an amalgamation of four of their most harrowing songs, Dark Thoughts With Lights Out…

The descent begins with ‘Gloomsower’, vocals like tortured spirits howling behind thick walls of sludge. It’s a slow, painful march, like wading through quicksand with each agonising step dragging you down a little deeper, the certainty of suffocating death a constant presence. The raw, organic sound brings a reality to the emotions expressed, creating a tangible link between the misery within and the sound without. There’s no gilded artifice, just a soporific dirge that vibrates through every cell…

There is no relief…

‘Rotting’ rises up through words of bitter judgement, carefully enunciated, before riffs like towering, quivering monoliths drag your heart down through your stomach. While clearly a distinct entity from ‘Gloomsower’, ‘Rotting’ further intensifies that doomed aura, continuing the process of entombment in misery. A deep lethargy eats away at time and you can almost see your skin wither as days bleed into weeks, months, years, empty decades between chords…

There is no mercy…

‘Watchmen, Alone’ jabs at your torpid consciousness with disorientating, disjointed bursts of sound before the black hammer descends in inescapable slow motion and a chasm of abyssal grief opens beneath you. It’s vicious, lumbering, brutish, vile and painful…

There is no hope but death…

The final disassembling of reality comes with ‘Body Puzzle’. The sheer scale of the riffs is terrifying, like being caught between colliding planets, while a voice of damnation injects fear and panic into the claustrophobic onslaught.

Dark Thoughts With Lights Out will be released by Road To Masochist on CD and vinyl on February 6th. It will leave you a weeping wreck, with your sense of self worth bleeding from your ears. It will take you beyond the point of no return. Is it cruel or cathartic? Harmful or healing? All of the above? Whatever it turns out to be for you…approach it with care.

Line-up:

Wilkins, D – Vocals/Guitar

Cartwright, I - Drums 

Wyles, J - Guitar 

Von Donovan, D - Bass

Indominus return with Black Lake single

Fancy something to waken up the neighbours - rudely?  Then look no further than the new single from Indominus. 'Black Lake' is a bruising piece of death metal from the quartet.

Those familiar with Indominus will not be surprised that riffs are delivered as if they were dropping concrete paving stones from great height, while the rhythm section drives an HGV through brick walls.

One wonders have they watched the Adam Curtis documentary Black Lake, because the anger generated from watching this documentary is neatly tied to the fury from Ricky's voice.

While Logan delivers slab after slab of tight riffs of down tuned terror, all bolstered by Mark's hardened bass rumble and the precision of Ben on drums.

Given that it is a few (three years) since the last major release from Indominus hopes remain as to when there will be more from them - hopefully not too long to wait.

REVIEW: Cursed Sun rise to invite us all revel in Rituals of the Shattered Mind

From the rabid rambling of the human species, Cursed Sun cut a swathe through the vacuous noise with a declared intent to kill off mediocrity, deal a death blow to the inept, and ask questions of the collective mental illness afflicting the populace in pain.

Rituals of the Shattered Mind is an ep packed out throughout with the extremities of the metal’s outer edges, 22minutes, five songs that smack listeners straight in the face, and leave devotees smiling.

However, that is not to suggest it is one dimensional, lacking in subtleties. Cursed Sun understand that a wall of noise becomes white noise when delivered without shades of darkness painted aurally. Instead, they add the touches that separate them from contemporaries who play the noise game without consideration.

From the off this is a declaration of contemplation and contempt aimed squarely at the “clowns” whose plans are conveyed as ‘The Experiment’ (video below). There has been discussion of this neoliberal western ideal, but Cursed Sun slam it in an echo of the documentary Hypernormalisation.

Underpinning the delivery is a solid, stomach rumbling rhythm delivered by Chris and Craig, with Monty’s rhythm weaving riff patterns.

On tracks such as Lunacy Act it provides the foundations to provide Jonny space to challenge listeners to engage with the solos, and Jonesy to expedite his rage.

It could be argued that all tracks stand equal on this release, but Devils Night stands out, with almost hypnotic playing and the sinister declaration of the significance of November 4^th (the Nazi SA established on this date).

Delivery of challenging subjects amidst metal is an overlooked aspect of the genre, yet Cursed Sun believe it is their Northern Ireland roots that mean they can add edge. And, who would dare disagree.

Cursed Sun were birthed with a vision in 2007, just a year after this blog was established by an ageing rocker. That vision from Cursed Sun is realised by Rituals of the Shattered Mind: five tracks consciously designed to make you think, make you headbang, make your fragile frame dive into the pit, and, smile like you’ve hit on the best drug – metal..

Sylosis release second single, Erased, from forthcoming album The New Flesh

Sylosis have a  new song out. Press release and video below

Late last year, Sylosis almost left a rift in the cosmos with furious track 'The New Flesh'. Now they're back for blood, delivering devastating second single 'Erased'.

'Erased' is taken from their upcoming seventh studio album, The New Flesh, slated to drop on February 20th via Nuclear Blast Records. The New Flesh is a towering testament to destructive riffing, incisive melody and refined brute force.

Sylosis stated,

"Erased was one of the last songs to be written for the album. As we were approaching the deadline to get everything submitted there was a pressure there that really helped shape this song into something special. There's a massive chorus here and one of our favourite middle 8 sections that we've ever put together. We can't wait to play this one live."

The New Flesh is available to pre-order in the following physical formats:

CD Jewelcase

Solid Red Vinyl (All Retail)

Sky Blue with Black Splatter Vinyl (NB/Band Variant)

Red and Sky Blue Corona with Vinyl (Band Exclusive)

The New Flesh - Tracklisting

01. Beneath The Surface

02. Erased

03. All Glory, No Valour

04. Lacerations

05. Mirror Mirror

06. Spared From The Guillotine

07. Adorn My Throne

08. The New Flesh

09. Everywhere At Once

10. Circle Of Swords

11. Seeds In The River

Sylosis have included a Dublin date, on February 22, two days after the release of The New Flesh.

Viking metal act LN release new single Shield Wall

LN release new single Shield Wall and sign to Rock People Management

And here’s the press release, only slightly edited and yes I have a soft spot for Viking Metal

Hailing from the North-East, LN are carving a powerful and immersive path through the modern metal landscape. Rooted in Norse mythology, witchcraft, medieval lore, and ritualistic storytelling, they blend crushing modern metal with atmospheric folk elements to create music that feels ancient in spirit yet fiercely contemporary.

In conjunction with the announcement of signing to Rock People Management, LN also release their new single 'Shield Wall' today, 9th January.

Built on thunderous riffs and ritual-esque intensity, ‘Shield Wall’ is a rallying cry written for LN’s fiercely loyal fanbase, affectionately known as the Peasants. The track channels unity and collective strength, translating ancient Viking battle traditions into a modern metal anthem.

Frontwoman LN Hirst says: " ‘Shield Wall’ was inspired by and written for the LN fan base that we refer to as our loyal Peasants. Their fierce support has got us to where we are today and we are extremely grateful for not only their love for the band, but for being the kindest and most generous humans. The opening lyrics “Peasants of LN, Peasants of now, join in our battle and follow the sound” is a call to arms for our steadfast clan, bringing them together in spirit and when played live, brings them together physically in a wall of death (a Shield Wall). The fist-pumping and body-slamming is surely a beautiful sight to behold, especially when there are blow-up shields and swords in the mix."

LN Hirst adds - "No matter who you are or what you look like, you are welcome with LN and the Peasant community will stand side by side with you to make sure you are safe and feel appreciated. ‘Shield Wall’ is about solidarity and we are proud to be able to welcome more Peasants into the clan."

Watch the video for Shield Wall below

 

Cursed Sun want you to descend into The Rituals of the Shattered Mind

 Just a quick word to sk you to check out the new Cursed Sun EP, Rituals of the Shattered Mind: you won't regret it.

Brim-packed with aggression, hooks and groove that will have your neck straining.

As usual they are tighter than a shark's arse and you can stream it right now on the usual digital platforms.

Your can check out the video for lead track, The Experiment, below.

Hopeful for 2026 - not if Engorgement have their way

 Well, 2026 is upon us, all those good wishes, the hopes of a peaceful and prosperous year. If Engorgement have their way it will be a really miserable year. 

The UK band will be released in March, glorying in the title They Rot Beneath Our Floor.

And rather than humble old me try to summarise the testament of black tales below is the press release in all its wonderful hyperbole. [I'm sure they are very nice boys who love their wives and mothers]. 

Here you go:

It’s been more than a decade since the UK’s Engorgement vomited forth their first full length album of unspeakable acts and heinous imaginings, the pulverising Excruciating Intestinal Lacerations – an album which Metal Kaoz succinctly summarised as being comprised of “serial killers, bowels and shitloads of blood”. Well now it is time for devotees of deviancy and slam addicts everywhere to rejoice, because Engorgement are finally set to unleash the second chapter in their tome of torture – They Rot Beneath Our Floor!

 

They Rot Beneath Our Floor is bookended by the unsettling strangeness of ‘Prelude To Your Dismemberment’ and the simply titled ‘Outro’ – and between those skin crawling lullabies all hell is let loose. Violent, caustic, beast-like vocals tear at the skin, while colossal riffs and punishing drums hammer at the skull. ‘Sanctum Of Gore’ offers titanic swathes of filth, juxtaposed with flesh-raking bursts of machinegun fire and ‘Complete Bowel Extraction’ summons visions of drowning in the detritus of the dead – a tide of entrails and organs washing over you as you choke on blood, blood and more blood. ‘Unmerciful Redemption’ is a test of endurance, with every chord hitting like a physical blow…the attack is relentless; the tempo varying but the iron fist punches never ceasing. They Rot Beneath Our Floor is grim, rotten and barbarous, a shocking incision that reveals the sickening decay that lies behind the facade of humanity.

 

Mixed and mastered by Floor Van Kuijk of Korpse, Sijjeel and Carnifloor at his infamous GLDCHN Studios, They Rot Beneath Our Floor possesses a formidable, festering power; every note and battering beat sounding raw, intimidating and dangerous. When Comatose Music unleash this perverse and pitiless beast upon the world on March 20th utter carnage will ensue. Engorgement are coming…and there’s room beneath their floorboards for you.

Ravenspell set Obsidian King for March release

Canadians promise killer heavy metal on Fighter Recordsm debut

Another press release...here it is in its full verbose glory...might review this to see if the hype can be realised

We came in search of legends, following in the footsteps of fallen heroes. We have crossed nameless, storm-tossed oceans and seas of sand beneath a merciless sun. Through snow shrouded mountain passes and forests that seemed to swallow the world we have marched undaunted. And now, with steel in hand we take the final step, through the shadow gate into the realm of the Obsidian King. The darkness enfolds us and as our spirits tremble the only sound is the beating of titanic wings…

With a searing riff and a lung-bursting scream the listener is catapulted into the world of the Obsidian King, the debut full length album from Canadian heavy metal force Ravenspell! Opening track ‘God The Watcher’ is a breathless introduction to this revelatory band; steeped in classic metal atmosphere, adorned in beautifully fluid guitar leads and masterfully combining metallic power and sumptuous melodies.

‘Onwards We March’ follows with its driving riffs and rhythms and already there can be no doubt that this is a band, an album, that will speak to every true metal heart.

As it progresses Obsidian King just seems to get stronger and stronger, drawing us ever deeper into its magnificent twilight world.

At the album’s heart we find tracks like ‘Obsidian Wing’ with its superlative, unforgettable melodic chorus rising out of pure, thunderous metal; the thrilling charge of the adrenalized ‘Hellstorm’ and the metal masterpiece that is ‘Raise Hell’ – featuring some fantastic interplay between roared vocals and gleaming shards of lead work.

Then at the Obsidian King’s conclusion we find the grandeur of ‘Atilla’, a truly epic song that moves through superb classical guitar parts, doom-touched riffs, cascading drums, stunning solos and instrumental sections that seem to open up vast vistas of the imagination…it’s a glorious metal creation and a fitting finish to an album of breathtaking quality.

Mixed and mastered by David Lizotte (Ültra Raptör, Saccage etc), Obsidian King benefits from a textured, organic sound that captures the blood, sweat, passion and belief of the musicians who have crafted it. In this age of fakery, imitation and flexible truths this album stands tall as something real and vital, a work of substance.

Completed by the haunting artwork of renowned Canadian artist Carl Lavoie, Obsidian King will be released by Fighter Records on March 12th, on CD, 12” LP, Cassette and digital formats and the speed and melody, character and fire of Ravenspell will be felt around the metal world. Join the Black Feather Legion and be there at the start of a legend. 

Line-up:

Alisander The Seer - Lead Vocals
Ravok Blackwing - Guitars/Backing Vocals
Corvax Crowhammer - Bass
Volpale The Ravenous - Drums

 I am delighted that my fourth book, Chords of Chaos, is available now in a number of different platforms. 

Set in the year 2112, it is set in a future where federations and corporates across the globe seek to control the populace. But in one tiny area of dust and poverty salvation may lie in one young man's fingers.

Joe Murphy can make his guitar sing, rage and provoke passions, But such a challenge is dangerous.

Will his talent bring a fate of fortune or fear?

Chords of Chaos follows on from Race The Undead, published earlier this year, a zombie epic set in Northern Ireland.

Praise for Chords of Chaos:

"As a reaffirmation to the power of live music and the human spirit to rebel when the chips are down, Chords of Chaos tells the truth with just a few chords in its possession." Author, Christopher Owens

Paperbacks, Kindle and Kindle Unlimited versions of all my book are all available from my Amazon page.

Cover art by Andy Pilkington, Very Meta Art.

 

Epica unveil video for Ghost in the Machine in collaboration with De Efteling

 Dare to dance with the dead! Dutch symphonic metal titans EPICA have unleashed their eeriest creation yet, the spine-chilling music video for 'The Ghost in Me (Danse Macabre),' a haunting track that lures listeners into a world where shadows dance and the afterlife whispers.

This song is a unique collaboration with Europe’s second-most visited theme park, Netherlands’s magical De Efteling, and their much-anticipated new attraction, Danse Macabre.

Drenched in ghostly imagery, the video mirrors the unsettling thrill of De Efteling’s new ride, which opens its gates on October 31st, right in time for this Halloween season. Ever since their childhood, every member of EPICA has loved this theme park that welcomes over 5 million visitors per year. Therefore, this collaboration was a true match made in the otherworld.

Submerge yourself now in the music video which was filmed right inside and in front of the new attraction - and as if this wasn’t already exciting enough, the band even received their very own “Epica gravestone” that you can spot, if you look closely.

EPICA’s keyboard player, Coen Janssen, said:“Every kid in the Netherlands knows how magical ‘de Efteling’ is, and working this closely with the most beautiful theme park in the world surely is a dream come true! As a young boy, I immediately got captivated by the “Danse Macabre” by Saint-Saëns as a soundtrack for their haunted house “Spookslot”. So when ‘de Efteling’ announced their new plans for the ghostly attraction “Danse Macabre” all pieces of the puzzle fell into place immediately: Why not combine our symphonic side with the ’scary’ side of metal and do our version of this epic classical piece?!? 

'We are so happy that ‘de Efteling’ trusted our vision and gave their full support, providing us with the new ride's storyline, so we could write lyrics fitting the fantastic narrative and even adding a new chapter!”

‘The Ghost In Me (Danse Macabre)’ lures fans into a darkly enchanting dance with the dead in this YouTube video and will also appear on all streaming platforms soon… when more of Epica’s next chapter will be unveiled.

The song has already made its live debut at the band’s monumental 'Symphonic Synergy' shows in Amsterdam this September, and fans in Latin America will have the chance to be the next to hear it live at two shows that EPICA will perform exclusively with a full orchestra and choir.

NEWS: Iranian-Norwegian band Confess release single ahead of new album, while under jail sentence in Iran

 Confess, the Iranian-Norwegian metallers who have been making waves following on from the success of their widely praised 2022 album “Revenge At All Costs” have returned with a brand new album, “Destination Addiction”, set for release on January 31st, 2025!

Pre-order Now Via Bandcamp

Ahead of this, the band have released their new single ‘Slaughterhouse’.

Speaking about the track, frontman Nikan Khosravi has said:

"‘Slaughterhouse’ is one of the most aggressive songs I have ever written, and it will set the tone for listeners regarding what they are going to hear on this album! With a very scary death/groove tone, this song presents a very messed-up, twisted fantasy that comes from the mind of a creature that can be seen as a mash-up of Jeffrey Dahmer and Leatherface.

It deals with brutally killing to take revenge, but it also explores the belief that these actions are all happening inside his mind, with the victim trapped within him forever. I had never written anything like this before, from the perspective of a serial killer. I allowed myself to paint an alarming image in a super heavy death/groove metal style while envisioning my interrogator in my head.”

Produced by Khosravi, and mixed and mastered by Grammy-nominated Alberto De Icaza (Amon Amarth, Clutch, Miss May I, Dead Cross, Upon A Burning Body) “Destination Addiction” is set to land at a critical point in human history. Given the escalating conflicts across the middle east and between Ukraine and Russia, Confess’ intention with “Destination Addiction” is to ask the question “What happens when you’ve survived things that no-one should have to?” Too often this question ends in dismal fashion, be it suicide, substance abuse, declining mental health, or worse.

Speaking about the album, Nikan has said:

“With “Destination Addiction”, we aimed to channel our personal experiences and the turbulent times we live in into something musically innovative and brutally honest. This album is a testament to our resilience and passion for metal. “Destination Addiction” delves deep into themes of isolation, depression, addiction, and suicidal thoughts, reflecting our harrowing experiences following their arrest in 2015 and life in exile and I can say that this album is way darker than “Revenge At All Costs”!

The lyrical content offers a raw and critical perspective on the political and social turmoil in Iran as well as the broader global climate, addressing the Women, Life, Freedom movement in Iran, the war in the Middle East and Europe, and the dangers of terrorism in today’s world. This album is the aftermath of “Revenge At All Costs”!”

Nikan further commented on getting to work with extreme metal luminaries George Kollias (Nile) and Marzi Montazeri (ex-Phil Anselmo and Illegals, ex-Superjoint Ritual, ex-Exhorder, Heavy As Texas) on this record:

"Working with George Kollias has elevated our sound and added a lot of depth and texture to the record. Marzi Montazeri's contribution to 'After Goliath' has provided a dynamic edge.”

 

The tracklisting for the album is:

1. Built On A Grave

2. Slaughterhouse

3. Expedition

4. Dark On Both Sides

5. Suicide Song

6. Final Lap

7. After Goliath

8. Origami God

9. Only Shackles To Lose

10. Breathe In. Breathe Out.

 

Formed in 2010 in Tehran, Iran, the band's ideology reflects the experiences of living under a theoretical political system, combining critiques of organized religion with commentary on sociopolitical issues and personal struggles. Their debut album, “Beginning of Dominion”, was released on January 1st, 2012. By 2014, Confess had released four singles and an EP titled “Back to My Future [2/4]”. The single ‘Encase Your Gun’ emerged after the Iranian regime suppressed the Green Movement in 2009.

On October 28, 2015, just two weeks after releasing their second album, “In Pursuit of Dreams”, frontman Nikan Khosravi and DJ Arash Ilkhani were arrested by the Revolutionary Guards. They faced charges of blasphemy and propaganda against the state due to their music and interviews. After spending three months in solitary confinement and 15 months in public prison, they were released temporarily on bail pending trial. Initially sentenced to six years each, they appealed the verdict.

Due to ongoing threats, Nikan fled to Turkey in 2017. In December 2018 he was granted political asylum in Norway. Arash joined him in May 2019 after also seeking asylum in Turkey. In July 2019, in their absence, an appeal court sentenced Nikan to 12 and a half years in prison plus 74 lashes and Arash to two years in prison.

Upon settling in Norway, Confess experimented with seven-string guitars and modern death metal sounds while retaining their signature groove. In 2022, they welcomed three new members and began touring without fear. They released their third album, “Revenge at All Costs”, on January 21, 2022, inspired by their struggles and experiences. The album received critical acclaim, earning high ratings from several metal publications and saw the band featured in prominent media outlets like Sky News, The Guardian and BBC.

In September 2022, Confess signed a worldwide management deal with Extreme Management Group in New York. They continued to face challenges from the Iranian regime, including social media attacks, but remained inspired and productive. They supported Nile on their European tour, performing across 11 countries and 16 cities, solidifying their presence in the global metal scene. In September 2024 Confess supported Belphegor and Malevolent Creation on their European run before appearing at the Vagos Metal Fest in Portugal and Viborg Metal Fest in Denmark. “Destination Addiction” is set for release on January 31st, 2025.

 

ALBUM REVIEW: Trucker Diablo album sets benchmark few will reach

Social Hand Grenade detonates aurally with variety and passion

By Jonathan Traynor

Let’s face it, Trucker Diablo have nothing to prove in terms of their music, but their new album, (out now) Social Hand Grenade takes them on to a level many wish and cannot attain.

When an album is described as mature, it is sometimes the death knell for an act, but the Big Truck’s maturity here is in the confidence to deliver something that is rarely achieved.

However, this album comes with a word of caution: it will first make you grin from ear-to-ear and in the next breath contemplate the world and the wonders of the sheer madness around you.

Take ‘California on the Run’. It will come as a surprise to a few, but a few bars in and you realise that they have captured the essence of a smile and distilled it into music.

That’s not to say Trucker Diablo have gone soft or anything – heaven forfend – there are sufficient stadium killer anthems that will make others weep in frustration.

And, speaking of a wee cry, heart-string tugging closer will have all those ‘experts’ on Saturday night talent shows ditch their boy bands and FX-singing divas a they will never emulate the wistfully contemplative ‘What I See’.

California on rhe Run  and the coda and the clutch of songs that weave the human condition, both individually and collectively

 ‘Here Come The Vultures’ is the hand grenade delivered to the endless scrolling and the gathering of trolls behind screens. It is a fuck you to them all.

Do You remember the ‘Summer of ‘69’, with Bryan Adams? Well, ditch the drive-in, smash the front porch and learn that ‘We Are Forever’. 

Nodding to Mr Adams Tom id asking about the summer of ’89, and recalls that feeling we can remember in our formative years, that feeling we wish to recapture, and for our sanity we can.

The performances by all, as always, are exemplary, the melodies infectious, and the arrangement of each song carefully honed for maximum effect.

What is striking is that even with both the contemplative, and the rage Tucker Diablo have delivered a Social Hand Grenade that has more positivity than a fleet of fully charged Tesla’s.

Social Hand Grenade is out now

NEWS: Gloryhammer release new single and video ahead of Dublin date

ARE you ready to wield it? Must you wait for Angus McFife XIII?

Fear not mighty warriors of the galaxy! Gloryhammer have released the first single and official music video of their third studio album 'Legends from Beyond the Galactic Terrorvortex'.

On their third epic quest through the universe, the five heroes around Angus McFife XIII created the galactic hymn 'Gloryhammer', which tells about their own journey through time and space, the greatest battles of all times and never ending glory.

Christopher Bowes said: "Mighty warriors of the galaxy! Are you ready to raise up your laser powered goblin smasher to defeat the forces of Zargothrax? Then it's time to watch the video for our new single...simply called 'Gloryhammer'.

"In this song, Angus McFife has arrived into a terrible alternate universe ruled by the evil wizard Zargothrax...and to make matters worse, his legendary Hammer of Glory is powerless.

"His only hope is to fly into space and recharge the hammer with the power of astral fire...if his quest fails, then the forces of evil led by the deathknight Ser Proletius will rain down nuclear fire upon the brave resistance fighters of the Kingdom of Fife. The tragic fate of the Kingdom of Fife hangs in the balance once more..."

"It is my destiny
To rule the Galaxy
I am the one
The chosen son
Glory! Hammer!"

The galaxy waits in fear for the return of Angus McFife XIII, who fought the greatest battle the galaxy has ever heard of, against the evil sorcerer Zargothrax. All hope of the Kingdom of Fife lies in the strong arms and the infinite wisdom of their young prince.

On May 31st, Gloryhammer's new album Legends from Beyond the Galactic Terrorvortex will tell us the whole story of the most gigantic battle of all time. Until then, we expect to receive more parts of what will end as the best power metal album the galaxy has ever seen. Keep your eyes and ears open!
Pre-Order Legends from Beyond the Galactic Terrorvortex here.

Zargothrax on the new album:
“Oh wow! I know a lot of people have been waiting on this album for what seems like centuries. For the last three years we've been working non-stop on it in absolute secrecy, and now it is finally complete! We can't wait for y'all to hear it...this is the greatest power metal album of all time. HOOTS!“

Gloryhammer play Dublin's Academy on October 24th.

And, for those that didn't know...

GLORYHAMMER were founded by Alestorm frontman Christopher Bowes in 2009, who spent the next years gathering an international line-up that suited his idea to create a band based conceptually on the fantasy genre and musically fitting generally into the power metal mould. Both aims were achieved stunningly and their debut album, Tales from the Kingdom of Fife released by Napalm Records in 2013 immediately garnered the band high critical acclaim from critics and fans alike.

GLORYHAMMER were able to top this success with their second full-length Space 1992: Rise of the Chaos Wizards(2015) and have continued to tour in front of ever growing audiences, performed at all major metal festivals, and have by now been nominated twice by German Metal Hammer as best band in the category “Up & Coming” at the Metal Hammer Awards.

GLORYHAMMER are:
Angus McFife XIII, Crown Prince of Fife – Vocals
Ser Proletius, Grand Master of the Deathknights of Crail – Guitars
The Hootsman, Astral Demigod of Unst – Bass
Zargothrax, Dark Emperor of Dundee – Keyboards
Ralathor, the Mysterious Submarine Commander of Cowdenbeath – Drums

NEWS: Big Truck gets into gear with the Other Side Of The City as double CD reissue awaits

IF you don't like Trucker Diablo we don't like you! Just kidding, we love all of you Constant Readers, but Trucker Diablo are special.

Carving a path to ever greater recognition the Big Truck has shifted into high gear and getting ready to roll into the summer with the re-issue of two albums in a double CD package 'Devil Songs' - combining The Devil Rhythm and Songs of Iron, now that the band has regained control of those albums.

 But the Big Truck has unloaded a new cargo to whet our appetites in the shape of new single 'Other Side Of The City', a track dripping with class and oozing out a demand to join in. Carlsberg don't do music, but if they did...

Written in the formative times when the two aforesaid albums were wowing the rock world, it is out, officially, on April 26th, but you can watch the video here.

Tom explained the song's origins: "I remember when we wrote City. Simon and I were in my old rock shed jamming and reminiscing about the old days, growing up, all our favourite films and music. Simon showed me this riff he had, and I started jamming and when he played the chorus, the first lyric I sang is still the lyric today. It was like magic and we loved it.

"We pride ourselves on good songs no matter how heavy or light, the song is king and we are proud of how it turned out."

And damn proud they should be!

Recorded late 2018 with long term producer Frankie McClay at Einstein Studios, and featuring current bassist Jim McGurk, ‘Other Side of the City’ is released 26th April 2019

'Devil Songs' 30 song double cd/digital package released May 2019. 

ALBUM REVIEW: Bloodbound take on fiery beats on Rise Of The Dragon Empire

POWER metal. It gets a bad name from the snobs, and in some case it is deserved. But, when it is done well it is something that earns a grin and ham fisted air guitar playing. And, Bloodboiund do it very well.

Eight albums in and they are still doing it very, very well. Rise Of The Dragon Empire has all the power elements you would expect, with the smattering of Nordic folk. And, damn it but it makes us smile (when we're not pulling poses and pointing skyward to Valhalla...)

Led with the increasingly impressive vocals of Patrick J Selleby and the gang singalongs it is lyrically slightly sub George RR Martin, but that is part of the charm. Sure, we revel in bands that explore the deepest recesses of the human mind, and the collapse of society, but this is glorious escapism.

All that would be futile without

t stout musicianship and well thought arrangements, such as on 'Magic Eye', with its pacey development.

Tomas and Henrik Olsson wield their guitars in a glorious symmetry and Fredrik Bergh's keyboard flourishes are sumptuous. The intro to 'Blackwater Bay' is worth the price of admission.

However, that same song could be identified by the naysayers as an example of the overblown, nature of the genre Bloodbound tread. But that is to miss the point. As the guitar solo kicks in just before the three minute mark you realise that this is a band confident in what they are doing, and know full well that it could be seen as ridiculous, but is really glorious.

Take lead single 'The Warlock's Trail' - driven by Andres Broman's bass and the metronomic pace of Daniel Sjogren's drums to underscore the soaring heights of the track.

Sod it, doubters can go away, because Rise Of The Dragon Empire is just enjoyable, entertaining and wonderful.

(Oh, and we admit at least one of the cut-offs is adorned by a Bloodbound patch following their Belfast show with Sabaton.)

Review by Jonathan Traynor

Rise Of The Dragon Empire is out now

ALBUM REVIEW: Behind the veil - In Flames stupendous on I, Mask

THE evolution of modern music has been weird - vocal warbling on pop songs, dance DJs pretending to mix as tracks from their computer, and some metal bands stuck in a rut. But when it comes to In Flames they have evolved, without betraying their past. Now they have gone one step further.

New release 'I, Mask' is complex, yet straight forward; layered, yet easy to 'get'; and, introspective and outward-looking.

Their last release, in 2016, 'Battles' (reviewed here) was a soul-searching examination of so much, and while magnificent some thought they had strayed a little too far from their roots. They were wrong, but hey ho, we fast forward to 2019 and I, Mask...

This is a statement release. It is an album that challenges and has heft and beauty in equal measure. For every riff battering you into submission, then entrances with melody and clean vocals.

The opener 'Voices' sets the tone for the release, yet is just the tease of the greatness within.

And, the title track rages and tears from the off as Anders Fridén roars before adding the melody chorus. Whatever has been the instigation of I, Mask in toto, new writing processes or a change in attitude it matters not: this is a band reclaiming melodic metal for itself.

The playing is exquisite in places - each riff and solo measured. Björn Gelotte and Niclas Engelin taking the sections of each song and deploying their guitars in a way that compliments the overall song.

'I Am Above' broods and threatens and realises personal strength and fragility in its lyrics. While 'Battles' felt like an exposition of personal issues I, Mask deals with much more.

As well as dealing with the personal it is a call to avoid falling down the social media rabbit hole, avoid isolation - and the wondrous 'Follow Me' is a choker when you listen to it properly.

Equally the strident '(This Is Our) House' is a call to arms to save the planet, propelled by anger and a battle cry to unite to save Earth. While it has it's climate change theme it is could also contain a lyric that sums up In Flames own trajectory: "We Won't Back Down".

Indeed that is something that In Flames encapsulate; in their 30-year career they have stood on their own terms as fads come and go, while examining what they do, how they do it and adapting to what they want.

While 'Burn' roars off the blocks and 'Deep Inside' eases in with almost middle-Eastern tones, they showcase a band that is prepared to risk their considerable reputation by doing what they want. And, that surely is the key to any band's integrity - and success be true unto thyself.

Closer 'Stay With Me' almost has the feel of power balladery without becoming a cliché: tenderness and self-abasement and hope - exquisite.

I, Mask is a defining moment for this generation. Man of the acts professing to be 'modern metal' need to sit down listen to this, and learn.

In Flames' reputation was already intact, but now with I, Mask they can genuinely stand peerless.

Review by Jonathan Traynor

I, Mask is available now on Nuclear Blast

ALBUM REVIEW: Declaration from Overkill on Wings of War

WHEN you suddenly realise you are getting old...that's when Overkill's new album makes you realise that they have been going 30+ years and this is number 19 from the New Jersey thrashers...

What have we been doing with our lives when Overkill have been battling more than most: line-up changes, Bobby 'Blitz' Ellsworth's nose cancer and latterly pneumonia, added to his occasional controversial comments about the Democrats.

They have shown remarkable resilience, however, it is the quality of their albums that has always kept them held in high esteem. Their last release 'The Grinding Wheel' (reviewed here) was a statement of class, but #19 'Wings of War' raises the bar.

The 10 tracks show balance, precision, allied with humour and a knowing nod to their musical (and on one track literal) roots.

It may clock in at just over 50 minutes but there is not one second wasted. From 'Last Man Standing's militaristic opening beats to the closing notes of 'Hole In My Soul' this is a thrash masterclass. True, they are not re-inventing the genre or doing anything really challenging, but by all the Metal Gods they don't need to when these tracks are so good.

Bobby and bassist DD Verni may be the 'originals' but Dave Linsk and Derek Tailer combined guitar grunt have elevated every recent released, and the addition of Jason Bittner (ex of Shadows Fall and Flotsam and Jetsam) has given this album a new dynamic vibe.

For fuck sake, if you can keep still 'Bat Shit Crazy' you are dead from the neck up: add in the changes in tempo and guitar work on this it is madness to deny how good it is.

Now, as some of you know Overkill take pride in having influences that include punk. And, they take pride in their New Jersey home. Thus, step back, mosh and laugh to 'Welcome To The Garden State' - savagery and hilarity in one neat 4:42 package.

Mid-paced tracks such as 'Distortion' have the broody feel of the first and second generation thrash, without diluting Overkill's own take on it; while 'Where Few Dare To Walk' drips with menace.

Wings Of War can be summed up in many ways, but best to check out 'Believe In The Fight' and 'Hole In My Soul'. Both songs encapsulate a fuck you attitude; a single finger in the air and a relentless commitment to give everything.

And, given that the album was recorded across three studios it is a cohesive and...well brilliant.

Wings of War is declaration that no matter the age, when an album is this good it is best to set the volume to max and shake the neighbourhood.

Review by Jonathan Traynor

Overkill's Wings of War is out now on Nuclear Blast