ALBUM REVIEW: Accept nail the metal formula on Rise of Chaos

WITH Accept you get what you ask for and nothing more - a heavy metal band, playing heavy metal music: no frills, no fucking about, no bullshit and no pretence or genre splitting. Yet this time out they stretch their vision so much further...

With their latest release 'Rise of Chaos' you get a stand-out album of riffs, solos, choruses to sing-a-long to, and more importantly deceptively straightforward metal.

This album rocks like Satan's rocking chair on amphetamines. Sure, there is nothing too particularly ground-breaking that is going to bother the charts or the wankers on the Mercury Music Awards - but fuck them! They are more to be pitied than hated for not listening to Accept.

As  Mark declares the band he - and the band - are an "old-school son-of-bitch".

There is something glorious about this release. With 'Blind Rage' they topped 'Stalingrad' but on 'Rise of Chaos'  there is a looseness and anger steeped within every track: a vision of the outsider standing, looking at the mayhem around them, yet still staying true to Accept's snear.

Wolf declared the intent behind the album when he said: “The Rise Of Chaos is something I have been thinking about often. It describes a condition which is slowly spreading around the world.

"With the stage setup on our latest European tour, we wanted to portray rather dystopian and destroyed scenery. If you now take a look at our new cover, it’s the same imagery. This time however you can also spot the invisible destruction that we feel more and more in these times, as well as the visible destruction.”

And by Baphomet's hairy balls they have achieved something remarkable...

From the declaration of the title track, through to 'No Regrets' and 'What's Done is Done' it is hard to find fault with this release. Packed with songs that will have feet tapping and heads banging it is wondrous.

In fact, here in the deepest bowels of Metal Mansions we had to check with our coven of witches and wizards were we over-rating it...Nah, of course we weren't!

Even the metal mutt Toby was seen to be bopping along to 'Worlds Colliding'.

Wolf hammers out his usual excellence, Mark roars his indignation but there are two key elements that take this to the next level. One is Andy Sneap's production, capturing the live essence of Accept on this album. The other is Peter, Christopher and Uwe. The trio manage that almost mystical balance between tightness and the feeling of a rhythm section packed with loose groove.

Of the songs on display here it is almost impossible to pick one that should be selected head and shoulders above all others, but 'Koolaid' (re-visiting the same topic as Manowar's Guyana: Cult of the Damned) and the closer 'Race to Extinction' would just edge it, with a tiny lyrical misstep on 'Analog Man' the only reason it isn't there.

Yes, some of the topics touched on aren't the most profound; they're not preaching to the as yet unconverted with environmental themes and horror at the world, but each is an important statement in its own right.

We all watch the 'Rise of Chaos' in a world where distorted hypernormalisation is the pattern set by 'leaders' but crank this fucker up, raise a single finger to dystopia and bang yer fuckin' head.

Review by Jonathan Traynor

Rise of Chaos is out on Nuclear Blast on August 4th

ALBUM REVIEW: Accept awe with Blind Rage release and toast their progenitors

THERE was a time when heavy metal was just heavy metal. There were no genres, sub-genres, scenes or trends. Occasionally a title might be used to group a diverse group of bands who emerged at the same time - such as the New Wave of British Heavy Metal - but all were simply heavy metal.

Accept are a band of that generation, and a number of the review team here recall them blowing Dokken off the stage in the 80s in Belfast's Ulster Hall.

However, Accept acknowledge on Blind Rage that themselves and their progenitors are a 'Dying Breed'. On this, the second track Accept name check almost all of the bands from previous generations, many of whose members are now in their fifties, sixties or older.

But like those bands have raised a middle finger to the split nature of much of the 'scene' promoted by the mainstream magazines. This is Accept, and Accept do what they do best - powerful, muscular metal.

And, you can even see where many bands follow in their wake, especially the so-called power metal bands. Such bands would do well to listen to 'Dark Side Of My Heart' and learn from the masters.

This album, like its predecessors 'Stalingrad' and 'Blood of Nations', shows why Accept are not prone to the clichéd and hackneyed band many other Euro-metal bands are, or have become. From the aforementioned 'Dark Side...' to the full on album opener 'Stampede' they demonstrate proficiency and understanding of their craft.

The ever-present Wolf Hoffman (he's been the lead guitarist since 1976) melds perfectly with Herman Frank in providing scintillating solos and melodic runs, such as on Blind Rage's last track 'Final Journey', which is simply a delight for guitar aficionados.

Setting aside Accept from many of their contemporaries is a rhythm section featuring Peter Baltes (who like Hoffman was there in 1976, with only a brief hiatus) bass and Stefan Schwarzmann drumming that keep the whole sound grounded in the Accept sound.

Lyrically this is as well crafted as any Accept album. While there are a few cringe-inducing moments ('200 years') mostly it deals with topics as diverse as the massacre of native Americans ('Trail of Tears') and human trafficking, drug dealing and capitalist so-called standards ('Wanna Be Free'). Even 'Dying Breed' has a seriousness within the metal community.

Mark Tornillo, therefore, has plenty of themes to work through, and does so with some skill, especially given the range of tempos on the album.

And, that range of tempos is part of the strength of 'Blind Rage'. From the full-tilt of 'Bloodbath Mastermind' to the mid-pace of 'Wanna Be Free' and 'From The Ashes We Arise'. 'Modern' metal bands would do well to learn this lesson.

Amongst the stand-out tracks is 'The Curse', which like much of the album melds muscle and melody. From its under-stated opening it progresses to a simple tale of how difficult it is to be good and morale in the 21st Century.

While some may see 'Blind Rage' as Accept re-treading past glories, they miss the point. Accept have developed incrementally with each release, honing what they do, but never straying from what they know and understand as heavy metal. We hail them.

 

Review by Jonny

Blind Rage is out now on Nuclear Blast