ALBUM REVIEW: Visigoth vapourise all as they pledge the Conqueror's Oath

PO-FACED, overly analytical metal fans look away now. Those with a sense of humour, who enjoy heavy metal for heavy metal's sake keep reading, because Visigoth have returned to claim their rightful place in the panoply of 21st Century great metal acts.

As with the 2015 release, 'The Revenant King' the Salt Lake City five-piece have stayed true to their vision of straight-forward, heads down metal on 'Conqueror's Oath'...with only one minor deviation.

From the off you know what you get as 'Steel and Silver' riffs kick straight out of the blocks, sprinting around your head against fantastical lyrical themes.

And, those lyrical themes cause those who take their metal a little to serious be put off. They can either fuck off or like the rest of us get our air guitar out and run around the room like a toddler pumped full of E numbers.

'Outlive Them All' is, for example, a supercharged, full throttle, adrenaline four-and-a-half minutes of sheer delight. Rampaging, roaring music that will give you neck ache.

The sense of 'epic' that pervades most of 'Conqueror's Oath' gives it all a sense of purpose. Hell, it is almost as if Visigoth have listened to all of the Friday Rock Show recording between 1980 and 1985. Oozing through their pores is a sense of the delight of NWOBHM with liberal dashes of Manowar and lyrics akin to Blue Oyster Cult.

And, there is nothing wrong with that.

The title track and 'Warrior Queen' are glorious. Sweeping in scope, taut in intent they are the sort of songs that will be as sublime live as they are on the album.

However, there is a deviation... 'Salt City'. As if they have sucked the last remaining souls of Kiss, took all of Ace Frehley's licks and re-located them to Utah. Just a great deviation from the fantasy.

Visigoth are a band that have been 'bubbling under' for many in the UK and Europe, but if you love your straight-forward heavy metal Conqueror's Oath needs to be added to your collection.

It's an album that will have you in parts grinning like a maniac at one moment and tight-jawed hair flailing the next.

Review by Jonathan Traynor

Conqueror's Oath is out on Metal Blade on 9th February

INTERVIEW: Jake Rogers of Visigoth tells us about the influences of the band and the background of The Revenant King

SALT Lake City's metal overlords Visigoth have just released their latest platter of metal with 'The Revenant King' hitting hard and joyfully on to decks of 'true metal' fans; full of swagger and style.

When we reviewed it in January we were taken by the ambition of the band, but with it just out on Metal Blade Records a few short weeks we caught up with Visigoth vocalist Jake Rogers, and wanted to know what his feelings were running up to this release.

"I was a combination of excited and nervous, as anybody would be when about to release new music to the public," said Rogers. "Once some time has passed and the dust settles a bit, all will be normal again."

One of the issues that struck us when reviewing 'The Revenant King' was the lyrical landscape, and Rogers was more than happy to expand on his inspirations.


"The lyrics I write are primarily fantasy storytelling," he said. "I take a lot of inspiration from books, tabletop games, computer/video games, and movies. I grew up reading and gaming a lot, and those influences stuck with me.

"I like lyrics that tell a story or connect with a great pre-existinng story, so I try to do that myself. I'm not a very skilled lyracist, but it is important to me to at least get across the feeling of heroic fantasy tales to the best of my abilities."

For the listener the influences on show by Visigoth are clear, but be wary of asking Jake about those influences - because he may not stop! But then again it is always a delight when a band knows exactly where are coming from...

"We have a lot of different influences that drove us to start Visigoth. The classics are big for us of course, like Judas Priest, Cirith Ungol, Manilla Road, Dio, Rainbow, and Riot," said Jake.

"We are also inspired by NOWBHM such as Saxon, Iron Maiden, Pagan Altar, Demon, Grim Reaper, Elixir, early Saracen. Epic heavy/doom metal is really important to me, including bands such as Atlantean Kodex, Solstice, Doomsword, Argus, and Old Season.

"Traditional heavy metal naturally has a strong impact on our sound, citing bands such as Grand Magus, Metal Inquisitor, Skullview, and Vicious Rumors. Hellenic heavy metal like Battleroar and Holy Martyr, German heavy/speed metal like Accept, Grave Digger, and Brainfever; and some USPM such as Twisted Tower Dire, Jag Panzer, and Pharoah are all a part of the equation as well. Plus some doses of good ol' rock'n'roll like Thin Lizzy, Ashbury, or Uriah Heep.

"What is important to us is finding ways to meet in the middle of all of these influences. It's still something we're trying to figure out.

With those influences it is natural that the arrangements on 'The Revenant King' harken back to those days.

"Being a traditional heavy metal band, we are naturally going to have those sounds because a majority of our influences are from that period in time and the twin guitar sound is absolutely integral to the genre," said Jake.

"We did not, however, arrange the songs in order to be 'retro' or 'throwback' at all - we are simply a heavy metal band, and as such, we have those influences. Traditional heavy metal is a timeless sound that speaks for itself. We aren't bringing anything back, because metal was never dead in the first place.

"We are just one of many bands who pay homage to their roots because they respect the traditions of heavy metal music, regardless of what time period they are playing it in."

And now the band are taking The Revenant King on tour...

"We have a west coast USA tour coming up in April. Europe is on the docket but I cannot confirm anything as of yet besides that we will be playing the mighty Up the Hammers festival in March of 2016, which we are incredibly excited about," he said.

Because we, on this side of the pond are not familiar with their home city, so we looked up Salt Lake City on Wikipedia (we call it research....). There is a lot about the Salt Lake City music scene but no mention of Visigoth. Was Jake annoyed by this oversight?

"Not annoyed at all - I didn't even know that the Salt Lake City Wikipedia page mentioned bands at all until you brought it up," he said.

"The bands on the list are hardcore bands, not metal bands, which brings me to my next point - people who are looking for metal are not looking for it on Wikipedia!"

Hey, we were only trying to find out more, but Jake is right, you don't need a Wikipedia page to find your metal...you're reading it here.

Interview by Jonny

Visigoth album out today

SALT Lake City Utah's Visigoth released their debut album The Revenant King today on Metal Blade Records. In conjunction with the release the band has partnered up with Bloody-Disgusting.com for an exclusive premiere of the video for the title track The Revenant King. Check out the stream of the Dave Brodksy directed clip here.

Visigoth explained shooting the video: "This video was made in true DIY fashion. Almost all of the props and costumes were provided by us and our friends, and the actors in the narrative portion of the video are actually all friends of ours (Jason Stock, who plays the Usurper, works at the Wasatch/Squatter's co-op brewery with our drummer Mikey and can be seen on the bottle label for Hop Rising, the Squatter's signature double IPA; Jason Tarpey, who plays the King, is not only a good friend of ours but is also the singer for Eternal Champion, one of my favourite current US heavy metal bands; and Paul Black, who plays the Advisor, is a good buddy of ours and is the vocalist of local Salt Lake City metal band Turned to Stone).

“The outdoor shots were filmed in Oakley, a small rural mountain town in Utah. It was frigid cold out when we shot the narrative portion - Jason T's chainmail was freezing onto his skin by the end of it! The band performance shots were filmed in the Wasatch Brewery warehouse with nothing more than a minimal lighting rig and a fog machine provided by our buddy Brock Grossl (who used to play in Salt Lake City's now-defunct speed metal maniacs Castleaxe).

In Visigoth's realm, there are no frills, no gimmicks; there is only heavy metal. Read why we think so in our review here. However, we have to say on reflection that this is a track that has more than a hint of Grand Magus about it…not that is necessarily a bad thing!

After signing with Metal BladeV isigoth recorded The Revenant King. The collection of heavy metal tracks was engineered, mixed, and produced by Andy Patterson at Boar's Next Studio in Salt Lake City. Alan Douches at West Westside handled mastering.

Visit http://www.metalblade.com/visigoth to pick up a copy of the album. You can also order the CD here and a special bundle package including a t-shirt here.

For More Info Visit:
https://www.facebook.com/visigothofficial
http://www.metalblade.com/visigoth 

ALBUM REVIEW: The Revenant King sees Visigoth rise to classic metal challenge

THE Visigoths were branches of the nomadic tribes of Germanic peoples referred to collectively as the Goths. That is according to Wikipedia. But Visigoth the band are an entirely different proposition to the Gothic tribe that defeated the Romans at the Battle of Adrianople in 378.


Certainly they take their classical history very seriously - classical history of metal on 'The Revenant King', which is released on Metal Blade on 27th January.


Setting aside the lyrics - more on these later - this is a superbly enjoyable release from the Salt Lake City five-piece, notable for the performances of guitarists Jamison Palmer and Leeland Campana.


They turn in a riff-laden assault that harkens back to the glory days of late 70s and early 80s metal. There is certainly no doubt that they take their European and NWOBHM roots very seriously, eschewing the cookie monster lyrics, despite verging on proto-thrash at times.


Opening duo of the title track and 'Dungeon Master' set the template for a romp through metal class - with the up-tempo ride following the obligatory 'quieter bit' on 'Dungeon Master' particularly enjoyable.


Mikey Tee's unfussy drumming keeps the sound tight, with Matt Brotherton's bass keeping the sound from running into parody. Indeed for the first listen we were tempted to say that they were a parody band, especially when the PR blurb accompanying the release has lines like: "Jamison Palmer slung his mighty axe over one shoulder and trudged his way through the ice and snow of this inhospitable realm, lending his soul-rending riffcraft to the legion."


Taking piss? Maybe the waffle is, but the band are clearly not, as can be heard on the mid-tempo 'Mammoth Rider'.


On the seven minute plus epic 'Blood Sacrifice' the 'classic metal' power take comes to the fore, with it's brief picked guitar opening. But it is Jake Rogers vocals that soar here as the speed increases. His range is good and he can pound it with an intensity few of their forebears could muster.


Notable for its execution is 'Vengeance' with has a chug-a-chug riff á la Maiden, and Rogers tearing off an enjoyable set.


Album closer 'From the Arcane Mists of Prophecy' is almost 10 minutes of pure fun - with changing tempos and more than a little reminiscent of early Helloween - and that's no bad thing.


Now - on to the lyrics...Are they deep and meaningful? No. Unless there is an allegorical meaning lurking they are daft, silly and filled with tales of ancient days and fantasy worlds.


Like Manowar to fully appreciate this release you need to suspend your disbelief to enjoy them; we all know that the joy is in the stupidity, but then again they pull this off well.


While doffing their caps to the European and UK scenes they also do not forget their US colleagues, with a cover of Manilla Road's 'Necropolis'. Perhaps this is why the Visigoth are able to produce such a relatively accomplished release on 'The Revenant King'. They have absorbed, sponge-like, their formative listening experiences and put their own stamp on it.


By no means a perfect release, nevertheless, put your brain in neutral and kick back and enjoy Visigoth as they rampage through your aural tracts....