BUCKCHERRY are an enigma - they rose to wide scale prominence on the back of one misogynistic song - Crazy Bitch - and since then have occupied a relatively high pedestal within the hard rock pantheon.
Yet last night (Wednesday Novembe 27th) in Belfast's Limelight1 Josh Todd and his band were taught a lesson in attitude by Swedish rockers Hardcore Superstar, whose determination and energy showed all present what it means to be hungry for yet more success.
Openers on this triple bill were California act Venrez. Looking slightly askance at the crows, with almost hippy like gestures, singer Ven is not your 'typical' frontman.
Confined to a minute space at the front of the stage Ven could barely move out from the confines of two monitor speakers, resulting, perhaps, in some of the more bizarre gestures and an overall opening feeling of languidness.
Halfway into their 30-minute set something of a sea-change seemed to happen - they kicked into a higher gear with Unforseen and current single Sanctify energizing the band and an initially doubting audience. Given a longer set - and a bigger stage to work in - they would have gained more of a backing and more time to showcase their takents. Fair to say that Venrez can deliver.
Hardcore Superstar have been knocking around for a while, yet they trouped on to the Belfast stage as if they were still hungry young bucks determined to shake up the establishment of hard rock.
Jocke Berg has the right balance of cocky arrogance and talent to carry off the demands of being the focal part of the band on vocals. Vic Zino (guitar) and Martin Sandvik (bass) flank him on stage with a jokey sneer, followed by a smile, their permanent facial gestures. Backing it all up Adde Andreasson was pounding his drums as if he felt real animosity towards them.
They are a tight cohesive unit musically, coming across like Motley Crue, the Sex Pistols and a prettier Motorhead in one Scandanavian power unit.
With nine albums behind them and a 'best of... compilation released a couple of years back Hardcore Superstar are in tour mode now ahead of their next release. While 'sleaze' metal and punked out glam metal may have peaked in the 80s Jocke and his cohorts play as if they were living next door to the Rainbow Bar 'n' Grill in LA.
Highlights included Dreamin' In A Casket, Above The Law and Last Call for Alcohol. To be sure, we can write off the melodramatic poses and stunts of bands like this, but pull it all of with the right dose of basic, stripped down sleaze then the implicit knowing smile between band and audience creates a live bond that simply just works.
It worked for Hardcore Superstar.
Had Buckcherry not been following Hardcore Superstar then their set would have been a good listen, but their slick US groove seemed a bit flat in comparison to the Swedes.
There was nothing wrong, per se, about their performance, and Josh Todd is still a capable frontman, even if at times the backing vocals carried the choruses.
Lit Up, Crazy Bitch, Sorry, and Wrath are all fantastic songs, delivered with panache and adulation from the people down the front of the Limelight. However, what was noticeable was the crowd were beginning to thin out. Wandering around, one of the doormen told Belfastmetalheadsreunited that there had been several taxis ordered and collected passengers not long into the Buckcherry set.
To be clear, they were enjoyable, they were competent and they are fine entertainers. However, it seemed a little bit too finely delivered and as a result came across as slightly 'flat'.
Many, like ourselves, found our focus drifting halfway through the set, even wandering up to the Limelight's Rock Garden smoking area for a break.
In order to properly assess Buckcherry as they look to 2014 it would only be fair to see them with different support acts, perhaps on the festival stage; otherwise the comparison last night may have done them a disservice.
One final point, before awarding the 'scores on the doors' - bands who ply the hard rock path can and should avoid misogyny; in the wise words of Dave Coverdale 'You don't have to be a sexist to be sexy..."
Venrez - 3 out of 5: needed to kick into high gear earlier in their set, and stay off the sauce before going on stage
Hardcore Superstar - 5 out of 5: slick sleaze seems an oxymoron, but they treaded the fine line between ridiculousness and ecstasy like the accomplished act they are
Buckcherry - 3 out of 5: Lots to like about their set, but equally too many dips that marred the performance - tour fatigue or general ennui about their jobs.
Last night was A Distortion Project promotion, one of many James Loveday has laid on in 2013, more reviews and previews of Distortion Project gigs to come as the year draws to a close and we will have a bright shiny 2014 to destroy!
Showing posts with label Venrez. Show all posts
Showing posts with label Venrez. Show all posts
Thursday, November 28, 2013
Sunday, November 24, 2013
Just be early on Wednesday for Venrez opening for Hardcore Superstar and Buckcherry
UPDATE: THIS EVENT HAS BEEN CHANGED TO LIMELIGHT1 AND THE NEW DOOR TIME IS 7PM. Still, no reason why you shouldn't get down early for a pint or two.
WHEN it comes to Wednesday night there is good cause to make sure you get down to the Limelight2 early on. That way you can make sure to get a pint in hand before Venrez opens up for Hardcore Superstars and Buckcherry.
The headliners should be enough to drag you down there in the first place, but relative unknowns in Ireland Venrez are well worth cutting off work early to see: a combination of heavy rockin' and a social conscience holding a broken mirror up to a broken world.
Last month we reviewed their outstanding album American Illusion, with its dark vibe and intensity it should be enough to have you making tracks to Ormeau Avenue. Earlier our colleague on our syndicated outlet rockradioni Nigel caught up with singer Ven and Buckcherry vocalist Josh Todd, and this weekend we managed to catch a few quick words with Ven about the tour to date.
And - by all accounts it is going to plan.
"Awesome tour," he told us. "We are playing to packed houses and being well received. [And] all the bands get along great."
As to what to expect from a Venrez's set the singer is short and to the point as to what to expect in Belfast: "Something new and raw".
While other bands have taken technological routes to boost their sound Venrez seem to have decided early on to go for a more 'primitive' and authentic rock and roll sound.
"Jason [Womack] writes the music and has heavy influences from The Jesus and Mary Chain as well as from all the bands influenced by them," said Ven. "So we go in a darker direction with our music and the lyrics I write, combined with a bit of 70s meets 90s beat."
And those lyrics may be the game changer for Venrez in the future. Unlike a lot of hard rock bands who follow the clichéd 'boy meets girl' lyric tack American Illusion is much more socially aware if than many of it contemporaries. The vocalist again is clear and straight to the point as to why.
"I feel as responsibility to inform and teach with my lyrics, so [that is what] I do."
Ven's vocal style has that raw in your face vocal style, which reflects his avowed influences in Mick Jagger and Jim Morrison, and it is a style that is guaranteed to raise a few eyebrows on Wednesday evening in pleased delight before the next stage in the Venrez's plan, one we can't help but acknowledge. ("Continue touring well into next year," he told us).
Doors are at 6pm on Wednesday night and Venrez are on shortly after that - don't be caught in the queue!
Trivia fact: It's not Jason Womack nor Ed Davis (drummer) first visit to Belfast...they both played with Juliette Lewis and the Licks...
WHEN it comes to Wednesday night there is good cause to make sure you get down to the Limelight2 early on. That way you can make sure to get a pint in hand before Venrez opens up for Hardcore Superstars and Buckcherry.
The headliners should be enough to drag you down there in the first place, but relative unknowns in Ireland Venrez are well worth cutting off work early to see: a combination of heavy rockin' and a social conscience holding a broken mirror up to a broken world.
Last month we reviewed their outstanding album American Illusion, with its dark vibe and intensity it should be enough to have you making tracks to Ormeau Avenue. Earlier our colleague on our syndicated outlet rockradioni Nigel caught up with singer Ven and Buckcherry vocalist Josh Todd, and this weekend we managed to catch a few quick words with Ven about the tour to date.
And - by all accounts it is going to plan.
"Awesome tour," he told us. "We are playing to packed houses and being well received. [And] all the bands get along great."
As to what to expect from a Venrez's set the singer is short and to the point as to what to expect in Belfast: "Something new and raw".
While other bands have taken technological routes to boost their sound Venrez seem to have decided early on to go for a more 'primitive' and authentic rock and roll sound.
"Jason [Womack] writes the music and has heavy influences from The Jesus and Mary Chain as well as from all the bands influenced by them," said Ven. "So we go in a darker direction with our music and the lyrics I write, combined with a bit of 70s meets 90s beat."
And those lyrics may be the game changer for Venrez in the future. Unlike a lot of hard rock bands who follow the clichéd 'boy meets girl' lyric tack American Illusion is much more socially aware if than many of it contemporaries. The vocalist again is clear and straight to the point as to why.
"I feel as responsibility to inform and teach with my lyrics, so [that is what] I do."
Ven's vocal style has that raw in your face vocal style, which reflects his avowed influences in Mick Jagger and Jim Morrison, and it is a style that is guaranteed to raise a few eyebrows on Wednesday evening in pleased delight before the next stage in the Venrez's plan, one we can't help but acknowledge. ("Continue touring well into next year," he told us).
Doors are at 6pm on Wednesday night and Venrez are on shortly after that - don't be caught in the queue!
Trivia fact: It's not Jason Womack nor Ed Davis (drummer) first visit to Belfast...they both played with Juliette Lewis and the Licks...
Tuesday, November 19, 2013
Venrez bring Coppola to bear on new video ahead of Belfast show
OPENING act for next Wednesday's Buckcherry and Hardcore Superstar gig, Venrez have hooked up with a heavyweight Holywood connection to record the music video for their new single 'Sanctity'
Director Christopher Coppola is brother to Nicholas Cage and Francis Ford Coppola, legendary director of the likes of the Godfather Trilogy, is his uncle.
Released in time for the tour dates which will see them open up proceedings at the Limelight2 on Wednesday 27th November.
Coppola is pretty clear about what vision he brought to the video:
“Ven contacted me and asked if I would direct a music video based upon his poetry, a lot of which I really responded to.
"Sanctity's not your typical rock video, it's an art movie that ties in with Venrez's message on American Illusion.”
Venrez frontman Ven explained further: "I wrote the song 'Sanctity' about government control, selling lies to people, removing our freedom, our children's future and treating us like sheep.
"We wanted to work with Christopher Coppola on this new video. He's an amazing artist when it comes to producing and directing film. He knows exactly what he wants to capture in telling the story through his eyes."
You can read our review of American Illusion here.
The Sanctity video is below:
Director Christopher Coppola is brother to Nicholas Cage and Francis Ford Coppola, legendary director of the likes of the Godfather Trilogy, is his uncle.
Released in time for the tour dates which will see them open up proceedings at the Limelight2 on Wednesday 27th November.
Coppola is pretty clear about what vision he brought to the video:
“Ven contacted me and asked if I would direct a music video based upon his poetry, a lot of which I really responded to.
"Sanctity's not your typical rock video, it's an art movie that ties in with Venrez's message on American Illusion.”
Venrez frontman Ven explained further: "I wrote the song 'Sanctity' about government control, selling lies to people, removing our freedom, our children's future and treating us like sheep.
"We wanted to work with Christopher Coppola on this new video. He's an amazing artist when it comes to producing and directing film. He knows exactly what he wants to capture in telling the story through his eyes."
You can read our review of American Illusion here.
The Sanctity video is below:
Thursday, October 17, 2013
Venrez provide perfect counterpoint to hard rock clichés with American Illusion
VENREZ are an odd, but likeble bunch on record. They have produced an album in American Illusion that is both challenging and accessible, and eight of its 10 tracks are straightforward rock with a lyrical social consceince.
But on two of the tracks they wander off the well-worn hard rock mode, but in no less an enjoyable way.
There is a rawness about the entire feel of the album, with opener a perfect example. Singer Ven said of it:
"'Unforeseen' is my favorite track on 'American Illusion'. It's brutally heavy and demanding to play right.
"It's 'At The Drive In' meets 'Alice in Chains' and really reflects the experiences we've had touring the world together."
Ven's comparison to these bands stand up, but throughout the rest of the album it teeters between the classic hard rock edge and alternative, stoner rockers such as QOTSA.
For example, Free Will has moments of sheer rock splendour amidst a groove that would not be alien to desert rock. But the previous track has a stomp and vigour reminescent of the glory days of 80s hard rock.
Ven's vocal delivery is under-stated, and almost laconic at times, echoes of Layne Stayley merging with his own take on how difficut issues should be delivered. Unlike many of Venrez's contemporaries there are not tales of excess and misogny.
As the title of the album - American Illusion - suggests lyrically they tackle a society with more problematic issues than it can cope with; and no army of therapists, counsellors, pchychiatrists or psychologists can help during this century.
That combination between hard rock musical attitude and lyrics to challenge listeners means that this album falls into that elusive category - a 'grower'. On the first couple of spins there is more than a little to engage, but by the time you have listened to the likes of Silver and Gold and Vultures you 'get it' and can settle back to enjoy.
The weird bit comes in the last two tracks - the Beat Goes On and Temptress of the Moon. Beat Goes On has dated synth and distorted vocals which would have not been out of place in an early 90s experimental rock act. However, the repetitive, almost hypnotic delivery makes it strangely likeable.
Throughout the album - anchored by the rhytm section of Mike and Ed - the twin guitars of Alex and Jason are to the fore, with riffs aplenty prominent in the mix.
But, on the album closer - the lengthy Temptress of the Moon - they are given free reign to explore delicate textures. At times it is as if Dave Gilmuor, Snowy White and Syd Barret got together with some prog rockers and did some acid. And that is a good thing.
Apart from the slight departure of the last two songs Venrez have produced a solid, enjoyable album - one worthy of a listen before their Belfast date. Guitarist Alex Kane is no doubt about where the band are:
Now with this new album, "American Illusion", we have our best material to date and the band has never been tighter. I think everyone who comes to see us again will say it was worth the wait. Those seeing us for the first time will not be disappointed either."
American Illusion is available now. You can catch them supporting Buckcherry and Hardcore Superstars in the Limelight on November 27th. Tickets available from usual outlets.
But on two of the tracks they wander off the well-worn hard rock mode, but in no less an enjoyable way.
There is a rawness about the entire feel of the album, with opener a perfect example. Singer Ven said of it:
"'Unforeseen' is my favorite track on 'American Illusion'. It's brutally heavy and demanding to play right.
"It's 'At The Drive In' meets 'Alice in Chains' and really reflects the experiences we've had touring the world together."
Ven's comparison to these bands stand up, but throughout the rest of the album it teeters between the classic hard rock edge and alternative, stoner rockers such as QOTSA.
For example, Free Will has moments of sheer rock splendour amidst a groove that would not be alien to desert rock. But the previous track has a stomp and vigour reminescent of the glory days of 80s hard rock.
Ven's vocal delivery is under-stated, and almost laconic at times, echoes of Layne Stayley merging with his own take on how difficut issues should be delivered. Unlike many of Venrez's contemporaries there are not tales of excess and misogny.
As the title of the album - American Illusion - suggests lyrically they tackle a society with more problematic issues than it can cope with; and no army of therapists, counsellors, pchychiatrists or psychologists can help during this century.
That combination between hard rock musical attitude and lyrics to challenge listeners means that this album falls into that elusive category - a 'grower'. On the first couple of spins there is more than a little to engage, but by the time you have listened to the likes of Silver and Gold and Vultures you 'get it' and can settle back to enjoy.
The weird bit comes in the last two tracks - the Beat Goes On and Temptress of the Moon. Beat Goes On has dated synth and distorted vocals which would have not been out of place in an early 90s experimental rock act. However, the repetitive, almost hypnotic delivery makes it strangely likeable.
Throughout the album - anchored by the rhytm section of Mike and Ed - the twin guitars of Alex and Jason are to the fore, with riffs aplenty prominent in the mix.
But, on the album closer - the lengthy Temptress of the Moon - they are given free reign to explore delicate textures. At times it is as if Dave Gilmuor, Snowy White and Syd Barret got together with some prog rockers and did some acid. And that is a good thing.
Apart from the slight departure of the last two songs Venrez have produced a solid, enjoyable album - one worthy of a listen before their Belfast date. Guitarist Alex Kane is no doubt about where the band are:
Now with this new album, "American Illusion", we have our best material to date and the band has never been tighter. I think everyone who comes to see us again will say it was worth the wait. Those seeing us for the first time will not be disappointed either."
American Illusion is available now. You can catch them supporting Buckcherry and Hardcore Superstars in the Limelight on November 27th. Tickets available from usual outlets.
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