ALBUM REVIEW: Avantasia release the second chaptwe with star-studded support on Ghostlights

AVANTASIA, the rock opera project created by Edguy vocalist Tobias Sammet, are back with their seventh studio album.

Billed as the second chapter of the story begun on 2013's "The Mystery of Time" "Ghostlights" is a darker, moodier album, which has stripped back a lot of the previous orchestration and has a sound more focused on metal while still remaining true to the operatic nature of Sammet's compositions and arrangements.

This is also highlighted by the veritable who's who of guest vocalists again being given character names:

• Tobias Sammet - Aaron Blackwell
• Jorn Lande - Temptation
• Ronnie Atkins (Pretty Maids) - Magician
• Robert Mason (Warrant, Lynch Mob) - Scientist I
• Dee Snider - Nightmare
• Geoff Tate (Queensryche) - Scientist II
• Michael Kiske (Helloween) - Mystic
• Herbie Langhans (Seventh Avenue) - Eclipse
• Sharon den Adel (Within Temptation) - Muse
• Marco Hietala (Nightwish) - The Watchmaker
• Bob Catley (Magnum) - Spirit.

The other musicians featuring on this album are:

• Sascha Paeth - Guitars, Bass and Keyboards
• Oliver Hartmann - Guitars and vocals
• Bruce Kulick (Kiss) - Guitar
• Michael Rodenberg - Keyboards and Orchestration
• Felix Bohnke - Drums
• Cloudy Yang - bgv.

"Ghostlights" starts with the Jim Steinman/Meat Loaf sounding 'Mystery of a Blood Red Rose complete with huge choruses and obligatory key change. A catchy opening number sang by Aaron.

The 12 minute epic 'Let The Storm Descend Upon You' follows with its haunting start quickly developing into a power metal number which has Aaron, Temptation, Magician and Scientist I sharing vocal duties. Huge choruses and hooks are the order of the day here with some excellent guitar work from Hartmann. At no point does this song seem overlong as it cleverly builds its storyline.

Aaron and Nightmare perform "The Haunting". A moody, dark song both lyrically and vocally this would be Ghostlights' version of 'The Toy Master' from 'The Scarecrow'. A heavy riff drives this number which is contrasted by light piano touches to convey the mood nicely. The solo from Paeth is perfect for the song.

"Seduction of Decay" showcases the heavier nature of this album with its pounding mid tempo riff and rhythm section. Aaron has Scientist II to do battle with here and an excellent job they both do. Paeth has another excellent solo to add weight to the song.

Title track "Ghostlights" has our first visit from Mystic on vocals and along with Aaron they deliver a powerful vocal. With Maidenesque riffs, double kick drums and great guitar work by Paeth and Hartmann this a joy to listen to for all melodic power metal fans.

"Draconian Love" instantly has an anthemic feel to it with Eclipse trading vocals with Aaron this time. A great melody, huge chorus and hooks this song will undoubtably become a live favourite.

"Master of the Pendulum" has Aaron delivering an eerie start to it but Paeths blinding fretwork kicks it into gear and the introduction of The Watchmaker gives this fast paced song a Nightwish makeover and is probably the heaviest song on the album.

In sharp contrast comes the haunting, mostly electronic ballad "Isle of Evermore" beautifully delivered by Muse and Aaron whose vocals blend perfectly.

"Babylon Vamyres" takes us back to the straight up rocker belted out wonderfully by Aaron and Scientist I. With a beat driven along by bass and drums at a quick tempo it features yet another big chorus and hook. Kulick makes his first appearance on this song trading solos with Hartmann and Paeth and it was well worth the wait.

"Lucifer" introduces us to Temptation again as he joins with Aaron in another atmospheric ballad with a keyboard intro. There is nice orchestration on this song building to a crescendo before a heavy, searing guitar break from Kulick moves it into another gear. Great song.

"Unchain The Light" is another mid/up tempo number with the Magician and Mystic weaving their vocal spells on Aaron. More power metal hooks and choruses with Paeth and Hartmann this time trading solos make this yet another strong song.

The albums finale is the wonderfully titled "A Restless Heart and Obsidian Skies". It's not too often you get an Avantasia album without nodding respect to Magnum so Spirit joins Aaron on vocals for this one and its a Melodic rock classic. Kulick provides the solos on this and its a fantastic end to the album.

Avantasia albums can tend to split opinion with some preferring the 'Metal Opera' era albums to their later output. Whether this is the masterpiece Sammet was hoping for only time and lengthy comparison will tell but as a stand alone album it's right up there.

Sammet describes "Ghostlights" as 'a journey in 12 chapters, 12 pictures, 12 dreams and 12 reflections of reality....

Get whatever meaning out of it that suits you.......just get it!

Review by Andy Gillen
Ghostlights is out now on Nuclear Blast

Edgy Edguy capture hearts and minds on Space Police - Defenders of the Crown

TEN albums in and Edguy get short shrift from mainstream rock media in the UK, with barely a mention in the top selling magazines and not a showing on the TV rock channels. That's their loss, because Edguy have been gathering fans throughout the UK, achieving an almost cult following.

And, on Space Police - Defenders of the Crown the band have showed that this is a following that knows what Euro/Power metal can achieve by lifting the listener and challenging perceptions.

Those that write off Edguy as slightly 'silly' band must not have really taken the time to listen to their output, their musicianship and the more deep themes they explore through metaphors and analogies.

In terms of musicianship and arrangements Space Police is packed with so much that to analyse it all would be pointless - there are few missteps.


The duo of songs that make up the title of the album 'Space Police' and 'Defenders of the Crown' are peerless. Both songs manage to sum up the learning and development of the band. Sammet's vocals are tested and rise to that test, Dirk and Jens weave guitar magic throughout, and a smattering of keyboards add to the high-paced atmosphere.

With their metal poured out on the first three tracks 'Love Tyger'  showcases Edguy's hard rock credentials with an infectious bridge and chorus and a riff that many a band in the 80s would have killed for.

However, they quickly move onto a track that bears all the hallmarks of power metal in the shape of 'The Realms of Baba Yaga', which despite what appears a straightforward run through on first listen has subtleties and depth on repeated listens.

'Do Me Like A Caveman' may have a ridiculous title, but lyrically is an intriguing ode to insanity, with real hard rock muscle in the range that all the musicians explore and a tasty but brief solo from Jens.

'Shadow Eaters' is a run through at full tilt, pulling out all the proverbial stops, followed by the obligatory power ballad on 'Alone In Myself'.

But the real revelation on the album is closer 'The Eternal Wayfarer' that pours pomp on to the power metal; with echoes of Zeppelin and Floyd reverberating, along with an insistent riff that keeps on giving and well structured solos. This almost nine minute long song should be a crowd pleaser live, and with both its melodies and its strength in an arrangement that allows real breath to the theme.

Space Police is almost the complete Edguy album....but there is an aberration in the middle: a ridiculously over the top cover of Falco's hit 'Rock Me Amadeus'. This detracts somewhat from the album's sinuous depths, and would have been best kept as a 'B' side, or reserved as a live surprise track. That said it is an enjoyable song - but it breaks up the running of the album that begins with the riffage of 'Sabre & Torch'.

Setting aside '...Amadeus' Space Police is a complete showcase of Edguy's development as a band. The hard rock elements are nicely balanced with the power metal themes and occasional symphonic arrangements. What this shows is a band comfortable with their songwriting and confident to put the lessons of their previous nine albums into the mix.

Production on Space Police is nicely done, with space for all the instruments to work out, without over-crowding the clean sound.

It may seem a strange statement to make about a band now 20 years into their career, but Space Police - Defenders of the Crown could be a breakthrough for Edguy in new territories and new fanbases, not least the UK and US. That is unless the unwary are put off by the slightly mad retro sci-fi album cover....

Space Police - Defenders of the Crown is available now on Nuclear Blast.