The album starts with two strong hard rock tracks, 'Before
i Die' and 'House of Cards'. The former is a Europesque sounding tune with
Jakob Samuel sounding slightly like Joey Tempest in parts,with some great
guitar sounds and a big chorus.
The latter has a more heavy, sleazy sound with a great
hook to it, punchy guitar riffs and melodic verses. It also has probably the
best solo on the album by Henrik Bergqvist.
The first single from the album, 'The Greatest', is next up
and as a change of pace is a radio friendly pop/rock mid tempo ballad with an
infectious beat, strong keyboard and chorus elements and slightly deeper
vocals.
'Crack in the Wall' follows with its Euro Symphonic rock
vibe including driving beat, repeated riff and chorus throughout and a Spanish
guitar bridge into a very tasty, if short,solo. Another strong song on the
album.
'(What the Hell) Baby' is next up. "What the
hell" sort of sums this up as it's more of a boy band dance song with a
bit of techno thrown in for good measure. Depending on musical taste this will
be a love it or hate it song but could be used at a tilt at more mainstream
chart popularity (and might do very well!)
Thankfully 'Everything' returns things to normality. A
melodic mid tempo power ballad/rocker with a huge chorus and obligatory key
change. A strong song which will undoubtably be a live favourite.
The strange 'Stop' is next on the agenda. A pop song
trying to be a rock song or vice versa? There may have been a Queen influence
in certain elements of this song which didn't quite save it. Personal taste
required for this one again.
'Need to Believe' has a strong Led Zeppelin influenced
riff and back beat (think of a watered down Kashmir), and it is an excellent
mid tempo hard rock song and one of the strongest on the album so far.
'Alive' is a typical Euro rocker starting with quite a
heavy riff and it has all the elements you would expect with a big chorus sung
over another nice piece of work by Bergqvist.
'Life Without You' is the heaviest track on the album and
is driven along nicely by the rhythm section of Christian Lindqvist (drums) and
Johan Flodqvist (bass). A very good solid hard rock song.
Penultimate song 'Creator and Breaker' could be the
soundtrack of a James Bond movie and is an up tempo number with excellent guitar
work,bass line and a simple but effective backing vocal which works really
well. Possibly the strongest track on the album as it ticks all the boxes for
this type of song.
Final track 'Borderline' starts with faded in drums which
again has strong verses and chorus. A decent end to the album.
Depending on musical taste this album may hit the spot or
miss it completely in parts. It's certainly worth a listen and as the title
suggests the Devil, is indeed, in the details.
Review by Andy Gillen
Yes -that's Maverick on tour with The Poodles |
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