Pick Your Rock and Metal

Wednesday, May 06, 2015

NEWS: Trucker sign deal +++ Last chance to see The Who indoors+++Beholder for Belfast

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Off Yer Rocka climb aboard the Big Truck


TRUCKER Diablo have been signed to Off Yer Rocka Records for the release of 'Rise Above The Noise' the album they recorded after a successful Pledge Music campaign.

OYR CEO Jonni Davis said: "We've known Trucker for a long time this is a huge musical thrust north, it's just a great FKN album and sits perfectly into what we're all about..can't wait to get this one out there!"

Tom from Trucker added his tuppence worth on the news: "When we decided to set up a pledge campaign for our new album, signing with a label was far from the agenda. When OYR got in touch it was like an old friend getting in contact.

"We have been friends with the guys for quite a few years now and have been lucky enough to be a part of the amazing festivals they host. So for us its an easy decision to make this next step into the OYR family and we trust our new album will find more ears through the great team they have working with them."

The rest of the world will soon see why the Big Truck Keeps on Rolling!

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Last chance to see The Who...indoors

THERE has been much talk about The Who of late, with some of the more controversial comments coming when Pete Townsend saying that he could not be Roger Daltrey's friend because of Daltrey's wife...

But, they have been getting the front pages as much for their celebration of 50 years. Fifty fucking years! And, with a sold out Glastonbury headlining set and a Hyde Park show you have to say that when The Who play Belfast's Odyssey Arena on 21st June it may be the very last time that we will have the chance to see them live at an indoors arena.


With tracks such as 'Won't Get Fooled Again', 'Pinball Wizard', 'Who Are You' and 'Substitute' The Who have always been a rock band first and foremost even if there are mods who hang about for some unknown reason (have they ever watched The Who at Woodstock?).

Their influence - and rock credentials - are clear, not least because of the bands who have chosen to cover their songs: WASP recorded a stunning version of 'The Real Me' and the Sex Pistols gave 'Substitute' the working class sneer that it deserves.

And, if you were to be thinking about Hyde Park, you'd have to put up with the likes of Johnny Marr, Kaiser Chiefs and Paul Weller...much better to book your ticket for The Who in the Odyssey on June 21st.

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Beholder book Belfast date

THE mighty Beholder have booked in for a Belfast date on September 24th in Limelight2 thanks to The Distortion Project.

Joining the ferocious assault will be Sinocence and By Any Means...sure to be a noise fest to not to miss!


 +++ENDS+++

INTERVIEW: All That Remain axeman Mike Martin reflects on the journey so far as they get ready for Download

ALL That Remains have been on something of an upwards curve of late, with the release of 'The Order of Things' in February garnering critical acclaim and fan praise.

As the band prepares to hit the European festival circuit I caught up with guitarist Mike Martin as they continue on the US leg of the tour backing the album.

"We're in New York, Long Island, but I couldn't pronounce or spell where exactly we are," said Martin with a certain amount of amusement in his voice.

With this tour seeing them out in club and theatre venues with In Flames and Periphery, what's the difference was between touring versus the festival circuit was a point that had to be made.

"There's really not much difference for us as a band," he said. "You get to change things up a little, and when you're playing a club it's a little more intimate. You get up close and the fans get to see you in a more intense way.

"But, when it starts getting warmer, it's time to get out there and you get to play in front of 10, 15 or even 50,000 people it is a treat."

Conscious that for all bands there is a commitment to do publicity, it was nagging away with me that there must come a time when it all gets a little boring facing the same barrage from strangers.

"It's not too bad," said Mike. "We spread around, but at festivals it can be a little more intense. At some festivals you go into the press area and there's like 30 tables that you go round and you feel that you're going to be saying the same thing 30 times!"

Thankfully Mike didn't say that the questions asked in this interview were all the same when I wrapped up...or maybe he was just being polite...

However, the success of 'The Order Of Things' had to be probed...

I wanted to know specifically if the change or producer had been a factor in the direction of the sound, especially given some of the piano flourishes that bookends the album.

Instead of their regular producer, Adam D of Killswitch Engage, they had Josh Wilbur - whose credits include Lamb of God and Gojira.

"It wasn't necessarily a case where we were deliberately seeking a new producer," said Mike. "It was more a clash of dates."

However, it seems that it was a fortuitous diary clash as Wilbur seems to have brought about a fresh sense as the band moves to the next level.

"Yes, it really worked out. Josh worked really well with Phil (Labonte - vocals), and very closely on lyrics and melodies, which really helped.

For some All That Remains have been too easily pigeon-holed, as they emerged as the nascent metalcore scene emerged, despite them having a more varied repertoire.

"I guess if you have a kid who listens to a lot of metal who hears one of our melodic songs, they'll say 'that's not heavy enough for me', and if a kid who listens to a lot of more radio-friendly songs comes across one of our more death metal tunes they'll say 'I don't like all the growling' and that makes it difficult for a lot of bands, not just us," said Mike.

"You really can't expect fans to listen to all of an album today, with so many just downloading single tracks, but I think the overall album stands up and we've got a positive response on the road."

At the time of writing Mike and his bandmates are on the road with In Flames and Periphery.

"In Flames are part of the reason we're here," he said. "For 20 years they've inspired and helped us move forward. As for Periphery, this has been the first time I've seen them live. They're very precise, very fluid and great players, really progressive with a real Dream Theatre type of vibe."

As to who is an up and coming band Mike explained that there are too many barriers in the way for bands these days.

"We will probably not see the likes of bands the size of Metallica again, but then again there are bands that have suddenly become big. I saw Five Finger Death Punch earlier on this tour when we were on the same bill and they have become huge and have a huge sound. They really impressed me that they have developed so well and become so big, with a big sound," he said.

With Mike being so frank in his answers I wanted to explore one last thing. With more than 20 years as a musician and a long served member of All That Remains, if he could go back to his younger self what advice would he give.

"Patience!" he said immediately. "When you are starting off and you are getting a level of local success and you get signed to an independent label you think that you have hit the big time, without realising you have to go further.

"Then you get signed to a bigger label and you have to win over other fans and you spend a large part of your life in a van - so yes I would say you need patience."

For the brief period chatting to Mike he was open compared to a lot of interviewees I have had the pleasure of talking to. There is an ease and a professionalism about his attitude and responses.

Interview by Jonny
The Order of Things is out now
All That Remains play this year's Download Festival



FEATURE: Northern Ireland's Metal2TheMasses oozes quality and diversity

TAKING away from my usual impartial stance I was left in a position whereby I had to be even more impartial...yes, Mr James Loveday honoured me by asking me to be one of the judges for Metal2TheMasses heats and semi-finals.

 
It's such an easy thing to say yes, but sitting down to judge the first heat, before the first band played a note I released that with the privilege came enormous responsibility. As a large percentage of the scores came from the judges it meant that I would be ranking bands, many of whom I knew, some members I have come to like as people over the past decade or so.

Putting the numbers on the scorecard, putting my name at the top and handing them to Mr Loveday was doing so knowing that I was helping send through a band, or contributing to their exit was sometimes with a heavy heart. But on each occasion judging was done with a fixed set of criteria...

Heat One


The first heat seems so long ago now, but it didn't begin auspiciously. Selene came on stage with the vocals absent from the mix and the entire band visibly nervous (in complete contrast to their confident show days later in The Empire at Blazefest).

Altus came on stage with a deathly sound, made all the more menacing with Sleeve's vocals, and his between song cheesy banter also helping the atmosphere around the sound.

In contrast Paradigm's performance, whilst solid and competent, needed more actual identity to what their sound actually is, with flavours of metal, grunge and alt mixed in. Perhaps more gigging will help the band settle its sound.

Sorrowfall need no such quest for identity their blackened death metal features songs that shred and dominate. However, they took a significant risk with their set comprising solely of new material. The band's strength as a unit, and a stellar show from Chris Polin worked out for them - even if it was Sleeve's second slot of the evening after his performance with Altus.

Qualifiers: Altus and Sorrowfall.

Heat two

The diversity of the competition was evident in the second heat with four acts from a range of rock and metal's genres. Openers Cavehill came on stage with a bluesy hard rock sound with Sinco leading the band with ease, and some songs dealing with edgey material.

If Cavehill eased some of the crowd into the competition they were soon terrified when Pete Clarke roared his deadly growl out to open Zombified's set. The band's quality as a death metal act is not in doubt and they ploughed up the venue and audience in well developed sounds from the dark regions of human existence.

From death to contemporary thrash as relative youngsters Donum Dei took their development yet further through a series of songs the audience are becoming increasingly familiar with. Thomas Marshall is becoming more confident as a front man, leading his merry band of thrash marauders to run amok.

You can never have too many guitarists...at least that's what Rule of Six seem to believe - one drummer, one bassist and four guitarists, playing a range of riffs, harmonies and solos; all based around songs with a whiff of sci-fi around them.

Qualifiers: Rule of Six and Donum Dei

Heat Three

 
As I and fellow judge Mark Ashby from Planet Mosh were reviewing Hammerfest and HRH on this weekend our friend Darren McVeigh (photographer from this parish) was among the judges.
 
Qualifiers: Overoth and Proxist
 

Heat Four

 
Again the diversity of the rock and metal community of acts in Northern Ireland was apparent in the fourth instalment as Scimitar took to the stage, bringing forth a wall of thrash, powered by incessant rhythms and....dozens of plastic scimitars for the audience to wield. With material culled from their two eps it was a confident performance.

Drawing their influence from the NWOBHM and delivering with humour Conjuring Fate dove straight into their show with each chorus bringing forth sing-alongs from the audience as Tommy's grin grew wider and their well-balanced arrangement of songs won over doubters.

With a blend of death, thrash and hardcore By Conquest or Consent challenge the listener to react in a furious face-off, dealing with uncomfortable truths with a sledgehammer of songs, delivered with poise and precision.

With the second instalment of Sinocence's No Gods, No Masters ep out days after the band appearance in the heats the quartet are on a high. They still stick to their regular opener 'Long Way Down' but they use what was the upcoming release well to balance out more familiar material.

Qualifiers: Conjuring Fate and Sinocence

Heat Five:


Once again Mr Loveday's Distortion Project brought forth diversity for the concluding heat. Opening up were A Little Bitter. The trio are renowned as a powerful blend of metal and melody, but knowing this was for slots at Bloodstock and Wacken they toughened up their sound yet still retained the melody in the key arrangements.

Death metal act Shrouded are billed as having three members, but had a stand-in bassist for the night. Their death metal was smooth and silky in its terror. There is plenty of potential for such a young act to develop further once they iron out a few live kinks.

Cursed Sun come on the stage storming, angry and vicious. Their hard-edged extreme sound pouring forth like a tumour of metal malignancy, yet joyous in their intensity. Many individuals throughout the heats had left the stage to play segments, but when Jonesy leapt from the stage he prowled, stalked and climbed to deliver the band's dystopian odes.

Concluding the heats were hard rockers Dead Addiction, who have been growing in stature as they have begun to notch up more live slots. With solid songs to build their sound upon and the ability within the band musically.

Qualifiers: A Little Bitter and Dead Addiction

Semi Final One

 
As the crowd assembled for the first semi-final the pressure on the judges was increasing, especially as they were to have a greater influence on the votes.
 
Opening up were A Little Bitter, who retained their more muscular sound, but it was apparent that the sound was going to affect all the acts performances. Still, A Little Bitter stuck to their guns and bellowed out a stormer.
 
As the stakes were so high the bands all raised their game. Conjuring Fate kept their intensity from the heats and performed with aplomb, once again engaging an audience familiar with their songs.
 
Perhaps the band to suffer most from the sound on the night were Sorrowfall, whose precision was lost in the mix as the guitar interplay and solos were not as defined for the audience. Nevertheless the weight of their sound came across well.
 
Donum Dei literally stomped their way on to the stage, undeterred by the mud in the mix; they took the set by the scruff of the neck and got down to business with a well balanced thrash set.

Wrapping up the semi-final were Dead Addiction, whose good time hard rock overcame the sound problems by laying on a musical feelgood party.
 
Finalists: Conjuring Fate and Donum Dei
 

Semi Final Two


Qualifier Proxist were forced to pull out of the semi final with their singer unwell.

Opening up the now four-band line up were Altus. Since the heats they had installed a new drummer, and it made a difference, with more doom, more malice and more intent across the sound; and Sleeve poured his soul into each song.

Sinocence delivered their set, as always, with precision. But, this was a set marked by a sense of attitude raging from Moro with a sense of controlled anger coming across, especially on tracks from No Gods, No Masters Vol 2.

With their four-guitar attack Rule of Six's wonderfully bonkers songs and interplay they came across as a band with loads more to deliver and a real sense between them and the audience of having a lot of metallic fun.

When Overoth hit the stage they came to conquer with a callous disregard for anything else other than delivering some delightful death metal: as measured as a surgeon cutting out diseased flesh.

Finalists: Sinocence and Overoth.

So, that was that - five heats, two semis and now a final on May 8th at Belfast's Voodoo.  Throughout all the rounds what was clear is that there is quality, diversity, songwriting and much more in Northern Ireland's hard rock and metal scene. Maybe there's something in the water....

May 8th - the final, a fiver, doors at 8pm and a fifth wildcard band to be added.

And, what's more the judges and the audience have no say, as a representative of Bloodstock will be there to have the final say.

Come along, support the scene and...there's also a raffle for a case of Hobgoblin beer and...tickets to fucking Bloodstock!

Words by Jonny
Photo credits: Darren McVeigh, Carolyn McGimpsey, and Marty Johnston -  many thanks to them all -  a selection is also below. All these photos are the copyright and intellectual property of the photographers. If you wish to use under licence or purchase please contact the photographers directly.